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Leonardo Da Vinci Collection (page 4)

Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science

Background imageLeonardo Da Vinci Collection: The Return of the Mona Lisa, 1914 (oil on canvas)

The Return of the Mona Lisa, 1914 (oil on canvas)
PNH356235 The Return of the Mona Lisa, 1914 (oil on canvas) by Nicholson, William (1872-1949); 44.5x58.4 cm; Private Collection; (add.info)

Background imageLeonardo Da Vinci Collection: Leonardo di ser Piero da Vinci, from Living Biographies of Great Painters

Leonardo di ser Piero da Vinci, from Living Biographies of Great Painters
3960932 Leonardo di ser Piero da Vinci, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: Leonardo di ser Piero da Vinci, 1452-1519)

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci

Leonardo da Vinci (Sepia toned) XXXL

Background imageLeonardo Da Vinci Collection: Two Grotesque Heads, 1538-73. Creator: Hans Liefrinck

Two Grotesque Heads, 1538-73. Creator: Hans Liefrinck
Two Grotesque Heads, 1538-73

Background imageLeonardo Da Vinci Collection: Virgin and Child with the infant Saint John the Baptist... 1825

Virgin and Child with the infant Saint John the Baptist... 1825
Virgin and Child with the infant Saint John the Baptist, before a landscape, in a tondo (La Madonna del Lago - Madonna of the Lake), 1825

Background imageLeonardo Da Vinci Collection: The Last Supper, with a Spaniel, ca. 1500. Creator: Giovan Pietro Birago

The Last Supper, with a Spaniel, ca. 1500. Creator: Giovan Pietro Birago
The Last Supper, with a Spaniel, ca. 1500. [Amen dico vobis quia un vestrum me traditurus e - Verily I say unto you, that one among you will betray me]. Attributed to Giovanni Pietro da Birago

Background imageLeonardo Da Vinci Collection: Head of an old man, ca. 1490-1525. Creator: Giovanni Antonio da Brescia

Head of an old man, ca. 1490-1525. Creator: Giovanni Antonio da Brescia
Head of an old man, ca. 1490-1525. Formerly attributed to Andrea Mantegna

Background imageLeonardo Da Vinci Collection: Dragon killing a lion, drawing by Leonardo da Vinci. Gabinetto dei Disegni e Stampe

Dragon killing a lion, drawing by Leonardo da Vinci. Gabinetto dei Disegni e Stampe, Uffizi Gallery, Florence
3565861 Dragon killing a lion, drawing by Leonardo da Vinci. Gabinetto dei Disegni e Stampe, Uffizi Gallery, Florence by Vinci, Leonardo da (1452-1519); Gabinetto dei Disegni e Stampe

Background imageLeonardo Da Vinci Collection: Study of male head for the Battle of Anghiari, drawing by Leonardo da Vinci

Study of male head for the Battle of Anghiari, drawing by Leonardo da Vinci, sanguine on pinkish paper
3572631 Study of male head for the Battle of Anghiari, drawing by Leonardo da Vinci, sanguine on pinkish paper, preserved in the Museum of Fine Arts of Budapest

Background imageLeonardo Da Vinci Collection: St. Sebastian; silver point drawing on white paper by Leonardo da Vinci

St. Sebastian; silver point drawing on white paper by Leonardo da Vinci. Kunsthalle, Room of Prints and Drawings
3572621 St. Sebastian; silver point drawing on white paper by Leonardo da Vinci. Kunsthalle, Room of Prints and Drawings, Hamburg

Background imageLeonardo Da Vinci Collection: Study for the folds of the dress of a female figure; silverpoint

Study for the folds of the dress of a female figure; silverpoint and wash drawing heightened with white on red paper
3572619 Study for the folds of the dress of a female figure; silverpoint and wash drawing heightened with white on red paper, by Leonardo da Vinci

Background imageLeonardo Da Vinci Collection: Study of shepherds for the Adoration of the Magi; pen drawing on white paper by Leonardo da Vinci

Study of shepherds for the Adoration of the Magi; pen drawing on white paper by Leonardo da Vinci preserved in
3572618 Study of shepherds for the Adoration of the Magi; pen drawing on white paper by Leonardo da Vinci preserved in the Wallraff-Richartz Museum in Cologne

Background imageLeonardo Da Vinci Collection: Study of a masculine head; drawing by Leonardo da Vinci. The Louvre, Paris

Study of a masculine head; drawing by Leonardo da Vinci. The Louvre, Paris
3566086 Study of a masculine head; drawing by Leonardo da Vinci. The Louvre, Paris by Vinci, Leonardo da (1452-1519); Louvre, Paris

Background imageLeonardo Da Vinci Collection: Senile male portrait; drawing by Leonardo da Vinci. The Louvre, Paris

Senile male portrait; drawing by Leonardo da Vinci. The Louvre, Paris
3566083 Senile male portrait; drawing by Leonardo da Vinci. The Louvre, Paris by Vinci, Leonardo da (1452-1519); Louvre, Paris

Background imageLeonardo Da Vinci Collection: Study of the face of the infant St. John for the Madonna of the Rocks; drawing by Leonardo da

Study of the face of the infant St. John for the Madonna of the Rocks; drawing by Leonardo da Vinci. The Louvre, Paris
3566079 Study of the face of the infant St. John for the Madonna of the Rocks; drawing by Leonardo da Vinci. The Louvre, Paris by Vinci, Leonardo da (1452-1519); Louvre, Paris

Background imageLeonardo Da Vinci Collection: Bust of a man in profile with proportions, study of a horse and riders, c

Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper)
3565993 Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper) by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Battle scene; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice

Battle scene; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice
3565992 Battle scene; drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Womans face, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice

Womans face, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice
3565985 Womans face, drawing by Leonardo da Vinci. Gallerie dell Accademia, Venice by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Portrait of Leonardo da Vinci, copy of Selfportrait of Leonardo da Vinci, sanguigna

Portrait of Leonardo da Vinci, copy of Selfportrait of Leonardo da Vinci, sanguigna, Accademia Gallery, Venice
3565982 Portrait of Leonardo da Vinci, copy of Selfportrait of Leonardo da Vinci, sanguigna, Accademia Gallery, Venice by Vinci, Leonardo da (1452-1519) (after); Gallerie dell Accademia, Venice

Background imageLeonardo Da Vinci Collection: Youths head; drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery

Youths head; drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence
3565902 Youths head; drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence by Vinci, Leonardo da (1452-1519); Gabinetto dei Disegni e Stampe

Background imageLeonardo Da Vinci Collection: Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with

Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with
827893 Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with white on linen) by Vinci, Leonardo da (1452-1519); 28.8x18.1 cm; Private Collection; (add.info)

Background imageLeonardo Da Vinci Collection: Madonna and Child with a Pomegranate, 1475-80 (oil on poplar panel)

Madonna and Child with a Pomegranate, 1475-80 (oil on poplar panel)
3740829 Madonna and Child with a Pomegranate, 1475-80 (oil on poplar panel) by Credi, Lorenzo di (1456-1536); 16.5x13.4 cm; National Gallery of Art, Washington DC

Background imageLeonardo Da Vinci Collection: La Cene de Leonard de Vinci, Refectoire du Couvent de Santa Maria delle Grazie, a Milan (engraving)

La Cene de Leonard de Vinci, Refectoire du Couvent de Santa Maria delle Grazie, a Milan (engraving)
5199914 La Cene de Leonard de Vinci, Refectoire du Couvent de Santa Maria delle Grazie, a Milan (engraving) by Italian School

Background imageLeonardo Da Vinci Collection: Leonardo Da Vinci (engraving)

Leonardo Da Vinci (engraving)
670013 Leonardo Da Vinci (engraving) by English School, (19th century); Private Collection; (add.info.: Leonardo Da Vinci)

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci collaborating on the construction of Milan Catherdal under the orders of

Leonardo da Vinci collaborating on the construction of Milan Catherdal under the orders of Ludovico Sforza (chromolitho)
2782718 Leonardo da Vinci collaborating on the construction of Milan Catherdal under the orders of Ludovico Sforza (chromolitho) by European School

Background imageLeonardo Da Vinci Collection: Le roi achetant la Joconde, a Leonard de Vinci (colour litho)

Le roi achetant la Joconde, a Leonard de Vinci (colour litho)
3095685 Le roi achetant la Joconde, a Leonard de Vinci (colour litho) by Robida, Albert (1848-1926); Private Collection; (add.info.: Le roi achetant la Joconde, a Leonard de Vinci)

Background imageLeonardo Da Vinci Collection: The Redeemer (red chalk on paper)

The Redeemer (red chalk on paper)
ALI152188 The Redeemer (red chalk on paper) by Vinci, Leonardo da (1452-1519); Pinacoteca di Brera, Milan, Italy; Alinari

Background imageLeonardo Da Vinci Collection: Leonardo Da Vinci (engraving)

Leonardo Da Vinci (engraving)
5238275 Leonardo Da Vinci (engraving) by French School, (19th century); Private Collection; (add.info.: Leonardo Da Vinci. Illustration for Les Arts au Moyen Age by Paul Lacroix (Firmin Didot, 1869)

Background imageLeonardo Da Vinci Collection: Portraits of Michelangelo, Lorenzo de Medici, Duke of Urbino

Portraits of Michelangelo, Lorenzo de Medici, Duke of Urbino
3964326 Portraits of Michelangelo, Lorenzo de Medici, Duke of Urbino, Giuliano dei Medici and Leonardo da Vinci, detail from Pope Leo X Elects Numerous Cardinals, 1553-85 (fresco) by Vasari

Background imageLeonardo Da Vinci Collection: La Belle Ferronniere, c. 1802-06 (black chalk and wash on paper) (b / w photo)

La Belle Ferronniere, c. 1802-06 (black chalk and wash on paper) (b / w photo)
BI110030 La Belle Ferronniere, c.1802-06 (black chalk and wash on paper) (b/w photo) by Ingres, Jean Auguste Dominique (1780-1867); 52.5x41.8 cm; The Henry Barber Trust

Background imageLeonardo Da Vinci Collection: Head of a Woman in Profile (red chalk on paper)

Head of a Woman in Profile (red chalk on paper)
ALI152182 Head of a Woman in Profile (red chalk on paper) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: see 152184; ); Alinari

Background imageLeonardo Da Vinci Collection: Head of a Young Girl (pencil on paper)

Head of a Young Girl (pencil on paper)
ALI152185 Head of a Young Girl (pencil on paper) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany, Italy; Alinari

Background imageLeonardo Da Vinci Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c. 1498 (fresco)
ALI246096 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Background imageLeonardo Da Vinci Collection: La Belle Otero and Mistinguett as the Mona Lisa, from an article

La Belle Otero and Mistinguett as the Mona Lisa, from an article
CHT247704 La Belle Otero and Mistinguett as the Mona Lisa, from an article Les Sourires qui Nous Restent in Comoedia Illustre, 1911 (b/w photo) by Talbot

Background imageLeonardo Da Vinci Collection: Leonardo Da Vinci, as a boy, in the studio of Vervechio (engraving)

Leonardo Da Vinci, as a boy, in the studio of Vervechio (engraving)
2817234 Leonardo Da Vinci, as a boy, in the studio of Vervechio (engraving) by English School, (19th century); Private Collection; (add.info.: Leonardo Da Vinci, as a boy, in the studio of Vervechio)

Background imageLeonardo Da Vinci Collection: Cherries and peas: drawing by Leonardo da Vinci, part of the Codex B (2173), c

Cherries and peas: drawing by Leonardo da Vinci, part of the Codex B (2173), c
3572628 Cherries and peas: drawing by Leonardo da Vinci, part of the Codex B (2173), c.2r, housed in the Institut de France, in Paris by Vinci

Background imageLeonardo Da Vinci Collection: Head of a man (litho)

Head of a man (litho)
3566081 Head of a man (litho) by Master of the Pala Sforzesca, (fl.1480-1520); 23.1x16.4 cm; Biblioteca della Stamperia d Arte Fratelli Alinari

Background imageLeonardo Da Vinci Collection: Madonna and Child, drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe

Madonna and Child, drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence
3565891 Madonna and Child, drawing by Leonardo da Vinci. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence by Vinci, Leonardo da (1452-1519); Gabinetto dei Disegni e Stampe



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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.