Late Eighteenth Century Collection (page 9)

The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period

Late Eighteenth Century Collection: Portrait of the Marquis de Fleury as an Infant in a Padded Hat, with a Plume

Portrait of the Marquis de Fleury as an Infant in a Padded Hat, with a Plume
659233 Portrait of the Marquis de Fleury as an Infant in a Padded Hat, with a Plume, Holding a Gold and Coral Teething Rattle, 1762 (pastel) by Vigee

Late Eighteenth Century Collection: Venus Resting, After Francois Boucher; Le Repos de Venus, After Francois Boucher

Venus Resting, After Francois Boucher; Le Repos de Venus, After Francois Boucher
659436 Venus Resting, After Francois Boucher; Le Repos de Venus, After Francois Boucher, 1774 (chalk-manner etching with engraving printed in colours (black, b) by Bonnet

Late Eighteenth Century Collection: Views of Mecca and Medina, c. 1794-5 (paint, gilt and ink on paper)

Views of Mecca and Medina, c. 1794-5 (paint, gilt and ink on paper)
1196952 Views of Mecca and Medina, c.1794-5 (paint, gilt and ink on paper) by Ottoman School, (18th century); 14x9.5 cm; Private Collection; Photo eChristies Images; Turkish, out of copyright

Late Eighteenth Century Collection: An Open-Beaked Stork, c. 1780 (pencil and w / c)

An Open-Beaked Stork, c. 1780 (pencil and w / c)
1196933 An Open-Beaked Stork, c. 1780 (pencil and w/c) by Indian School, (18th century); 63.3x46.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Late Eighteenth Century Collection: The Panch Mahal Gate, Lucknow, Uttar Pradesh, c. 1789 (pencil, pen, brown and black ink

The Panch Mahal Gate, Lucknow, Uttar Pradesh, c. 1789 (pencil, pen, brown and black ink
1196903 The Panch Mahal Gate, Lucknow, Uttar Pradesh, c. 1789 (pencil, pen, brown and black ink, w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

Late Eighteenth Century Collection: Radha and Krishna, enraptured by each others beauty, c. 1785

Radha and Krishna, enraptured by each others beauty, c. 1785
1196869 Radha and Krishna, enraptured by each others beauty, c.1785 () by Indian School, (18th century); 19x13.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Late Eighteenth Century Collection: Rajghat, Rohtasgarh, Bihar, (pencil and w / c)

Rajghat, Rohtasgarh, Bihar, (pencil and w / c)
1196892 Rajghat, Rohtasgarh, Bihar, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 46.3x59.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Late Eighteenth Century Collection: Nocturnal Worship and Feasting, c. 1770 (gouache and gold paint on paper)

Nocturnal Worship and Feasting, c. 1770 (gouache and gold paint on paper)
1196848 Nocturnal Worship and Feasting, c.1770 (gouache and gold paint on paper) by Indian School, (18th century); 43x31 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Late Eighteenth Century Collection: Malasri Ragini, c. 1760-70 (gouache with gold paint on paper)

Malasri Ragini, c. 1760-70 (gouache with gold paint on paper)
1196788 Malasri Ragini, c. 1760-70 (gouache with gold paint on paper) by Indian School, (18th century); 20.5x16.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Late Eighteenth Century Collection: A Zand dynasty Qalamdan, painted with scenes of a prince visiting a hermit, c

A Zand dynasty Qalamdan, painted with scenes of a prince visiting a hermit, c
1196738 A Zand dynasty Qalamdan, painted with scenes of a prince visiting a hermit, c.1786-7 (polychrome lacquer papier mache) by Lutf Ali Ashraf (after) (18th century); 25 (length)

Late Eighteenth Century Collection: Krishna Quelling the Hydra-headed Snake, c. 1790 (w / c on a flecked pink page)

Krishna Quelling the Hydra-headed Snake, c. 1790 (w / c on a flecked pink page)
1196625 Krishna Quelling the Hydra-headed Snake, c.1790 (w/c on a flecked pink page) by Carlini, Giulio (1830-87); 30x22.8 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Late Eighteenth Century Collection: Major General Aleksandr Vassil evich Suvorov (1729-1800) in Uniform

Major General Aleksandr Vassil evich Suvorov (1729-1800) in Uniform
1195670 Major General Aleksandr Vassil evich Suvorov (1729-1800) in Uniform, Surmounted by Allegorical Figures of Victory, 1772 (w/c & gouache on ivory) by Gallimberti

Late Eighteenth Century Collection: View of New York During the Great Fire of 1776; Representation du Fue Terrible a Nouvelle

View of New York During the Great Fire of 1776; Representation du Fue Terrible a Nouvelle
1195498 View of New York During the Great Fire of 1776; Representation du Fue Terrible a Nouvelle York, 1780 (hand-coloured etching) by Habermann

Late Eighteenth Century Collection: View of Kohlmarkt, 1786 (hand-coloured engraving)

View of Kohlmarkt, 1786 (hand-coloured engraving)
1195497 View of Kohlmarkt, 1786 (hand-coloured engraving) by Schutz or Schuz, Christian Georg II (1758-1823) (after); 35.2x45 cm; Private Collection; Photo eChristies Images; German, out of copyright

Late Eighteenth Century Collection: Portrait of Mrs. Moody Second Wife of Samuel Moody, Seated Three-Quarter Length in a

Portrait of Mrs. Moody Second Wife of Samuel Moody, Seated Three-Quarter Length in a
824269 Portrait of Mrs. Moody Second Wife of Samuel Moody, Seated Three-Quarter Length in a White Dress Trimmed with Pink Bows and a Pink Sash, Holding a Dog on Her Lap, in a Landscape

Late Eighteenth Century Collection: Portrait of William Frederick, 2nd Duke of Gloucester, three-quarter length

Portrait of William Frederick, 2nd Duke of Gloucester, three-quarter length
824264 Portrait of William Frederick, 2nd Duke of Gloucester, three-quarter length, wearing the Uniform of Colonel of the 3rd Guards and the Breast Star of the Order of the Garter

Late Eighteenth Century Collection: Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl

Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl
824254 Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl, Playing a Harp, in an Interior, c.1768-73 (oil on canvas) by Kauffmann

Late Eighteenth Century Collection: Portrait of Annabella, Lady Blake as Juno Receiving the Cestus from Venus, c

Portrait of Annabella, Lady Blake as Juno Receiving the Cestus from Venus, c
824231 Portrait of Annabella, Lady Blake as Juno Receiving the Cestus from Venus, c.1769 (oil on canvas) by Reynolds, Joshua (1723-92); 237x146 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Portrait of the Artist, half-length, in an Olive Green Coat, Wearing Spectacles

Portrait of the Artist, half-length, in an Olive Green Coat, Wearing Spectacles
824223 Portrait of the Artist, half-length, in an Olive Green Coat, Wearing Spectacles, (oil on canvas) by Reynolds, Joshua (1723-92) (studio of); 76.2x63.5 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Portrait of Deborah Worsley of Platt, seated three quarter length

Portrait of Deborah Worsley of Platt, seated three quarter length
824201 Portrait of Deborah Worsley of Platt, seated three quarter length, in a Mauve Dress with White Lace Collar and Cuffs, holding a Pair of Gloves, c.1760 (oil on canvas) by English School

Late Eighteenth Century Collection: Portrait of General George Washington (1732-1799) at the Battle of Trenton, full-length

Portrait of General George Washington (1732-1799) at the Battle of Trenton, full-length
824161 Portrait of General George Washington (1732-1799) at the Battle of Trenton, full-length, in a military uniform, c.1797 (oil on canvas) by Muller, Rober (1773-c.1800); 236x160

Late Eighteenth Century Collection: Portrait of Antonio Canova, Bust Length, Wearing a Coat, (pastel)

Portrait of Antonio Canova, Bust Length, Wearing a Coat, (pastel)
824099 Portrait of Antonio Canova, Bust Length, Wearing a Coat, (pastel) by Hamilton, Hugh Douglas (1739-1808); 26x17.8 cm; Private Collection; (add.info.: Portrait of Antonio Canova, Bust Length)

Late Eighteenth Century Collection: Riders in an Avenue in the Park at Luton, with Figures in a Phaeton

Riders in an Avenue in the Park at Luton, with Figures in a Phaeton
824093 Riders in an Avenue in the Park at Luton, with Figures in a Phaeton and Rustics on the Left, (pencil and watercolour and bodycolour) by Sandby

Late Eighteenth Century Collection: Study of Mrs Mercier seated in a Chair, and her youngest son

Study of Mrs Mercier seated in a Chair, and her youngest son
824081 Study of Mrs Mercier seated in a Chair, and her youngest son, Henry Mercier standing behind her, (pencil, black and red chalk with grey wash) by Sandby, Paul (1725-1809); 17.2x14.3

Late Eighteenth Century Collection: A Bay Arab in a Coastal Landscape, 1779 (oil on panel)

A Bay Arab in a Coastal Landscape, 1779 (oil on panel)
991596 A Bay Arab in a Coastal Landscape, 1779 (oil on panel) by Stubbs, George (1724-1806); 82.5x101.5 cm; Private Collection; (add.info.: A Bay Arab in a Coastal Landscape)

Late Eighteenth Century Collection: Coryphaena Coerulea (the Bleu-Fish), 1785-1788 (hand-coloured engraving)

Coryphaena Coerulea (the Bleu-Fish), 1785-1788 (hand-coloured engraving)
991239 Coryphaena Coerulea (the Bleu-Fish), 1785-1788 (hand-coloured engraving) by German School, (18th century); 27.9x47.5 cm; Private Collection; (add.info.: Coryphaena Coerulea (the Bleu-Fish)

Late Eighteenth Century Collection: Virgin of the Carmelites, 1761 (oil on canvas)

Virgin of the Carmelites, 1761 (oil on canvas)
988084 Virgin of the Carmelites, 1761 (oil on canvas) by Miguel de Berrio, Gaspar (1706-62); 86x67.6 cm; Private Collection; (add.info.: Virgin of the Carmelites; Virgen del Carmen)

Late Eighteenth Century Collection: Variegated Baboon or Mandrill Mandrillus sphinx (Simia sphinx)

Variegated Baboon or Mandrill Mandrillus sphinx (Simia sphinx)
985968 Variegated Baboon or Mandrill Mandrillus sphinx (Simia sphinx), 1790 (hand coloured engraving) by Nodder, Frederick Polydor (1773-1801); Private Collection; (add.info)

Late Eighteenth Century Collection: William Curtiss Botanic Garden, Lambeth Marsh, Ante 1787, c

William Curtiss Botanic Garden, Lambeth Marsh, Ante 1787, c
985839 William Curtiss Botanic Garden, Lambeth Marsh, Ante 1787, c.1787 (watercolour on Whatman paper) by Sowerby, James (1757-1822); 27.9x47.8 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Le 9 Thermidor (oil on canvas)

Le 9 Thermidor (oil on canvas)
990384 Le 9 Thermidor (oil on canvas) by Monvoisin, Raymond Quinsac (1794-1870); 40x63.5 cm; Private Collection; (add.info.: Le 9 Thermidor. Raymond Quinsac Monvoisin (1794-1870). Oil on canvas

Late Eighteenth Century Collection: L Agneau Cheri, (oil on panel)

L Agneau Cheri, (oil on panel)
990332 L Agneau Cheri, (oil on panel) by Greuze, Jean Baptiste (1725-1805); 89.5x68.6 cm; Private Collection; (add.info.: L Agneau Cheri. Jean-Bapstiste Greuze (1725-1805). Oil on panel

Late Eighteenth Century Collection: Views of the Chateau de Mousseaux and its Gardens, (oil on canvas)

Views of the Chateau de Mousseaux and its Gardens, (oil on canvas)
990300 Views of the Chateau de Mousseaux and its Gardens, (oil on canvas) by Hue, Jean-Francois (1751-1823); 74.8x85.8 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Portrait of Giuseppe Franchi, half-length, holding a bust of Homer, c

Portrait of Giuseppe Franchi, half-length, holding a bust of Homer, c
990188 Portrait of Giuseppe Franchi, half-length, holding a bust of Homer, c.1771-73 (oil on canvas) by Mengs, Anton Raphael (1728-79); 73x54 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Portrait of a Lady said to be the Princess de Lamballe, standing three-quarter length

Portrait of a Lady said to be the Princess de Lamballe, standing three-quarter length
990111 Portrait of a Lady said to be the Princess de Lamballe, standing three-quarter length, wearing a White Dress with a Blue Sash, (oil on canvas) by Vestier

Late Eighteenth Century Collection: A Bust of Minerva with Armour and Weapons on a Stone Ledge, 1777 (oil on canvas)

A Bust of Minerva with Armour and Weapons on a Stone Ledge, 1777 (oil on canvas)
990091 A Bust of Minerva with Armour and Weapons on a Stone Ledge, 1777 (oil on canvas) by Vallayer-Coster, Anne (1744-1818); 114x158.7 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Portrait of Anthony Ashley-Cooper, 5th Earl of Shaftesbury (1761-1811)

Portrait of Anthony Ashley-Cooper, 5th Earl of Shaftesbury (1761-1811)
827809 Portrait of Anthony Ashley-Cooper, 5th Earl of Shaftesbury (1761-1811), full-length in Masquerade van Dyck Dress, 1782 (oil on canvas) by Batoni

Late Eighteenth Century Collection: The Little Sleeper; Le Petit Dormeur, 1795 (oil on canvas)

The Little Sleeper; Le Petit Dormeur, 1795 (oil on canvas)
827738 The Little Sleeper; Le Petit Dormeur, 1795 (oil on canvas) by Drolling, Martin (1752-1817); 25x33 cm; Private Collection; (add.info.: The Little Sleeper; Le Petit Dormeur)

Late Eighteenth Century Collection: A Standing Lady, (retouched red chalk counterproof)

A Standing Lady, (retouched red chalk counterproof)
827571 A Standing Lady, (retouched red chalk counterproof) by Trinquesse, Louis Rolland (c.1746-1800); 43.8x27.7. cm; Private Collection; (add.info.: A Standing Lady)

Late Eighteenth Century Collection: A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour)

A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour)
827572 A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour) by Desprez, Louis Jean (1743-1804); 21.3x34.8 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: A View of Calcutta taken from Fort William, (oil on canvas)

A View of Calcutta taken from Fort William, (oil on canvas)
828332 A View of Calcutta taken from Fort William, (oil on canvas) by Hodges, William (1744-97); 90.7x153 cm; Private Collection; (add.info.: A View of Calcutta taken from Fort William)

Late Eighteenth Century Collection: Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders

Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders
827913 Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders, (oil on canvas) by Kauffmann, Angelica (1741-1807); 32.4x22.2 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Birds Eye Views of: the Balbo and Marcello Theatres

Birds Eye Views of: the Balbo and Marcello Theatres
985981 Birds Eye Views of: the Balbo and Marcello Theatres, the Pantheon and Surrounding Area, and the Statilio Tauro Amphitheatre, 1762 (etching) by Piranesi

Late Eighteenth Century Collection: White-headed Eagle, c. 1770-1786 (hand-coloured engraving, watercolour border)

White-headed Eagle, c. 1770-1786 (hand-coloured engraving, watercolour border)
985936 White-headed Eagle, c.1770-1786 (hand-coloured engraving, watercolour border) by Martinet, Francois Nicolas (1731-1800); 31.5x23.4 cm; Private Collection; (add.info.: White-headed Eagle)

Late Eighteenth Century Collection: La M. de des Bouquets, 1786 (coloured engraving)

La M. de des Bouquets, 1786 (coloured engraving)
985932 La M. de des Bouquets, 1786 (coloured engraving) by Watteau, Louis Joseph (Watteau de Lille) (1731-98) (after); Private Collection; (add.info.: La M.de des Bouquets)

Late Eighteenth Century Collection: On Albions Angels, mid 1790s (elief-etched engraving, blue ink)

On Albions Angels, mid 1790s (elief-etched engraving, blue ink)
985778 On Albions Angels, mid 1790s (elief-etched engraving, blue ink) by Blake, William (1757-1827); Private Collection; (add.info.: On Albions Angels... Plate 17 from America, A Prophesy)

Late Eighteenth Century Collection: Title page from America, A Prophesy, mid 1790s (relief-etched engraving

Title page from America, A Prophesy, mid 1790s (relief-etched engraving
985776 Title page from America, A Prophesy, mid 1790s (relief-etched engraving, blue ink) by Blake, William (1757-1827); 36.4x25.5 cm; Private Collection; (add.info.: Title page from America)

Late Eighteenth Century Collection: Carlina Simplex (Alpine Thistle), 1799-1812 (hand-coloured engraving)

Carlina Simplex (Alpine Thistle), 1799-1812 (hand-coloured engraving)
985715 Carlina Simplex (Alpine Thistle), 1799-1812 (hand-coloured engraving) by Austrian School, (19th century); 46x33 cm; Private Collection; (add.info.: Carlina Simplex (Alpine Thistle)

Late Eighteenth Century Collection: Figure 18, from Collectanea ad Botanicam, Chemiam, et Historiam Naturalem spectantia

Figure 18, from Collectanea ad Botanicam, Chemiam, et Historiam Naturalem spectantia
985705 Figure 18, from Collectanea ad Botanicam, Chemiam, et Historiam Naturalem spectantia, cum figuris, 1786-1796 (hand-coloured engraving) by Austrian School

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The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period. From the thrilling world of horse racing to the epic tales of ancient mythology, each piece captures a unique aspect of this era. In "Eclipse, " we witness the power and grace of a dark chestnut racehorse held by a groom, with a jockey ready to embark on an exhilarating ride. The energy and excitement surrounding these races were emblematic of the spirit of competition during this time. "The Death of Bhishma" transports us back to ancient times, depicting Arjuna's numerous arrows mortally wounding Bhishma. This dramatic scene showcases both the fascination with mythological narratives and the skillful artistry that brought them to life. Moving away from action-packed scenes, "The Lamb" presents us with a delicate hand-colored relief-etching watercolor. This gentle portrayal reminds us that amidst all turmoil, there is still room for tenderness and innocence in our lives. Taking us beyond mythical realms into historical landscapes, "The greater portion of the longest length wall of an Atrium in Pompei" offers an exquisite hand-colored engraving capturing one section of this ancient city frozen in time. It serves as a testament to both human ingenuity and preservation efforts during this period. Nature lovers will be captivated by "Magnolia, " showcasing its beauty through meticulously hand-colored engraved plates. Similarly enchanting is "Paeonia suffruticosa Andr. Var papaveracea, " which celebrates botanical wonders through intricate engravings bursting with vibrant colors. Venturing into darker themes, "The Massacre of Innocents" portrays tragedy through pencil sketches and brown washes—a haunting reminder that even amidst progress, humanity can succumb to cruelty if left unchecked. Contrasting these somber tones is "The White Lily, " where color aquatint meets mezzotint, resulting in a stunning piece that exudes elegance and purity.