Le Barbier De Seville Collection

Joseph Isidore Samson (1793-1871) in the role of Figaro in The Barber of Seville
XIR172277 Joseph Isidore Samson (1793-1871) in the role of Figaro in The Barber of Seville, engraved by Choubard (fl.1810-30) (coloured engraving) by Lecurieux (19th century)

Actor Pierre Marie Nicolas Michelot as the Comte Almaviva in Le Barbier de Seville by Pierre Beaumarchais
FLO4606739 Actor Pierre Marie Nicolas Michelot as the Comte Almaviva in Le Barbier de Seville by Pierre Beaumarchais, Theatre Francais. Handcoloured lithograph by F

Contralto singer Madame Montano as Rosine in the opera Le Barbier de Seville by Gioachino Rossini
FLO4606959 Contralto singer Madame Montano as Rosine in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F

English actor Joseph-Isidore Samson as the barber Figaro in the opera Le Barbier de Seville by Gioachino Rossini
FLO4606998 English actor Joseph-Isidore Samson as the barber Figaro in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F

Plate, Montereau, 1825 / 33. Creator: Creil Pottery
Plate, Montereau, 1825/33

Cartoon depicting France trying to seduce Algeria on the topic of stamp duty
CHT307811 Cartoon depicting France trying to seduce Algeria on the topic of stamp duty, front cover of L Algerie comique et pittoresque, Oran

Lindors letter, illustration from The Barber of Seville by Pierre
XIR239540 Lindors letter, illustration from The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) (litho) (b/w photo) by Lemercier

Rosine, Bartholo, Count Almaviva, illustration from The Barber of Seville
XIR239539 Rosine, Bartholo, Count Almaviva, illustration from The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) (litho) (b/w photo) by Lemercier

Scene of the cousins letter, illustration from The Barber of Seville
XIR239538 Scene of the cousins letter, illustration from The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Alfred Leon Lemercier (19th century) (litho) (b/w photo)

Bartholo, illustration from Act II Scene 11 of The Barber of Seville by
XIR239531 Bartholo, illustration from Act II Scene 11 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Jean Paquin (19th century)) (engraving) (b/w photo)

Count Almaviva, illustration from Act V of The Barber of Seville by Pierre
XIR239530 Count Almaviva, illustration from Act V of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Jean Victor Dupin (b.1718) (engraving) (b/w photo)

Rosine, illustration from Act I Scene 3 of The Barber of Seville by Pierre
XIR239529 Rosine, illustration from Act I Scene 3 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Fillet 1876 (engraving) (b/w photo) by Bayard

Bazile, illustration from Act II Scene 8 of The Barber of Seville by Pierre
XIR239528 Bazile, illustration from Act II Scene 8 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Eugene Gervais (19th century)) 1876 (engraving) (b/w photo)

Figaro, illustration from Act III Scene 12 of The Barber of Seville by
XIR239527 Figaro, illustration from Act III Scene 12 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Ferdinand Delanoy (fl.1850) 1874 (engraving) (b/w photo)

Figaro, illustration from Act I Scene 2 of The Barber of Seville by Pierre
XIR173125 Figaro, illustration from Act I Scene 2 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by L

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"Le Barbier de Séville: A Timeless Tale of Love, Deception, and Comedy" Step into the world of "Le Barbier de Séville, " a beloved opera that has captivated audiences for centuries. Joseph Isidore Samson takes on the role of Figaro in this iconic production, bringing his talent and charm to the stage. The Creil Pottery plate from 1825/33 transports us back to the time when this masterpiece was first performed. It serves as a reminder of the enduring popularity and cultural significance of "Le Barbier de Séville. " In a satirical cartoon, France is depicted trying to seduce Algeria with stamp duty as their topic of conversation. This clever illustration highlights how art can be used to comment on social and political issues. Lindor's letter comes alive through an enchanting illustration from Pierre's adaptation of The Barber of Seville. It captures the anticipation and excitement that love letters often bring. Rosine, Bartholo, and Count Almaviva are beautifully portrayed in another illustration from The Barber of Seville. Their expressions convey their complex relationships filled with passion, intrigue, and humor. A scene featuring Rosine's cousin adds depth to the story. Through this illustration, we witness familial bonds being tested amidst all the romantic entanglements. Bartholo takes center stage in Act II Scene 11 with an intriguing illustration that showcases his cunning nature. His character adds layers to an already intricate plotline. Count Almaviva shines in Act V with an illustration that captures his determination to win Rosine's heart against all odds. This moment exemplifies true love conquering obstacles. Rosine enchants us in Act I Scene 3 with her gracefulness captured by Pierre's skilled hand. Her beauty becomes even more captivating when combined with her wit and intelligence. Bazile makes his mark in Act II Scene 8 through an engaging illustration.