Language Collection (page 8)

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The Pictograph (colour litho)
8626431 The Pictograph (colour litho) by Alexander, John White (1856-1915) (after); Private Collection; (add.info.: The Pictograph: the Native American's picture writing on skin)

Ann's Alphabet (colour litho)
8656916 Ann's Alphabet (colour litho) by English School, (20th century); Private Collection; (add.info.: Ann's Alphabet. Postcard, early 20th century.); © Look and Learn.

Phil May sketch (colour litho)
8635931 Phil May sketch (colour litho) by May, Phil (1864-1903); Private Collection; (add.info.: One of the set of Phil May Sketches, issued by Fry's Chocolates in c.1905.); © Look and Learn.

Jamaica alphabet (litho)
8676234 Jamaica alphabet (litho) by English School, (20th century); Private Collection; (add.info.: Jamaica alphabet. Illustration from In the Trades, the Tropics & the Roaring Forties)

Cover illustration for The Kensington Fine Art Association's Picture Album (engraving)
8646746 Cover illustration for The Kensington Fine Art Association's Picture Album (engraving) by Cruikshank, George (1792-1878) (after); Private Collection; (add.info)

Expression of horror and anguish, 19th century (engraving)
FGL5462706 Expression of horror and anguish, 19th century (engraving); (add.info.: Expression of horror and anguish. Engraving after a photograph from the series of Doctor Guillaume Duchenne de)

Vambery in his Travelling Dress
5668946 Vambery in his Travelling Dress; (add.info.: Illustration of Armin Vambery (1832-1913) Hungarian traveller and writer who travelled extensively around the territories of the Ottoman Empire

Autumn, 1921 (watercolour, gouache and metallic gold paint, with arched top)
827408 Autumn, 1921 (watercolour, gouache and metallic gold paint, with arched top) by Dulac, Edmund (1882-1953); 35.5x28 cm; Private Collection; (add.info.: Autumn. Edmund Dulac (1882-1953)

A gilt and polychrome painted wood model of the third coffin of King Tutankhamen, c.1930 (painted wood)
1764798 A gilt and polychrome painted wood model of the third coffin of King Tutankhamen, c.1930 (painted wood); 189 high cm; Private Collection; (add.info)

8622684

Imagee or idiomatic expression: make rain or shine. 19th century, (chromolithography)
ELD4966146 Imagee or idiomatic expression: make rain or shine. 19th century, (chromolithography).; Private Collection; Photo © The Holbarn Archive.

Image or idiomatic expression: keep for a rainy day. Late 19th century (chromolithograph)
ELD4966142 Image or idiomatic expression: keep for a rainy day. Late 19th century (chromolithograph); Private Collection; Photo © The Holbarn Archive.

"To pay in funny money", french expression. Engraving, 19th century
ELD4958270 "To pay in funny money", french expression. Engraving, 19th century; Private Collection; (add.info.: Origin of the expression: "to pay in funny money")

The Abbe Charles-Michel de L'epee (1712-1789) taking charge of the instruction of the deaf-mutes by setting up a
ELD4959502 The Abbe Charles-Michel de L'epee (1712-1789) taking charge of the instruction of the deaf-mutes by setting up a sign language (LSF or langue des signes francaise)

Comparative table between English and several ancient alphabets including Phenician, Hebrew and Greek
NWI4954404 Comparative table between English and several ancient alphabets including Phenician, Hebrew and Greek. Colour engraving after a 19th century illustration.; (add.info)

Gentleman tipping a servant in a hotel room, 19th century. He says, By God, maybe it's not so urgent
FLO4691534 Gentleman tipping a servant in a hotel room, 19th century. He says, By God, maybe it's not so urgent. He thinks, Finally! I've already done my grieving

Lady and old gentleman in a parlor, 19th century. She says, But how can you live on 6,000 francs
FLO4691517 Lady and old gentleman in a parlor, 19th century. She says, But how can you live on 6,000 francs? She thinks, It's enough, you old miser

Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm
FLO4691368 Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm. She thinks, Although I only read a few pages

Man and woman in a restaurant with a glutton. He says, But you don't eat
FLO4691356 Man and woman in a restaurant with a glutton. He says, But you don't eat? He thinks, He inhales! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist

Two ladies on a sofa in a parlour. She says, You know there's no hurry
FLO4691300 Two ladies on a sofa in a parlour. She says, You know there's no hurry. She thinks, She won't move! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss

Gentleman being attacked by naughty children in a parlour. He says, They are really charming
FLO4691296 Gentleman being attacked by naughty children in a parlour. He says, They are really charming. He thinks, They are out of control

Gentleman with cane and top hat interrupting a lady at her toilette. Hello, how nice to see you! (You beast)
FLO4691241 Gentleman with cane and top hat interrupting a lady at her toilette. Hello, how nice to see you! (You beast!) Handcoloured lithograph by the Gihaut brothers after an illustration by Jean

The Apache Trail via the Southern Pacific, 1917 (gouache and pencil on paper)
1767358 The Apache Trail via the Southern Pacific, 1917 (gouache and pencil on paper) by Dixon, Maynard (1875-1946); 27.3x87 cm; Private Collection; (add.info)

The Hieroglyphic (colour litho)
8626427 The Hieroglyphic (colour litho) by Alexander, John White (1856-1915) (after); Private Collection; (add.info.: The Hieroglyphic: inscribed on the monuments of Egypt)

The Lovers Alphabet (litho)
8656910 The Lovers Alphabet (litho) by English School, (20th century); Private Collection; (add.info.: The Lovers Alphabet. Postcard, early 20th century.); © Look and Learn.

Non-Aryan Languages of India (litho)
8652491 Non-Aryan Languages of India (litho) by English School, (20th century); Private Collection; (add.info.: Non-Aryan Languages of India)

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Language is a powerful tool that connects people across time and space, transcending borders and cultures, and is through language that we express our thoughts, emotions, and ideas. In the heart of London, England lies the British Museum, home to one of history's most iconic artifacts - The Rosetta Stone. This ancient relic unlocked the secrets of Egyptian hieroglyphs, allowing us to understand an ancient civilization's language. As we wander through this museum adorned with flags of the Royal Navy, we are reminded of how language played a crucial role in shaping empires and forging alliances throughout Europe. A vibrant Southern Railway poster from 1939 catches our eye as it advertises Ramsgate in all its glory; a testament to how language was used to entice travelers to explore new destinations. Intriguing illustrations showcasing sign language hand signals representing letters remind us that communication takes various forms beyond spoken words. Esperanto at a glance introduces us to an invented universal language aimed at fostering understanding among diverse cultures. Moving away from linguistic symbols, a captivating Southern Railway advertising poster displays the picturesque Weald of Kent; reminding us that even landscapes can speak their own unique dialects. The Language of Flowers reveals yet another fascinating aspect where nature communicates with its delicate blooms symbolizing love or friendship. Meanwhile, exploring the development of the English alphabet illuminates how written languages evolve over time. A sepia photograph captures Sigmund Freud's intense gaze as he reminds us that body it also conveys meaning beyond verbal expression. In Birstall, West Yorkshire stands a statue honoring Joseph Priestly who made significant contributions to linguistics; his legacy forever etched into history. Delving deeper into European heritage brings forth Ramon Llull's Breviculum Codex miniature - an exquisite example illustrating medieval manuscripts' intricate beauty while preserving knowledge for future generations.