Left Shoulder Collection

Man Bulgarian Coast Bulgarian coast Standing
Man from the Bulgarian Coast, A Bulgarian from the coast. Standing, full-length, in front of a ruin, the staff over the left shoulder, folk costume, regional costume, standing figure, Turkey

Portrait William IV Prince Orange Willem IV 1711-51
Portrait of William IV, Prince of Orange, Portrait of Willem IV (1711-51), Prince of Orange-Nassau. Standing, half-length, an ermine cloak over the left shoulder

Verona Sketchbook Female nude looking left shoulder
Verona Sketchbook: Female nude looking over left shoulder (page 74), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.)

Battlefield horseman looking left shoulder stripped corpse
Artokoloro

Antique bust woman 1645 Etching first state two
Artokoloro

Cleansing Temple Christ driving money-changers
Artokoloro

Studies Libyan Sibyl recto small Sketch Seated Figure
Artokoloro

Young St John Baptist seated rock hairskin draped
Artokoloro

Weceslaus Hollar 1649 Etching second state five
Artokoloro

Bust young woman elaborate headdress looking down
Artokoloro

Self-Portrait 17th century Etching third state
Artokoloro

Head old man tufts curly hair ear profile left
Artokoloro

Woman infant satyr landscape woman twisting look
Artokoloro

gentleman right arm outstretched cloak left shoulder
Artokoloro

Head young woman profile right 1645 Etching state
Artokoloro

Winged female figure draped carrying staff striding
Artokoloro

Halberdier walking left carrying halberd left shoulder
Artokoloro

Portrait Young Man Three-Quarter View Looking
Artokoloro

gentleman walking up parapet cloak left shoulder
Artokoloro

Head young man long hair profile left 1644-52
Artokoloro

Left armpit nerve plexus, artwork C016 / 6812
Left armpit nerve plexus. Artwork of the nerves (yellow), arteries (red), muscles (red-brown) and bones (light brown) of the left armpit, seen from the front

Left shoulder and nerve plexus, artwork C016 / 6810
Left shoulder and nerve plexus. Artwork of the nerves (yellow), arteries (red), and bones of the left shoulder, seen from the front

Left shoulder nerve plexus, artwork C016 / 6814
Left shoulder nerve plexus. Artwork of the nerves (yellow), arteries (red), muscles (red-brown) and bones (light brown) of the left shoulder, seen from the front

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"Exploring the Left Shoulder: A Journey Through Art and History" Delve into a captivating journey through time as we unravel the significance of the left shoulder in various artistic masterpieces. From regal portraits to haunting battlefields, this body part has played a role in capturing emotions and narratives throughout history. In William IV Prince Orange's portrait, his commanding presence is enhanced by his gaze towards his left shoulder, hinting at hidden depths within his character. On the Bulgarian coast, a man stands tall with an enigmatic expression, drawing our attention to his strong left shoulder that seems to carry stories untold. The Verona Sketchbook reveals a female nude looking over her left shoulder, inviting us to ponder upon her thoughts and secrets. Meanwhile, on a battlefield, a horseman gazes at a stripped corpse's left shoulder - an eerie reminder of the horrors of war etched forever in our collective memory. An antique bust of a woman from 1645 showcases intricate details such as her elaborate headdress while she looks down towards her own left shoulder. In Cleansing Temple Christ driving money-changers away painting, His stern gaze falls upon those who defile sacred spaces with their greed while His powerful arm points towards His own righteous left side. Libyan Sibyl studies captivate us with their small sketches of seated figures; one can't help but notice how they often turn their heads slightly towards their own left shoulders – perhaps contemplating divine wisdom or seeking inspiration from unseen realms. A young St John Baptist sits on a rock draped in hairskin; his serene face turned gently toward his favored side - the mysterious allure of what lies beyond captured effortlessly. Weceslaus Hollar's etching from 1649 presents us with five different states showcasing various perspectives on depicting the human form through its relationship with its ever-present companion –the alluring curve of the subject’s exposed left shoulder. A bust captures another young woman, her intricate headdress framing a gaze that looks downward towards her left shoulder.