Leatherwork Collection

Interior of a Cobbler's Shop, c.1650. Creator: David Ryckaert III
Interior of a Cobbler's Shop, c.1650

Saddle, c. 1937. Creator: Ranka S. Woods
Saddle, c. 1937

Powder Pouch, c. 1938. Creator: Howell Rosenbaum
Powder Pouch, c. 1938

Naval Primer Holder, c. 1939. Creator: Max Unger
Naval Primer Holder, c. 1939

Embroidered Leather Scabbard, c. 1936. Creator: Lyman Young
Embroidered Leather Scabbard, c. 1936

Leather Purse Top, c. 1940. Creator: Lyman Young
Leather Purse Top, c. 1940

Powder Horn, c. 1937. Creator: David P. Willoughby
Powder Horn, c. 1937

Powder Flask, c. 1940. Creator: Alf Bruseth
Powder Flask, c. 1940

Saddle, c. 1939. Creator: Joe Brennan
Saddle, c. 1939

Saddle, c. 1941. Creator: Hal Blakeley
Saddle, c. 1941

Pair of Gloves, Barcelona, c. 1800. Creator: Unknown
Pair of Gloves, Barcelona, c. 1800

Pair of Gloves, Barcelona, c. 1800. Creator: Unknown
Pair of Gloves, Barcelona, c. 1800

Gun Holster, c. 1936. Creator: Dana Bartlett
Gun Holster, c. 1936

Side Saddle, c. 1937. Creator: Frank C. Barks
Side Saddle, c. 1937

Side Saddle, c. 1937. Creator: Frank C. Barks
Side Saddle, c. 1937

Tanneries, Fez, Morocco, North Africa

Morocco - a leather goods boutique/shop/stall. Date: circa 1910s

Trunk, c. 1940. Creator: Georgine E. Mason
Trunk, c. 1940

Powder Flask, c. 1939. Creator: Claude Marshall
Powder Flask, c. 1939

Gun Holster, c. 1936. Creator: Eva Fox
Gun Holster, c. 1936

Saddle, c. 1936. Creator: Eva Fox
Saddle, c. 1936

Cowhide Trunk, c. 1941. Creator: Robert W. R. Taylor
Cowhide Trunk, c. 1941

Saddle, c. 1937. Creator: Gerald Transpota
Saddle, c. 1937

Tooled Leather Cover for Baptismal Font, 1936. Creator: Gerald Transpota
Tooled Leather Cover for Baptismal Font, 1936

Saddle, c. 1936. Creator: Gerald Transpota
Saddle, c. 1936

Double Rig Saddle, c. 1938. Creator: Cecil Smith
Double Rig Saddle, c. 1938

Book cover (leather)
5932534 Book cover (leather) by Egyptian, (14th century); 37.7 x 29.2 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Interior view of men and women working with leather at the New York Leather Belting Co
MNY381005 Interior view of men and women working with leather at the New York Leather Belting Co. New York, 1906 (silver gelatin print) by Byron Company (fl.1890-1942)

The Hat of Judge John Bradshaw, 17th century (leather)
1631470 The Hat of Judge John Bradshaw, 17th century (leather) by English School, (17th century); Ashmolean Museum, University of Oxford

MS CCC 282 The Corpus Christi Book Satchel or Budget, viewed from the back, Irish, c
CCC95542 MS CCC 282 The Corpus Christi Book Satchel or Budget, viewed from the back, Irish, c.1120-30 (leather) by Irish School (12th century); Corpus Christi College, Oxford, UK; Irish

The Hat of Judge John Bradshaw, 17th century (leather)
AMQ114284 The Hat of Judge John Bradshaw, 17th century (leather) by English School; Ashmolean Museum, University of Oxford

The Hat of Judge John Bradshaw, 17th century (leather)
AMQ114283 The Hat of Judge John Bradshaw, 17th century (leather) by English School, (17th century); Ashmolean Museum, University of Oxford

Leatherwork and Woodburning (chromolitho)
735568 Leatherwork and Woodburning (chromolitho) by European School, (19th century); Private Collection; (add.info.: Leatherwork and Woodburning)

Interior view of the New York Leather Belting Co. New York, 1906 (silver gelatin print)
MNY381008 Interior view of the New York Leather Belting Co. New York, 1906 (silver gelatin print) by Byron Company (fl.1890-1942); 20.3x25.4 cm; Museum of the City of New York

Interior view of a man working with leather at the New York Leather Belting Co
MNY381004 Interior view of a man working with leather at the New York Leather Belting Co. New York, 1906 (silver gelatin print) by Byron Company (fl.1890-1942)

Interior view of two men working with leather at the New York Leather Belting Co
MNY380998 Interior view of two men working with leather at the New York Leather Belting Co. New York, 1905 (silver gelatin print) by Byron Company (fl.1890-1942)

Interior view of two men working with leather and heavy equipment at the New York Leather
MNY380996 Interior view of two men working with leather and heavy equipment at the New York Leather Belting Co. New York, 1905 (silver gelatin print) by Byron Company (fl.1890-1942)

Tuhfat al-ahrar (Gift of the free), 1515-16 (leather)
5932542 Tuhfat al-ahrar (Gift of the free), 1515-16 (leather) by Uzbek School, (16th century); 24.3 x 15.9 cm; Freer Gallery of Art, Smithsonian Institution

Leather Covered Trunk, c. 1939. Creator: John Cutting
Leather Covered Trunk, c. 1939

Metal leatherworking riveter by Little Giant, ca. 1850-1900
An iron Little Giant leatherworking riveter. The riveter has a long lever connected to the riveter that moves upward when the lever is pushed down. A threaded bolt sits directly above riveter

Leatherwork for howitzers and 8 pdr guns, made at Swindon Works, c. 1915
This array of items shows the type of leatherwork that was undertaken at Swindon Works for both howitzers and 8 pdr guns, as requested by the Royal Arsenal

Boys At Summer Camp
United States: c. 1927. Boys at a summer camp working at the crafts table making belts, bracelets, and lanyards

Morocco, Marrakech, Souk el-Batna, stalls of skinners souk seen though hoof-shaped doorway

All Professionally Made to Order for Quick Shipping

Step into the vibrant world of leatherwork, where exquisite craftsmanship and timeless beauty come together. In Morocco, a land known for its rich cultural heritage, you'll find a plethora of leather goods boutiques and shops that showcase the artistry of this ancient craft. One such place is nestled in the heart of Fez, Morocco's oldest imperial city. Here, amidst the labyrinthine streets and bustling souks, lies a hidden gem - a leather goods boutique that transports you to another era. As you step inside, your senses are immediately awakened by the earthy scent of tanneries nearby. The shelves are adorned with an array of masterfully crafted pieces that tell stories from generations past. A trunk from 1940 catches your eye; its weathered exterior whispers tales of far-flung adventures and treasured memories. Nearby sits a powder flask from 1939, bearing intricate engravings that speak volumes about the skillful hands behind its creation. Moving along, you discover a gun holster from 1936 and saddle from Eva Fox - both showcasing her unparalleled talent in shaping cowhide into functional works of art. The attention to detail is awe-inspiring as you admire every stitch and tooling pattern on these remarkable pieces. Further exploration leads you to Robert W. R Taylor's cowhide trunk from 1941 - an embodiment of rugged elegance that stands as testament to his mastery over materials. Gerald Transpota's tooled leather cover for a baptismal font beckons with its delicate motifs etched onto supple hide; it exudes reverence and devotion in equal measure. As your journey nears its end, Cecil Smith's double rig saddle captures your imagination with its impeccable design and durability - truly fit for any equestrian enthusiast seeking both style and functionality. In this realm where tradition meets innovation, each piece tells a unique story woven through time-honored techniques passed down through generations. Leatherwork transcends mere functionality.