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Leaning On Elbow Collection (page 10)

"Captivating Elegance

Background imageLeaning On Elbow Collection: Portrait of Robert Kennicott (1835-1866), Between 1859 and 1866

Portrait of Robert Kennicott (1835-1866), Between 1859 and 1866

Background imageLeaning On Elbow Collection: Portrait of William Bower Taylor (1821-1895), 1894. Creator: Frederick Gutekunst

Portrait of William Bower Taylor (1821-1895), 1894. Creator: Frederick Gutekunst
Portrait of William Bower Taylor (1821-1895), 1894

Background imageLeaning On Elbow Collection: Portrait of William Bower Taylor (1821-1895), April 1893. Creator: Frederick Gutekunst

Portrait of William Bower Taylor (1821-1895), April 1893. Creator: Frederick Gutekunst
Portrait of William Bower Taylor (1821-1895), April 1893

Background imageLeaning On Elbow Collection: Portrait of James Dwight Dana (1813-1895), Before 1895. Creator: Unknown

Portrait of James Dwight Dana (1813-1895), Before 1895. Creator: Unknown
Portrait of James Dwight Dana (1813-1895), Before 1895

Background imageLeaning On Elbow Collection: Portrait of John Greene Webb (1824-1908), December 1875. Creator: John B Smith

Portrait of John Greene Webb (1824-1908), December 1875. Creator: John B Smith
Portrait of John Greene Webb (1824-1908), December 1875. At age 50

Background imageLeaning On Elbow Collection: John Marin, 1910. Creator: Alfred Stieglitz

John Marin, 1910. Creator: Alfred Stieglitz
John Marin, 1910. A work made of platinum print

Background imageLeaning On Elbow Collection: Untitled (Portrait of a Standing Man), 1860s. Creator: Unknown

Untitled (Portrait of a Standing Man), 1860s. Creator: Unknown
Untitled (Portrait of a Standing Man), 1860s. Black-and-white portrait photograph of a dark-skinned man in suit standing against a painted backdrop and leaving on a vine-covered stone

Background imageLeaning On Elbow Collection: Untitled (Portrait of a Seated Woman), 1880. Creator: Unknown

Untitled (Portrait of a Seated Woman), 1880. Creator: Unknown
Untitled (Portrait of a Seated Woman), 1880. Black-and-white portrait of a dark-skinned woman seated before a painted backdrop, in a dress with a lace collar, left arm resting on a small table

Background imageLeaning On Elbow Collection: Untitled (Portrait of a Seated Man), 1880. Creator: Unknown

Untitled (Portrait of a Seated Man), 1880. Creator: Unknown
Untitled (Portrait of a Seated Man), 1880. Black-and-white portrait photograph in a cream mat with gold decorative border of a dark-skinned man against a painted backdrop, with a book

Background imageLeaning On Elbow Collection: Boy Lying on His Stomach, 1918 (charcoal and pencil on paper)

Boy Lying on His Stomach, 1918 (charcoal and pencil on paper)
1196585 Boy Lying on His Stomach, 1918 (charcoal and pencil on paper) by Schiele, Egon (1890-1918); 31.2x49.9 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageLeaning On Elbow Collection: Woman Seated at a Cafe Table, c. 1872-1875 (pencil on paper)

Woman Seated at a Cafe Table, c. 1872-1875 (pencil on paper)
1195576 Woman Seated at a Cafe Table, c. 1872-1875 (pencil on paper) by Repin, Ilya Efimovich (1844-1930); 21.5x18.1 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Background imageLeaning On Elbow Collection: Study of a Reclining Female Nude, 1885 (lithograph)

Study of a Reclining Female Nude, 1885 (lithograph)
1195553 Study of a Reclining Female Nude, 1885 (lithograph) by Zichy, Mihaly von (1827-1906); 20.5x33 (approx) cm; Private Collection; Photo eChristies Images; Hungarian, out of copyright

Background imageLeaning On Elbow Collection: Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)

Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
1199575 Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imageLeaning On Elbow Collection: Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)

Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)
1199477 Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 33x21 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLeaning On Elbow Collection: Beauty in Pink, (oil on canvas, framed)

Beauty in Pink, (oil on canvas, framed)
1197537 Beauty in Pink, (oil on canvas, framed) by Madrazo y Garreta, Raimundo de (1841-1920); 82x66 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Background imageLeaning On Elbow Collection: The Contented Mother, 1872 (oil on canvas)

The Contented Mother, 1872 (oil on canvas)
1197536 The Contented Mother, 1872 (oil on canvas) by Stevens, Alfred Emile (1823-1906); 65x40 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageLeaning On Elbow Collection: At the Cafe; Au cafe, 1909 (oil on canvas)

At the Cafe; Au cafe, 1909 (oil on canvas)
1197533 At the Cafe; Au cafe, 1909 (oil on canvas) by Beraud, Jean (1849-1935); 51x61 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageLeaning On Elbow Collection: Las Horas Tristes, c. 1900 (oil on canvas)

Las Horas Tristes, c. 1900 (oil on canvas)
1197519 Las Horas Tristes, c.1900 (oil on canvas) by Casas i Carbo, Ramon (1866-1932); 61x50 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Background imageLeaning On Elbow Collection: Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)

Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)
1768005 Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board) by Toulouse-Lautrec, Henri de (1864-1901); 45.7x67.7 cm; Private Collection; (add.info)

Background imageLeaning On Elbow Collection: Seated Woman, 1909 (oil on board)

Seated Woman, 1909 (oil on board)
1195964 Seated Woman, 1909 (oil on board) by Jawlensky, Alexej von (1864-1941); 69.5x49 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageLeaning On Elbow Collection: The Declaration, 1885 (oil on canvas)

The Declaration, 1885 (oil on canvas)
1195558 The Declaration, 1885 (oil on canvas) by Makovsky, Alexander Vladimirovich (1869-1924); 24x17.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Background imageLeaning On Elbow Collection: A Prelude by Bach, 1868 (pencil and w / c on paper)

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLeaning On Elbow Collection: The Fisher Boy, 1870 (oil on canvas)

The Fisher Boy, 1870 (oil on canvas)
1199525 The Fisher Boy, 1870 (oil on canvas) by McTaggart, William (1835-1910); 45.2x32.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageLeaning On Elbow Collection: Woman Reading; Femme lisant, c. 1890 (pastel on paper)

Woman Reading; Femme lisant, c. 1890 (pastel on paper)
1197472 Woman Reading; Femme lisant, c. 1890 (pastel on paper) by Zandomeneghi, Federigo (1841-1917); 63.3x49.3 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageLeaning On Elbow Collection: Lewis R. Tomalin, 1909 (oil on canvas)

Lewis R. Tomalin, 1909 (oil on canvas)
1197048 Lewis R. Tomalin, 1909 (oil on canvas) by Orpen, William (1878-1931); 91.5x81.3 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Background imageLeaning On Elbow Collection: Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair

Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair
989698 Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair, 1813 (black lead on paper) by Ingres, Jean Auguste Dominique (1780-1867)

Background imageLeaning On Elbow Collection: The Letter from an Absent One, 1871 (black lead, pen and black ink

The Letter from an Absent One, 1871 (black lead, pen and black ink
989654 The Letter from an Absent One, 1871 (black lead, pen and black ink, watercolour on white paper) by Alma-Tadema, Lawrence (1836-1912); 39x26.4 cm; Private Collection; (add.info)

Background imageLeaning On Elbow Collection: A Seated Lady, three-quarter length, Presumably a Member of the Artist

A Seated Lady, three-quarter length, Presumably a Member of the Artist
989640 A Seated Lady, three-quarter length, Presumably a Member of the Artists Family holding a Letter in her left Hand and Resting her right Arm on the Side of a Piano

Background imageLeaning On Elbow Collection: Girls Reading, (oil on canvas)

Girls Reading, (oil on canvas)
989531 Girls Reading, (oil on canvas) by Carriere, Eugene (1849-1906); 64.8x91.5 cm; Private Collection; (add.info.: Girls Reading. Eugene Carriere (1849-1906). Oil on canvas

Background imageLeaning On Elbow Collection: The Neighbours, Terraces of Algiers, 1887 (oil on canvas)

The Neighbours, Terraces of Algiers, 1887 (oil on canvas)
989444 The Neighbours, Terraces of Algiers, 1887 (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 88.3x65.7 cm; Private Collection; (add.info.: The Neighbours)

Background imageLeaning On Elbow Collection: Reflection, 1898 (oil on canvas)

Reflection, 1898 (oil on canvas)
989271 Reflection, 1898 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 100.3x69.3 cm; Private Collection; (add.info.: Reflection. William Adolphe Bouguereau (1825-1905). Oil on canvas

Background imageLeaning On Elbow Collection: Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c

Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c
988857 Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c.1867 (pencil on paper laid on board) by Degas, Edgar (1834-1917); 45.1x28 cm; Private Collection; (add.info.: Eugenie Fiocre)

Background imageLeaning On Elbow Collection: The Beautiful Sicilian, (oil on canvas)

The Beautiful Sicilian, (oil on canvas)
987475 The Beautiful Sicilian, (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 40x30 cm; Private Collection; (add.info.: The Beautiful Sicilian; La Belle Sicilienne)

Background imageLeaning On Elbow Collection: The Milkmaid, c. 1890 (oil on canvas)

The Milkmaid, c. 1890 (oil on canvas)
987311 The Milkmaid, c.1890 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 146x99 cm; Private Collection; (add.info.: The Milkmaid; La Lechera. Joaquin Sorolla y Bastida (1863-1923)

Background imageLeaning On Elbow Collection: A Moments Reflection, 1875 (oil on canvas)

A Moments Reflection, 1875 (oil on canvas)
827041 A Moments Reflection, 1875 (oil on canvas) by Toulmouche, Auguste (1829-90); 66x54.5 cm; Private Collection; (add.info.: A Moments Reflection. Auguste Toulmouche (1829-1890). Oil on canvas

Background imageLeaning On Elbow Collection: Portrait de Gabrielle, (black chalk and pencil on paper)

Portrait de Gabrielle, (black chalk and pencil on paper)
826632 Portrait de Gabrielle, (black chalk and pencil on paper) by Renoir, Pierre Auguste (1841-1919); 62x48 cm; Private Collection; (add.info.: Portrait de Gabrielle)

Background imageLeaning On Elbow Collection: Gabrielle Leaning; Gabrielle Acoudee, (oil on canvas)

Gabrielle Leaning; Gabrielle Acoudee, (oil on canvas)
826344 Gabrielle Leaning; Gabrielle Acoudee, (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 29.5x23 cm; Private Collection; (add.info.: Gabrielle Leaning; Gabrielle Acoudee)

Background imageLeaning On Elbow Collection: A Classical Beauty, (watercolour on paper)

A Classical Beauty, (watercolour on paper)
987324 A Classical Beauty, (watercolour on paper) by Ryland, Henry (1856-1924); 43.2x52.1 cm; Private Collection; (add.info.: A Classical Beauty. Henry Ryland (1856-1924). Watercolour on paper

Background imageLeaning On Elbow Collection: Portrait of a Woman, 1755 (oil on canvas)

Portrait of a Woman, 1755 (oil on canvas)
650402 Portrait of a Woman, 1755 (oil on canvas) by Copley, John Singleton (1738-1815); 88.8x71.1 cm; Private Collection; (add.info.: Portrait of a Woman. John Singleton Copley (1758-1815)

Background imageLeaning On Elbow Collection: Sympathy (oil on canvas)

Sympathy (oil on canvas)
3431716 Sympathy (oil on canvas) by Riviere, Briton (1840-1920); 76.2x63.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLeaning On Elbow Collection: A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper)

A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper)
990006 A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper) by Bordone, Paris (1500-71); 23.8x28.8 cm; Private Collection; (add.info)

Background imageLeaning On Elbow Collection: Flirtation, (oil on canvas)

Flirtation, (oil on canvas)
989904 Flirtation, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 71.8x52.7 cm; Private Collection; (add.info.: Flirtation. Joseph Frederic Charles Soulacroix (1825-1879)

Background imageLeaning On Elbow Collection: Three Figures in an Interior (oil on canvas)

Three Figures in an Interior (oil on canvas)
989708 Three Figures in an Interior (oil on canvas) by Hirt, Heinrich (fl.1872-83); 71x82.5 cm; Private Collection; (add.info.: Three Figures in an Interior. Heinrich Hirt (active 1872-1883)

Background imageLeaning On Elbow Collection: A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite)

A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite)
985677 A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite) by Gardner, Alexander (1821-82); 9.4x6.2 cm; Private Collection; (add.info)

Background imageLeaning On Elbow Collection: Mary Reading, (oil on canvas)

Mary Reading, (oil on canvas)
985483 Mary Reading, (oil on canvas) by Tarbell, Edmund Charles (1862-1938); 127.5x102.2 cm; Private Collection; (add.info.: Mary Reading. Edmund Charles Tarbell (1862-1938). Oil on canvas

Background imageLeaning On Elbow Collection: His Favourite Pet, 1883 (oil on canvas)

His Favourite Pet, 1883 (oil on canvas)
985325 His Favourite Pet, 1883 (oil on canvas) by Rondel, Frederick (1826-1892); 50.8x61 cm; Private Collection; (add.info.: His Favourite Pet. Frederick Rondel (1826-1892). Oil on canvas

Background imageLeaning On Elbow Collection: In the Studio, (oil on canvas)

In the Studio, (oil on canvas)
984942 In the Studio, (oil on canvas) by Paxton, William McGregor (1869-1941); 76.2x63.5 cm; Private Collection; (add.info.: In the Studio. William McGregor Paxton (1869-1941). Oil on canvas

Background imageLeaning On Elbow Collection: Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas)

Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas)
990393 Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas) by Home, Robert (1752-1834); 76.2x63.5 cm; Private Collection; (add.info.: Portrait of a Lady as the Cumaean Sibyl)



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"Captivating Elegance: Leaning on Elbow Through the Ages" From the graceful brushstrokes of Thomas Gainsborough's "The Honourable Mrs Graham" to the vibrant hues of "Girl in a Red Dress, Seated by a Swimming Pool, " this collection explores the timeless allure of leaning on elbow. In George Frederick Watts' masterpiece, "The Dweller in the Innermost, " we witness a contemplative figure resting her head upon her hand, lost in deep introspection. Meanwhile, an ethereal slumber envelops the Nude Young Woman Sitting; her delicate form exuding tranquility and vulnerability. Contrasting with these serene scenes is Nude Boy Standing, capturing youthful energy frozen in time. The Right Honourable Edward Geoffrey Stanley embodies regal poise as he leans elegantly on his elbow, radiating authority and dignity. Traveling back centuries to Puritans Before James I, we encounter a group engaged in intense discussion while one individual leans attentively towards their monarch. This historical depiction reminds us that even political matters can be approached with grace and respect. Nu Rouge Assis sur une Chaise portrays a fiery-haired beauty confidently reclining on an armchair—a captivating blend of sensuality and self-assurance. Cafe Parisien (Bal Tabarin) transports us to bustling Parisian nightlife where patrons lean intimately over tables amidst laughter and music. "The Boating Party" captures leisurely camaraderie as friends lean casually against each other aboard a boat—capturing carefree moments forever etched onto canvas. Similarly, Study for A Parisian Cafe showcases a man engrossed in his newspaper while comfortably seated at a café table—an everyday scene made extraordinary through artistic interpretation. Finally, Miss Ruth Lytton's enigmatic portrait invites speculation as she rests gracefully on her elbow—a mysterious woman whose story remains untold but captivates our imagination nonetheless.