London Group Collection

Salisbury Cathedral (oil)
PCD282337 Salisbury Cathedral (oil) by Ginner, Charles (1878-1952); Private Collection; Piccadilly Gallery, London, UK

The First Searchlights at Charing Cross, 1914 (oil on canvas)
LMG99611 The First Searchlights at Charing Cross, 1914 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 60.9x40.6 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Penally Cottage, Boscastle, 1916 (oil on canvas)
CH401758 Penally Cottage, Boscastle, 1916 (oil on canvas) by Ginner, Charles (1878-1952); 68.5x51 cm; Private Collection; Photo © Christie's Images

Snow in Bloomsbury, 1929 (oil on canvas)
CH401755 Snow in Bloomsbury, 1929 (oil on canvas) by Ginner, Charles (1878-1952); 76.2x55.9 cm; Private Collection; Photo © Christie's Images

Church Farm, Shipley (oil on canvas)
BAG46216 Church Farm, Shipley (oil on canvas) by Ginner, Charles (1878-1952); 50.8x61 cm; Bristol Museum and Art Gallery, UK; (add.info.: by Charles Ginner); © Bristol Museums

London Terrace (w/c, pen & ink on paper)
RWS137235 London Terrace (w/c, pen & ink on paper) by Ginner, Charles (1878-1952); Trustees of the Royal Watercolour Society, London, UK; © Royal Watercolour Society

The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper)
CH401757 The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper) by Ginner, Charles (1878-1952); 38.1x30.5 cm; Private Collection; (add.info)

Village Rooftops (oil)
PCD282363 Village Rooftops (oil) by Ginner, Charles (1878-1952); Private Collection; (add.info.: possibly Oxted, Surrey?;); Piccadilly Gallery, London, UK

In the Valency Valley, 1920 (oil on canvas)
PCD282339 In the Valency Valley, 1920 (oil on canvas) by Ginner, Charles (1878-1952); 50.5x61 cm; Private Collection; (add.info.: near Boscastle, Cornwall;); Piccadilly Gallery, London, UK

Penally Hill, Cornwall, 1916 (oil on canvas)
PCD282360 Penally Hill, Cornwall, 1916 (oil on canvas) by Ginner, Charles (1878-1952); 61x51 cm; Private Collection; Piccadilly Gallery, London, UK

Flask Walk under Snow, 1937 (oil on canvas)
CH401756 Flask Walk under Snow, 1937 (oil on canvas) by Ginner, Charles (1878-1952); 50.8x40.6 cm; Private Collection; Photo © Christie's Images

Still life with flowers
CBR76455 Still life with flowers by Meninsky, Bernard (1891-1950); 54.6x38.1 cm; Private Collection; Photo © Connaught Brown, London; English, out of copyright

Portrait of Jacob Epstein (1880-1959) 1909 (drypoint etching in dark brown ink)
WFA124289 Portrait of Jacob Epstein (1880-1959) 1909 (drypoint etching in dark brown ink) by Dodd, Francis (1874-1949); 40.6x30.5 cm; Wolseley Fine Arts, London, UK

Wings Over Water, 1931-32 (oil on canvas)
LMG100036 Wings Over Water, 1931-32 (oil on canvas) by Hodgkins, Frances (1869-1947); 68.8x96.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries

The Eldorado, Paris, c. 1906
BI88666 The Eldorado, Paris, c.1906 by Sickert, Walter Richard (1860-1942); 48.2x59 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Horse Dealers at the Barbican, 1918 (oil on canvas)
CH401852 Horse Dealers at the Barbican, 1918 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 55.1x64.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Adelaide Road in Sunlight, 1910 (oil on canvas)
POL275728 Adelaide Road in Sunlight, 1910 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 48.3x61 cm; Private Collection; Susannah Pollen Ltd; English, out of copyright

Interior (oil on canvas)
AGN125661 Interior (oil on canvas) by Gilman, Harold (1876-1919); 16x18 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Juliet and Her Nurse, 1935 / 6 (oil on canvas)
LMG109142 Juliet and Her Nurse, 1935/6 (oil on canvas) by Sickert, Walter Richard (1860-1942); 76.2x61 cm; Leeds Museums and Galleries (Leeds Art Fund); (add.info)

In Sickerts House, 1907 (oil on canvas)
LMG108833 In Sickerts House, 1907 (oil on canvas) by Gilman, Harold (1876-1919); 59.7x45.7 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

In Gloucestershire, c. 1916 (oil on canvas)
LMG211095 In Gloucestershire, c.1916 (oil on canvas) by Gilman, Harold (1876-1919); 59.7x46.3 cm; Leeds Museums and Galleries (Leeds Art Fund); eLeeds Museums and Galleries; English, out of copyright

The Cricket Match, 1909 (oil on canvas)
WAK64261 The Cricket Match, 1909 (oil on canvas) by Gore, Spencer Frederick (1878-1914); 50.8x61 cm; The Hepworth Wakefield, West Yorkshire, UK; eThe Hepworth Wakefield; English, out of copyright

West Country Landscape (oil on canvas)
CH401851 West Country Landscape (oil on canvas) by Bevan, Robert Polhill (1865-1925); 45.5x58.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Old Lady (oil on canvas)
BAG46222 The Old Lady (oil on canvas) by Gilman, Harold (1876-1919); 34.2x29.8 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased, 1948.; English

Interior with Nude (oil on canvas)
LMG162261 Interior with Nude (oil on canvas) by Gore, Spencer Frederick (1878-1914); 55.8x40.6 cm; Leeds Museums and Galleries (Leeds Art Fund); eLeeds Museums and Galleries; English, out of copyright

The Cafe Suisse, or Cafe des Arcades, Dieppe (oil on canvas)
LMG100063 The Cafe Suisse, or Cafe des Arcades, Dieppe (oil on canvas) by Sickert, Walter Richard (1860-1942); 53.3x38.1 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Showing at Tattersalls (oil on canvas)
AMO96923 Showing at Tattersalls (oil on canvas) by Bevan, Robert Polhill (1865-1925); 58x71 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

A Beech Wood (oil on canvas)
AGN130353 A Beech Wood (oil on canvas) by Gilman, Harold (1876-1919); 48.3x59.7 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Studio Interior (oil on canvas)
OFW265000 Studio Interior (oil on canvas) by Gilman, Harold (1876-1919); 31.7x27.3 cm; Private Collection; (add.info.: possibly painted c.1908-09; ); Photo eOffer Waterman & Co.; English

Weeping Ash, 1923 (oil on canvas)
CH401853 Weeping Ash, 1923 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 71.1x58.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Breakfast Table, 1911 (oil on canvas)
SOU104923 The Breakfast Table, 1911 (oil on canvas) by Gilman, Harold (1876-1919); 77x61 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; English, out of copyright

Boy in Bedroom, c. 1920 (oil on board)
2957160 Boy in Bedroom, c.1920 (oil on board) by Wood, Christopher (1901-30); 16x24 cm; Private Collection; (add.info.: Also known as Kit Wood.); English, out of copyright

The Tea Cup (oil on canvas) (detail of 125660)
AGN122666 The Tea Cup (oil on canvas) (detail of 125660) by Gilman, Harold (1876-1919); 59.7x49.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Norwegian Interior, 1913 (oil on canvas)
AGN125662 Norwegian Interior, 1913 (oil on canvas) by Gilman, Harold (1876-1919); 71x56 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

The Tea Cup (oil on canvas)
AGN125660 The Tea Cup (oil on canvas) by Gilman, Harold (1876-1919); 59.7x49.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Self Portrait, c. 1911 (silverpoint)
WFA80831 Self Portrait, c.1911 (silverpoint) by Nevinson, Christopher Richard Wynne (1889-1946); 28x22.5 cm; Wolseley Fine Arts, London, UK; English, out of copyright

Sylvia (oil on canvas)
AGN125663 Sylvia (oil on canvas) by Gilman, Harold (1876-1919); 59.7x44.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Interior with Nude (oil on canvas)
LMG162259 Interior with Nude (oil on canvas) by Gilman, Harold (1876-1919); 50.8x40.6 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Morning, the South Downs, 1906 (oil on canvas)
CH401850 Morning, the South Downs, 1906 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 56.4x45.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

London Street in the Snow, 1917 (oil on canvas)
AGN342918 London Street in the Snow, 1917 (oil on canvas) by Gilman, Harold (1876-1919); 49.5x39.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Lilies, 1917 (oil on canvas)
BAG46225 Lilies, 1917 (oil on canvas) by Fry, Roger Eliot (1866-1934); 90.1x46.9 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by the Contemporary Art Society

Interior with Mrs Mounter, 19th century (oil on canvas)
AMO98721 Interior with Mrs Mounter, 19th century (oil on canvas) by Gilman, Harold (1876-1919); 51x76 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Noctes Ambrosianae (Ambrosian Nights) 1906 (etching & aquatint)
BOL93949 Noctes Ambrosianae (Ambrosian Nights) 1906 (etching & aquatint) by Sickert, Walter Richard (1860-1942); 21.5x25 cm; Bolton Museum and Art Gallery, Lancashire

The Nurse, 1908 (oil on canvas)
BIR190003 The Nurse, 1908 (oil on canvas) by Gilman, Harold (1876-1919); 61.4x31.1 cm; Birmingham Museums and Art Gallery; English, out of copyright

Interior scene, possibly in Norway, c. 1912 (oil on canvas)
XYC261311 Interior scene, possibly in Norway, c.1912 (oil on canvas) by Gilman, Harold (1876-1919); 61.3x47 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

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The London Group: A Captivating Glimpse into the City's Artistic Soul Step back in time and immerse yourself in the enchanting world of the London Group, a collective of talented artists who captured the essence of this vibrant city through their masterful creations. From bustling streets to serene landscapes, their artworks transport us to different eras, evoking a sense of nostalgia and wonder. One such masterpiece is "The First Searchlights at Charing Cross, 1914. " Painted with meticulous detail on canvas, it depicts the awe-inspiring sight of searchlights illuminating the night sky during World War I. The artist skillfully captures both the beauty and tension that permeated London during those tumultuous times. In contrast, "Penally Cottage, Boscastle, 1916" transports us to a tranquil countryside retreat. Through delicate brushstrokes on canvas, we are transported to an idyllic cottage nestled amidst nature's embrace. The play of light and shadow creates a sense of serenity that beckons us to escape from the hustle and bustle of urban life. London's ever-changing weather takes center stage in "Snow in Bloomsbury, 1929. " This oil painting showcases snowflakes gently descending upon iconic buildings as pedestrians navigate slippery sidewalks below. It serves as a reminder that even amid chaos and coldness, there is still beauty to be found within this metropolis. Moving away from cityscapes but staying within its boundaries is "Salisbury Cathedral, " an exquisite depiction rendered with oils. The artist captures every intricate detail - from towering spires reaching towards heaven to delicate stained glass windows - transporting viewers into one of London's most cherished architectural wonders. Venturing further outwards brings us to "Church Farm, Shipley, " another captivating piece painted on canvas. Here we witness rural tranquility unfold before our eyes; rolling green fields dotted with farmhouses create an atmosphere of peace and simplicity, reminding us of the city's close proximity to nature.