Lane John Collection

Mosaic from the portico of the Generalife, 1907. Creator: Unknown
Mosaic from the portico of the Generalife, 1907. Intricate geometric patterns on tiles, palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

A view of the Royal Villa of the Generalife at Granada, 19th century, (1907). Creator: Unknown
A view of the Royal Villa of the Generalife at Granada, 19th century, (1907). The Generalife, built in the 13th century, is adjacent the fortress and palace of the Alhambra, Granada, Spain

Under the Hill, and other essays in prose and verse, with illustrations, 1904. Creator: Unknown
Under the Hill, and other essays in prose and verse, with illustrations, 1904. Book cover designed by Aubrey Beardsley for his unfinished erotic novel

Plan of the Alhambra Palace at Granada, 19th century, (1907). Creator: Unknown
Plan of the Alhambra Palace at Granada, 19th century, (1907). Ground plan of the palace and fortress complex at the Alhambra, Granada, Spain, which mainly dates from the 14th century

House of Sanchez, c1830, (1907). Creator: Unknown
House of Sanchez, c1830, (1907). Building in the grounds of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Details of the upper part of Lindarajas Balcony, 1907. Creator: Unknown
Details of the upper part of " Lindaraja s" Balcony, 1907. Detail of interior decoration, Court of the Lindaraja, palace of the Alhambra, Granada, Spain

Part of ceiling of the Portico of the Court of the Fish Pond, 1907. Creator: Unknown
Part of ceiling of the Portico of the Court of the Fish Pond, 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

From the entrance to the Divan, Hall of the Two Sisters, 1907. Creator: Unknown
From the entrance to the Divan, Hall of the Two Sisters, 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Ornaments on panel, Hall of Ambassadors, 1907. Creator: Unknown
Ornaments on panels, Hall of Ambassadors, 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Entrance to the Court of the Lions, 19th century, (1907). Creator: Unknown
Entrance to the Court of the Lions, 19th century, (1907). Courtyard in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Mosaics in the Baths, 1907. Creator: Unknown
Mosaics in the Baths, 1907. Intricate geometric patterns on tiles, palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Interior View, Taken from the Hall of the Two Sisters, 19th century, (1907). Creator: Unknown
Interior View, Taken from the Hall of the Two Sisters, 19th century, (1907). Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

View in the Hall of the Two Sisters, 19th century, (1907). Creator: Unknown
View in the Hall of the Two Sisters, 19th century, (1907). Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Hall of the Two Sisters, 19th century, (1907). Creator: Unknown
Hall of the Two Sisters, 19th century, (1907). Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Albert Frederick Calvert in the Alhambra, Granada, Spain, 1907. Creator: Unknown
Albert Frederick Calvert in the Alhambra, Granada, Spain, 1907. Portrait of Australian traveller and author Calvert (1872-1946) wearing oriental dress and smoking a huqqa

Windows in the Alcove, Hall of the Two Sisters, 1907. Creator: Unknown
Windows in the Alcove, Hall of the Two Sisters, 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

The Mysterious Rose Garden, 1894. Creator: Aubrey Beardsley
The Mysterious Rose Garden, 1894. A nude woman and a robed figure with winged boots, a scene supposedly inspired by the Annunciation. From The Yellow Book, Vol. IV

Cover Design for The Yellow Book, Vol II, 1894. Creator: Aubrey Beardsley
Cover Design for The Yellow Book, Vol II, 1894. A woman wearing a starched dress with bow, a bookcase, and a background of stylised tulips. From " The Best of Beardsley" edited by R. A

Comedy-Ballet of Marionettes, I, 1894. Creator: Aubrey Beardsley
Comedy-Ballet of Marionettes, I, 1894. Woman with a muff, wearing a floor-length dress, accompanied by a dwarf. From The Yellow Book, Vol. II

Les Passades, 1894. Creator: Aubrey Beardsley
Les Passades, 1894. Two women in evening dress. From the Winter Number of Today...a companion drawing to Night Piece in Vol. I of The Yellow Book

The Repentance of Mrs... 1894. Creator: Aubrey Beardsley
The Repentance of Mrs... 1894. A woman kneels in prayer, as others look on knowingly. From The Yellow Book, Vol. IV. A similar subject to The Litany of Mary Magdalen done in his [Beardsley s] earlier

Miss Winifred Emery, 1894. Creator: Aubrey Beardsley
Miss Winifred Emery, 1894. Portrait of British actress and actor-manager Winifred Emery. From The Yellow Book, Vol. IV. Published in " The Best of Beardsley" edited by R. A

Mrs Patrick Campbell, 1894. Creator: Aubrey Beardsley
Mrs Patrick Campbell, 1894. From the Yellow Book, Vol. I. This harmless, but clever, caricature was greeted with a howl of execration at the time

Cover Design for The Savoy No. I, 1895. Creator: Aubrey Beardsley
Cover Design for The Savoy No. I, 1895. As originally drawn the amour is making free with a copy of The Yellow Book at his feet, a reference to Beardsleys parting with [publisher] John Lane

The Climax, 1893. Creator: Aubrey Beardsley
The Climax, 1893. The floating figure of Salome holds the severed head of John the Baptist (Jokanaan). The head has writhing snake-like hair

L Education Sentimentale, 1894. Creator: Aubrey Beardsley
L Education Sentimentale, 1894. This drawing created much stir at the time...[it was] subsequently cut off and tinted by the artist and renamed Mrs Marsuple (from Under the Hill)

A Platonic Lament, 1893. Creator: Aubrey Beardsley
A Platonic Lament, 1893. A caricature of Oscar Wilde appears in the sky above a nude figure mourning over the body of the Young Syrian. A jester-like figure crouches beneath

Salome on [a] Settle, 1893. Creator: Aubrey Beardsley
Salome on [a] Settle, 1893. Alternative title: Maitresse d Orchestre. Salome, in a lace-edged black robe with a tassel which trails on the floor, holds a slim pointed object like a conductors baton

Portrait of Himself, 1894. Creator: Aubrey Beardsley
Portrait of Himself, 1894. British artist and eccentric Aubrey Beardsley (1872-1898) depicts himself as a tiny figure in an enormous canopied bed

Atalanta I, 1895. Creator: Aubrey Beardsley
Atalanta I, 1895. Heroine of Greek mythology holding a bow. An illustration to the poem Atalanta in Corydon by Algernon Charles Swinburne, and intended for " The Yellow Book", Vol

La Dame aux Camelias, 1894. Creator: Aubrey Beardsley
La Dame aux Camelias, 1894. Woman standing at a dressing table, wearing a voluminous white coat over an evening dress with peacock feather motifs

Comedy-Ballet of Marionettes, II, 1894. Creator: Aubrey Beardsley
Comedy-Ballet of Marionettes, II, 1894. Two women, one in bloomers and the other in a figure-hugging dress with flounced sleeves and hem. From The Yellow Book, Vol. II

The Dancers Reward, 1893. Creator: Aubrey Beardsley
The Dancers Reward, 1893. A horrified Salome, wearing a robe adorned with roses and with an elaborate curled hairstyle, beholds the severed and bloody head of John the Baptist (Jokanaan)

Cover Design for The Yellow Book, Vol I, 1894. Creator: Aubrey Beardsley
Cover Design for The Yellow Book, Vol I, 1894. Masked carnival-goers in the style of Jules Cheret. " The Yellow Book", published by John Lane

Garcons de Cafe, 1894. Creator: Aubrey Beardsley
Garcons de Cafe, 1894. French waiters. From The Yellow Book, Vol. II. The original was once the property of the artists House-Master at the Brighton Grammar School

The Wagnerites, 1894. Creator: Aubrey Beardsley
The Wagnerites, 1894. An audience, some with elaborate hairstyles, in an opera house. A programme that has fallen to the floor reads Tristan und Isolde, an opera by Richard Wagner

Madame Rejane, 1894. Creator: Aubrey Beardsley
Madame Rejane, 1894. Portrait of French actress Gabrielle Rejane whose London debut as Catherine in " Madame Sans Gene" took place at the Gaiety Theatre on June 24, 1894

Cover Design for The Yellow Book, Vol III, 1894. Creator: Aubrey Beardsley
Cover Design for The Yellow Book, Vol III, 1894. The conceit of using two street lamps for the lighting of a ladys toilet mirror was the sort of anomaly that puzzled

Tailpiece, 1893. Creator: Aubrey Beardsley
Tailpiece, 1893. Alternate title: The Burial of Salome. A Pierrot-like figure and a satyr lower the naked body of Salome into a coffin in the shape of a powder box

Frontispiece to "Plays"by John Davidson, 1893. Creator: Aubrey Beardsley
Frontispiece to " Plays" by John Davidson, 1893. Caricatures of notable figures of the day: Sir Augustus Harris (centre), the manager of the Covent Garden

Lady Golds Escort, 1894. Creator: Aubrey Beardsley
Lady Golds Escort, 1894. People in evening dress, possibly at a theatre. From The Yellow Book, Vol. III. A social satire which was not graciously received by the critics of the day

Cover Design for The Yellow Book, Vol IV, 1894. Creator: Aubrey Beardsley
Cover Design for The Yellow Book, Vol IV, 1894. A child (servant?) offering a flower to a woman. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

Frontispiece for Juvenal, 1894. Creator: Aubrey Beardsley
Frontispiece for Juvenal, 1894. An elderly woman is just glimpsed between the curtains of a sedan chair carried by monkeys. From The Yellow Book, Vol. IV

Comedy-Ballet of Marionettes, III, 1894. Creator: Aubrey Beardsley
Comedy-Ballet of Marionettes, III, 1894. Figures on stage, with cymbals player, piper, conductor and drummer in the orchestra pit. From The Yellow Book, Vol. I

Design for a Yellow Book Cover, 1894-1895. Creator: Aubrey Beardsley
Design for a Yellow Book Cover, 1894-1895. A woman holding a muff looks at a pile of books: Story of Venus and Tannhauser, Discords, Shakespeare, The Yellow Book, Dickens. This design was not used

Afghans, 1843. Creators: David Octavius Hill, Robert Adamson, Hill & Adamson
Afghans, 1843

Lane, 1843-47. Creators: David Octavius Hill, Robert Adamson, Hill & Adamson
Lane, 1843-47

Lane and Lewis / Lane and Redding, 1843-47. Creators: David Octavius Hill, Robert Adamson
Lane and Lewis / Lane and Redding, 1843-47

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"Captivating Beauty: Exploring the Enigmatic World of Lane John" Step into a mesmerizing journey through time as we delve into the captivating world of Lane John. Inspired by the intricate details and exquisite craftsmanship, Lane John takes us on an enchanting tour of historical wonders. Transported to the early 20th century, we find ourselves immersed in the Mosaic from the portico of the Generalife. Created by an unknown artist, this masterpiece showcases a harmonious blend of colors and patterns that leave us in awe. Next, we discover the House of Sanchez, dating back to c1830 but immortalized in 1907. Its mysterious creator remains anonymous, yet their talent shines through in every corner. The house whispers stories from generations past, inviting us to unravel its secrets. As our exploration continues, Details of the upper part of Lindarajas Balcony captivate our attention. Crafted with precision and delicacy by an unknown hand, these intricate designs offer glimpses into a forgotten era. The Part of ceiling of the Portico of Court Fish Pond beckons us further into this architectural wonderland. Adorned with ornate motifs and celestial scenes created in 1907 by an enigmatic artist whose identity eludes us still today. Stepping inside From entrance to Divan Hall Two Sisters reveals another hidden gem within Alhambra's walls. The unknown creator's skillful touch transforms mere ornaments on panel into works worthy of admiration for centuries to come. Our journey leads us towards Entrance Court Lions - a gateway frozen in time since its creation during Spain's 19th century reigns. Though shrouded in mystery due to its anonymous designer (circa 1907), it exudes grandeur and majesty at every turn. Mosaics Baths transport us deeper into Alhambra's allure; their vibrant hues tell tales lost over time but preserved forever within these walls. The unknown creator's artistry leaves us yearning for more.