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Lazzaro Collection

"Lazzaro: A Tale of Resurrection and Redemption" In the heart of Rome, lies the magnificent Tomb of Pope Alexander VII, a masterpiece sculpted by Bernini

Background imageLazzaro Collection: The Mystic Marriage of St Rose of Lima, 1666-1670. Creators: Lazzaro Baldi, Santa Rosa of Lima

The Mystic Marriage of St Rose of Lima, 1666-1670. Creators: Lazzaro Baldi, Santa Rosa of Lima
The Mystic Marriage of St Rose of Lima, 1666-1670

Background imageLazzaro Collection: Study for the Annunciation, n.d. Creator: Lazzaro Baldi

Study for the Annunciation, n.d. Creator: Lazzaro Baldi
Study for the Annunciation, n.d

Background imageLazzaro Collection: Tomb of Pope Alexander VII, by Bernini

Tomb of Pope Alexander VII, by Bernini
Tomb of Pope Alexander VII (1599-1667). Sculptural monument by Gian Lorenzo Bernini (1598-1680), built between 1671-1678. Marble. Commissioned by Pope Alexander VII himself. South transept. St

Background imageLazzaro Collection: Lazarus on his deathbed, from the parable of the rich man and Lazarus, 12th century

Lazarus on his deathbed, from the parable of the rich man and Lazarus, 12th century
6166290 Lazarus on his deathbed, from the parable of the rich man and Lazarus, 12th century; Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

Background imageLazzaro Collection: The nave, cycle of mosaics on the life of Jesus: the 'The Resurrection of Lazarus', XII century

The nave, cycle of mosaics on the life of Jesus: the "The Resurrection of Lazarus", XII century
3744999 The nave, cycle of mosaics on the life of Jesus: the "The Resurrection of Lazarus", XII century, The Palatine Chapel

Background imageLazzaro Collection: The Cloister of the Benedectine monastery (XII century): the Western side of capital N8

The Cloister of the Benedectine monastery (XII century): the Western side of capital N8
6166291 The Cloister of the Benedectine monastery (XII century): the Western side of capital N8 (While the soul of the poor man approaches heaven securely in the bosom of Abraham)

Background imageLazzaro Collection: Resurrection of Lazarus, c. 1555 (oil on canvas)

Resurrection of Lazarus, c. 1555 (oil on canvas)
868062 Resurrection of Lazarus, c.1555 (oil on canvas) by Muziano, Girolamo (1532-92); 295x440 cm; Vatican Museums and Galleries

Background imageLazzaro Collection: The Grotto of the Nativity, Bethlehem, 1800s

The Grotto of the Nativity, Bethlehem, 1800s
The Grotto of the Nativity, Church of the Nativity, Bethlehem, 1800s. Grotta della Nativita. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient

Background imageLazzaro Collection: Portrait of a man, Camera della Fama, 1548 (fresco)

Portrait of a man, Camera della Fama, 1548 (fresco)
780494 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Background imageLazzaro Collection: Portrait of a man, Camera della Fama, 1548 (fresco)

Portrait of a man, Camera della Fama, 1548 (fresco)
780496 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Background imageLazzaro Collection: Portrait of a man, Camera della Fama, 1548 (fresco)

Portrait of a man, Camera della Fama, 1548 (fresco)
780498 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Background imageLazzaro Collection: Portrait of a man, Camera della Fama, 1548 (fresco)

Portrait of a man, Camera della Fama, 1548 (fresco)
780495 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Background imageLazzaro Collection: Portrait of a man, Camera della Fama, 1548 (fresco)

Portrait of a man, Camera della Fama, 1548 (fresco)
780497 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Background imageLazzaro Collection: Italy - Venice Lagoon - San Lazzaro degli Armeni

Italy - Venice Lagoon - San Lazzaro degli Armeni
Italy, Estuario, San Lazzaro degli Armeni is a small island in the Venetian Lagoon which has been home to the monastery of the Mekhitarists, an Armenian Catholic congregation, since 1717

Background imageLazzaro Collection: Lazzaro Spallanzani, Italian biologist, 1874

Lazzaro Spallanzani, Italian biologist, 1874. Spallanzani (1729-1799) worked on bacteria, disproving spontaneous generation, on digestion, where he was first to use the term gastric juice

Background imageLazzaro Collection: Umbria Terni Ferentillo Abbazia di S. Pietro

Umbria Terni Ferentillo Abbazia di S. Pietro in Valle, this is my Italy, the italian country of visual history, The abbey was founded on the location where two hermits, Lazzaro and Giovanni

Background imageLazzaro Collection: Detail illustration Filosofia p 191 Noua iconologia

Detail illustration Filosofia p 191 Noua iconologia
Detail of illustration, Filosofia, p. 191, Noua iconologia di Cesare Ripa perugino, caualier de SS. Mauritio and Lazzaro. Nella quale si descriuono diuerse imagini di virtu, vitij, affetti

Background imageLazzaro Collection: Detail illustration Volonta p 578 Noua iconologia

Detail illustration Volonta p 578 Noua iconologia
Detail of illustration, Volonta, p. 578, Noua iconologia di Cesare Ripa perugino, caualier de SS. Mauritio and Lazzaro. Nella quale si descriuono diuerse imagini di virtu, vitij, affetti

Background imageLazzaro Collection: Fire in the oil depot at San Marcuola, 1789, by Francesco Gu

Fire in the oil depot at San Marcuola, 1789, by Francesco Gu
Francesco Guardi (1712-1793), Italian painter. Fire in the oil depot at San Marcuola, 1789, Alte Pinakothek. Munich. Germany

Background imageLazzaro Collection: Music cover, Ferry-Boat Serenade

Music cover, Ferry-Boat Serenade, words by Harold Adamson, music by E Di Lazzaro. 1940

Background imageLazzaro Collection: Armenian monks, San Lazzaro Island, Venice, Italy

Armenian monks, San Lazzaro Island, Venice, Italy
Armenian Catholic monks in the courtyard of their monastery on San Lazzaro Island, Venice, Italy. Date: circa 1920

Background imageLazzaro Collection: Lazzaro Tavarone (Italian, 1556 - 1641), A Ceiling Decoration with Landscapes and Battles

Lazzaro Tavarone (Italian, 1556 - 1641), A Ceiling Decoration with Landscapes and Battles, c. 1620, pen, brown ink, watercolor and black chalk on laid paper

Background imageLazzaro Collection: The Virgin Annunciate

The Virgin Annunciate; Lazzaro Bastiani, Italian, died 1512, active about 1459 - 1512; Italy, Europe; about 1464 - 1468; Pen and brown ink, brush with brown wash; 10.2 x 8.4 cm (4 x 3 5/16 in.)

Background imageLazzaro Collection: FRANCESCO FOSCARI (1373-1457). Doge of Venice, 1423-1457. Painting by Lazzaro Bastiani

FRANCESCO FOSCARI (1373-1457). Doge of Venice, 1423-1457. Painting by Lazzaro Bastiani, c1460

Background imageLazzaro Collection: Forces of Muhammed IX, Nasrid Sultan of Granada, at the Battle of Higueruela 1431

Forces of Muhammed IX, Nasrid Sultan of Granada, at the Battle of Higueruela 1431, as depicted in a series of fresco paintings by Fabrizio Castello

Background imageLazzaro Collection: Lazzaro Spallanzani (1729-1799) Italian biologist. He worked on bacteria (disproved

Lazzaro Spallanzani (1729-1799) Italian biologist. He worked on bacteria (disproved spontaneous generation), digestion (first to use term gastric juice)

Background imageLazzaro Collection: Army of Muhammed IX, (Nasrid Sultan of Granada), at the Battle of Higueruela 1431

Army of Muhammed IX, (Nasrid Sultan of Granada), at the Battle of Higueruela 1431. Shown as part of a series of fresco paintings by Fabrizio Castello, Orazio Cambiaso and Lazzaro Tavarone

Background imageLazzaro Collection: SPALLANZANI, Lazzaro (1729-1799). Portrait of

SPALLANZANI, Lazzaro (1729-1799). Portrait of
" SPALLANZANI, Lazzaro (1729-1799). Portrait of Spallanzani included in the title page of his work " Viaggi alle due Sicilie" published in 1795. Engraving. SPAIN. Barcelona

Background imageLazzaro Collection: BASTIANI, Lazzaro (1449-1512). Christ and the

BASTIANI, Lazzaro (1449-1512). Christ and the Cananeans. end 15th c. Renaissance art. Quattrocento. Oil. ITALY. Venice. Gallerie dell Accademia (Academy Gallery)

Background imageLazzaro Collection: SPALLANZANI, Lazzaro (1729-1799)

SPALLANZANI, Lazzaro (1729-1799)

Background imageLazzaro Collection: LAZZARO SPALLANZANI at the capture of Pavia, or The New Archimedes

LAZZARO SPALLANZANI at the capture of Pavia, or The New Archimedes

Background imageLazzaro Collection: LAZZARO SPALLANZANI (1729-1799). Italian naturalist. Wood engraving, French, 19th century

LAZZARO SPALLANZANI (1729-1799). Italian naturalist. Wood engraving, French, 19th century

Background imageLazzaro Collection: Lazzaro Spallanzani

Lazzaro Spallanzani
LAZZARO SPALLANZANI Italian naturalist



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"Lazzaro: A Tale of Resurrection and Redemption" In the heart of Rome, lies the magnificent Tomb of Pope Alexander VII, a masterpiece sculpted by Bernini. As I gaze upon it, I am reminded of Lazarus on his deathbed from the parable of the rich man and Lazarus in the 12th century. The cycle of mosaics on the life of Jesus at The Palatine Chapel in Sicily depicts "The Resurrection of Lazarus, " capturing this miraculous event. Venturing further into history, I find myself captivated by the Cloister of the Benedectine monastery's Western side capital N8. Here, an intricate carving portrays contrasting fates; while the soul of a poor man ascends to heaven in Abraham's bosom, a rich man suffers in fiery torment for his sins. Artistic interpretations continue to breathe life into Lazzaro's story. An oil painting from c. 1555 showcases his resurrection with vivid colors and emotional depth. Meanwhile, within Bethlehem's Grotto of Nativity dating back to the 1800s, echoes linger as pilgrims pay homage to this sacred site where Christ performed miracles. As if frozen in time, frescoes within Camera della Fama transport me back to 1548 Venice Lagoon - San Lazzaro degli Armeni reveals another facet tied to Lazzaro's name. Portraits depict men whose identities remain elusive but carry an air that hints at their connection with this enigmatic figure. Lazzaro embodies more than just historical accounts or artistic renderings; he represents hope amidst despair and second chances when all seems lost. His tale resonates through centuries as people seek solace and inspiration from his journey towards resurrection and redemption.