Laid Collection (page 9)

Hercule de foire first half 20th century Color tempera
Artokoloro

Sailor Standing Shore 1859-60 Pen brown ink
Artokoloro

Virgin left watching infant Christ sleeps oval composition
Artokoloro

Landscape Figure 1763-1804 Black chalk off-white wove paper
Artokoloro

Saint Simon standing facing left holding saw
Artokoloro

Saint Paul looking right holding sword book ca
Artokoloro

naked man pursing naiad cupid water ca 1515-27
Artokoloro

Saint Thomas holding square rule head turned
Artokoloro

Vulcan seated hammering anvil flanked Venus three cupids
Artokoloro

Virgin reading infant Christ woman seated profile facing left
Artokoloro

Saint Matthew holding pouch ca 1515-27 Engraving
Artokoloro

Christ standing facing forward holding cross
Artokoloro

Glenarm Church (1796). Barralet, John James c1747 - 1815 (Unknown pupil of). Date: 1796

Presbyterian Meeting House, Glenarm. Barralet, John James c1747 - 1815 (Unknown pupil of)

Marchioness of Antrims Cottage, Glenarm Deer Park (c1796). Barralet, John James c1747 - 1815. Date: 1796 (circa)

View in Home Park, Glenarm (1796). Barralet, John James c1747 - 1815 (Unknown pupil of). Date: 1796

View in Glenarm Deer Park. Barralet, John James c1747 - 1815

Source Size = 3789 x 2803
TESS OF THE D URBERVILLES: " He laid his hand on her shoulder, Tess, Tess, I was on the way to deliverance till I saw you again, he said."

Source Size = 5062 x 3590
TESS OF THE D URBERVILLES: " They reached the cloister-garth, where were the graves of the monks. Upon one of these graves he carefully laid her down"

Laid his arm round the girls neck, and kissed her twice upon the cheek

Her Majesty Laying the Foundation Stone of the Royal Derby Infirmary: I Declare This
Her Majesty Laying the Foundation Stone of the Royal Derby Infirmary: I Declare this Stone Well and Truly Laid, Uk

View of the Projected New Central Infirmary at Derby, the Foundation Stone of Which
View of the Projected New Central Infirmary at Derby, the Foundation Stone of which was Laid by her Majesty the Queen

Source Size = 5769 x 2053
The Industrial Museum of Scotland, at Edinburgh, of which the Foundation Stone was Laid by the Prince Consort on Oct. 23, being the Last Public Act of his Royal Highness

Johann Georg BergmaOEller, German (1688-1762), The Immaculate Conception, c. 1740, pen and brown ink with gray wash, heightened and corrected with white

Joachim Franz Beich, German (1665-1748), A Waterfall with Ruins (verso), 1704-1714, gray wash heightened with white gouache on blue laid paper

Joseph-Marie Vien, The Fishpond at Villa Madama, French, 1716-1809, 1746-1749, black chalk on laid paper

Claude Gillot, Studies of Ornament and Architecture, French, 1673-1722, c. 1710, pen and brown ink over traces of graphite on laid paper

French early 16th century, A Courtier Standing Between Covetousness and Dissimulation [fol. 14 recto], 1512-1514, pen and brown ink with watercolor on laid paper

Etienne Delaune, The Backplate of a Suit of Parade Armor, French, 1518-1519-1583, c. 1557, pen and black ink with gray wash and faint traces of black chalk on laid paper

French early 16th century, Do Not Eat Beans [fol. 25 recto], 1512-1514
French early 16th century, " Do Not Eat Beans" [fol. 25 recto], 1512-1514, pen and brown ink with watercolor on laid paper

Jean-Honora Fragonard, Don Quixote and Sancho Panza Witness the Attack on Rocinante
Jean-Honora© Fragonard, Don Quixote and Sancho Panza Witness the Attack on Rocinante, French, 1732-1806, 1780s, black chalk with gray and brown wash on laid paper

Michel Corneille, Studies of Womens Heads, French, 1642-1708, 1680s or 1690s, black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink

Antoine Watteau, French (1684-1721), View of a House, a Cottage, and Two Figures [verso], 1718-1719, red chalk on laid paper

Louis Carrogis, called Carmontelle, Monsieur and Madame Blizet with Monsieur Le Roy the Actor, French, 1717-1806, c. 1765

Claude Da ruet, Imperfectorum Academia (Academy of the Imperfects), French, 1588-1660, c
Claude Da© ruet, Imperfectorum Academia (Academy of the Imperfects), French, 1588-1660, c. 1619, pen and brown ink with blue wash over black chalk, incised for transfer, on laid paper

Louis-Jean Desprez, French (1743-1804), The Cathedral at Trani, 1778, pen and gray-black ink and watercolor over graphite on laid paper

Jean-Michel Moreau, Yes or No, French, 1741-1814, 1778, graphite and red chalk heightened with white on laid paper

Jacques-Louis David, Church of Sant Onofrio, Rome, French, 1748-1825, 1775-80, gray wash over black chalk on pale blue laid paper, the wash extending onto the album page at left and right

Jacques-Louis David, Woman from the Villa Pamphili, French, 1748-1825, 1775-80, black ink with gray wash over graphite on laid paper

Simon Charles Miger after Ada laaOde Labille-Guiard, Joseph Vien, French, 1736-1820
Simon Charles Miger after Ada© laaOde Labille-Guiard, Joseph Vien, French, 1736-1820, in or after 1790, engraving on heavy laid paper

Jacques-Louis David, The Pantheon Seen from the Piazza, French, 1748-1825, 1775-80, black ink and gray wash over graphite on laid paper

Justus Sadeler after Paul Bril, Jonah Thrown into the Stormy Sea, Flemish, 1583-1620, 1610-1620, engraving on laid paper

Fa lix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead)
Fa© lix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead), French, 1847-1898, 1885, etching, roulette, drypoint, lift ground, aquatint

Albrecht DaOErer, The Four Horsemen, German, 1471-1528, 1498, woodcut on laid paper

Louis Gustave Taraval, A Classical Temple, French, 1739-1794, c. 1780, pen and black ink with gray, brown, and green washes on laid paper

Charles-Nicolas Cochin II, Gaiety and Grief, French, 1715-1790, 1774-1775, red chalk with touches of black chalk on laid paper, laid down, with border lines drawn by the artist

Jean-Jacques de Boissieu, Mount Cairo from across the Melfa River, French, 1736-1810, c. 1765-1766, brush and gray wash on laid paper; laid down

Charles Monnet, Perseus Turning Phinneas to Stone with the Head of Medusa, French, 1732-after 1808, 1767, pen and black ink with brown wash over traces of graphite

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"Laid in History: From HMAS Melbourne to St. Moritz, Unveiling the Stories Behind Iconic Moments" The mighty HMAS Melbourne head-on, showcasing its power and strength on the open seas. The crew of HMAS Melbourne line up on the flight deck, ready for their next mission with unwavering determination. Her Majesty's Australian Ship (HMAS) Melbourne (21), a symbol of national pride and maritime excellence. Witnessing the start of the Cresta Run in St. Moritz, 1912 - an exhilarating moment frozen in time. The intended building of the Royal College of Music in Kensington begins with its first stone laid on July 8th - a testament to artistic aspirations. Coloured shoulder patches proudly worn by members of the Australian Corps, representing unity and camaraderie. Experiencing pure adrenaline rush at The Cresta Run in St. 1912 - where thrill-seekers defy gravity with every twist and turn. Southampton Civic Centre stands tall as a beacon of civic pride and architectural marvels that have stood the test of time. Paris Masons leave their mark through intricate engravings dating back to 1740 - preserving ancient craftsmanship for generations to come. Cornerstone laid at St Patrick's Church in Philadelphia, USA - a sacred place where faith finds solace amidst towering walls. Volley firing by Scott Method captured by G. H Davis; an awe-inspiring display blending precision and firepower into one breathtaking spectacle.