Fraud Blocker Skip to main content

Log Seller Collection

Caption: The Log Seller - A Symbol of Change and Controversy in the World of Media This captivating illustration from Le Pelerin, dated 03/05/08

Background imageLog Seller Collection: France, Ile-de-France, Paris (75): Newspaper merchant and post office

France, Ile-de-France, Paris (75): Newspaper merchant and post office, 1910 - stationery article of office magazine
LUX4725360 France, Ile-de-France, Paris (75): Newspaper merchant and post office, 1910 - stationery article of office magazine illustrates madam and gentleman, auxiliary post, auxiliary post

Background imageLog Seller Collection: History of the French periodic press: satirical vignette published at the time of the founding of

History of the French periodic press: satirical vignette published at the time of the founding of the periodic Gazette
ELD4961141 History of the French periodic press: satirical vignette published at the time of the founding of the periodic Gazette Cre in 1631 with the support of Richelieu by Theophraste Renaudot

Background imageLog Seller Collection: Illustration by Jules Renard Draner (1833-1926) in Le Charivari, 1887-5-23 - Censorship, Press/Media

Illustration by Jules Renard Draner (1833-1926) in Le Charivari, 1887-5-23 - Censorship, Press/Media
ICA4947901 Illustration by Jules Renard Draner (1833-1926) in Le Charivari, 1887-5-23 - Censorship, Press/Media; (add.info.: Illustration by Jules Renard Draner (1833-1926) in Le Charivari

Background imageLog Seller Collection: L Plate au beurre, number 47, Satirique en couleurs, 1902_3_8: Press / Media

L Plate au beurre, number 47, Satirique en couleurs, 1902_3_8: Press / Media
ICA4876942 L Plate au beurre, number 47, Satirique en couleurs, 1902_3_8: Press/Media, Metiers - Camelot vendant ambulant - Illustration by Francisco Sancha Lengo (1874-1936) by Sancha y Lengo

Background imageLog Seller Collection: L Assiette au Beurre, number 463, Satirique en couleurs, 1910_2_12: Censorship

L Assiette au Beurre, number 463, Satirique en couleurs, 1910_2_12: Censorship
ICA4915735 L Assiette au Beurre, number 463, Satirique en couleurs, 1910_2_12: Censorship, Press/Media, Sexuality, Newspaper kiosks - by Radiguet, Maurice (1866-1941); Photo eCaricadoc; French

Background imageLog Seller Collection: Result of French elections, May 1902 illustration from French publication Le petit

Result of French elections, May 1902 illustration from French publication Le petit
XEE4156465 Result of French elections, May 1902 illustration from French publication Le petit Journal, may 4 1902 (engraving) by French School

Background imageLog Seller Collection: L Plate au beurre, number 319, Satirique en couleurs, 1907_5_11: Censorship

L Plate au beurre, number 319, Satirique en couleurs, 1907_5_11: Censorship
ICA4910856 L Plate au beurre, number 319, Satirique en couleurs, 1907_5_11: Censorship, Press/Media, Religion, Train, Newspaper kiosks

Background imageLog Seller Collection: A crier of newspapers in 1845, engraving, private collection - Newspaper Seller at Paris

A crier of newspapers in 1845, engraving, private collection - Newspaper Seller at Paris
JLJ4638570 A crier of newspapers in 1845, engraving, private collection - Newspaper Seller at Paris, 1845, engraving, Private Collection by Anonymous; Private Collection; (add.info)

Background imageLog Seller Collection: The Little Chimney-Sweep, pub. 1808 (hand coloured engraving)

The Little Chimney-Sweep, pub. 1808 (hand coloured engraving)
2491748 The Little Chimney-Sweep, pub. 1808 (hand coloured engraving) by Cruikshank, George (1792-1878) & Isaac (1756-1811); Private Collection; The Stapleton Collection; English, out of copyright

Background imageLog Seller Collection: La T. S. F. : radio - newspaper. Newspaper salesman on a liner

La T. S. F. : radio - newspaper. Newspaper salesman on a liner
XEE4140888 La T.S.F.: radio - newspaper. Newspaper salesman on a liner. Anonymous illustration from 1925. Private collection

Background imageLog Seller Collection: L Plate au beurre, Satirique en Colours: Press / Medias

L Plate au beurre, Satirique en Colours: Press / Medias
ICA4875778 L Plate au beurre, Satirique en Colours: Press/Medias, Verifier dates - Camelot vendant ambulant - Illustration by Adolphe (Willette) (1857-1926) by Willette

Background imageLog Seller Collection: The Little Chimney-Sweep, 1808

The Little Chimney-Sweep, 1808
The Little Chimney-Sweep, pub. 1808 (hand coloured engraving)


All Professionally Made to Order for Quick Shipping

Caption: The Log Seller - A Symbol of Change and Controversy in the World of Media This captivating illustration from Le Pelerin, dated 03/05/08, takes us back to the vibrant era known as "The Century of Zola. " Amidst a backdrop filled with religious faith, family values, pornography debates, and newspaper kiosks lining the streets of Rue alley, we are introduced to an intriguing character - the log seller. In this satirical portrayal from L Plate au beurre (number 47), dating back to 1902_3_8, we witness a unique blend of press and media elements. The log seller seems to symbolize both censorship and freedom simultaneously. As he traverses through time and space within various illustrations like L Assiette au Beurre (number 463) from 1910_2_12 or L Plate au beurre (number 319) from 1907_5_11, his presence becomes synonymous with these controversial themes. Looking further into history brings us face-to-face with another depiction captured in a private collection engraving titled "A Crier of Newspapers in 1845. " This portrayal showcases how even during earlier times, newspaper sellers played an essential role in disseminating information amidst societal changes. Interestingly enough, this theme transcends beyond print media alone. In "La T. S. F. : radio-newspaper, " we see that even on a liner ship crossing vast oceans or within the realm of emerging technologies like radio waves; the log seller's image remains relevant. Through these diverse representations found across publications such as Satirique en Couleurs or Metiers section featured in L Plate au beurre (number 226), it becomes evident that this figure embodies not only the ever-evolving world of press but also reflects society's ongoing struggle between censorship and expression.