Laid Collection (page 18)

Anton Woensam (German, active c. 1500 - 1541), Saints Philip and Bartholomew by a Spring, 1529, woodcut on laid paper

Master H. L. (German, active 1516-1530), Cupid Balancing on a Globe, 1533, engraving
Master H.L. (German, active 1516-1530), Cupid Balancing on a Globe, 1533, engraving on laid paper

Melchior Lorch (Danish, 1526-1527 - 1583 or after), Turkish Town, 1570, woodcut on laid paper

James McNeill Whistler, Bucking Horse, American, 1834 - 1903, etching in brown on laid paper

James McNeill Whistler, A Sketch on the Embankment, American, 1834 - 1903, etching in brown on laid paper

Sebald Beham (German, 1500 - 1550), Christ on the Cross, 1521, woodcut on laid paper

Joseph Pennell, Wrens City, American, 1857 - 1926, 1909, mezzotint on laid paper

Erhard Altdorfer (German, active 1512-1561), Mountain Landscape, 1510-1525, etching on laid paper

German 15th Century, The Madonna and Child Enthroned, with Saints Corbinian and Sigismund, 1492, woodcut, hand-colored in red lake, red-orange, green, blue, and yellow on laid paper

Etienne Parrocel (French, 1696 - 1775), The Drawing of Lots to Divide the Promised Land, black chalk on buff laid paper

Master PW of Cologne (German, active c. 1490-1510), Saint Catherine, c. 1500, engraving on laid paper

Master with the Banderoles after Israhel van Meckenem (Netherlandish, active c. 1450 - active 1475), The Stoning of Saint Stephen, c. 1470-1475, engraving on laid paper

Ernest-Ange Duez (French, 1843 - 1896), Flowers (Fleurs), 1894, drypoint on laid paper

Henri Euga ne Le Sidaner (French, 1862 - 1939), La Ronde, 1897, lithograph on blue
Henri Euga© ne Le Sidaner (French, 1862 - 1939), La Ronde, 1897, lithograph on blue laid paper

Jules-Ferdinand Jacquemart after Francisco de Goya (French, 1837 - 1880), Spanish Scene (Scašne espagnole), 1863, etching and drypoint on cream laid paper [proof]

Jean-Louis Forain, Lourdes, Imploring before the Grotto (fourth plate), French, 1852 - 1931, 1912-1913, etching on blue laid paper

Franazois-Nicolas Chifflart, The Silver Devil, French, 1825 - 1901, 1865, etching with drypoint on laid paper

Franazois-Nicolas Chifflart, Male Academy, French, 1825 - 1901, 1865, etching with drypoint on laid paper

Franazois-Nicolas Chifflart, Justice, Vengeance, and Truth, French, 1825 - 1901, 1865, etching with drypoint on laid paper

Franazois-Nicolas Chifflart, The Triumph of Justice and Truth, French, 1825 - 1901, 1865, etching with drypoint on laid paper

Franazois Bonvin (French, 1817 - 1887), La Porte de St Malo a Dinan, 1871, etching on laid paper

Albert Besnard, Queen Elisabeth of Belgium (La Reine Aa'lisabeth de Belgique), French, 1849 - 1934, 1917, etching and aquatint in black on laid paper

Albert Besnard, Gabriele D Annunzio, French, 1849 - 1934, 1917, etching in black with plate tone on laid paper

Albert Besnard, Jules Destra e, French, 1849 - 1934, 1917, etching and drypoint in
Albert Besnard, Jules Destra© e, French, 1849 - 1934, 1917, etching and drypoint in black touched with blue-black ink on white laid paper

Albert Besnard, Madeleine Lemaire, French, 1849 - 1934, 1900, etching and aquatint on laid paper

Albert Besnard (French, 1849 - 1934), Carmen, 1885, etching with roulette work on laid paper

French 19th Century, Saint Mary Magdalene Pray for Us, c. 1820, hand-colored woodcut on laid paper

Alphonse Legros, Abandoned Village, French, 1837 - 1911, etching and drypoint on laid paper

Charles Le Carpentier (French, 1744 - 1822), Honora Fragonard, 1806, etching
Charles Le Carpentier (French, 1744 - 1822), Honora© Fragonard, 1806, etching and engraving on laid paper

Fa lix-Hilaire Buhot (French, 1847 - 1898), Les Noctambules (The Night Prowlers)
Fa© lix-Hilaire Buhot (French, 1847 - 1898), Les Noctambules (The Night Prowlers), 1876-1877, etching and aquatint in black on beige laid paper

Albert Besnard, Leda Bathing (La da au bain), French, 1849 - 1934, 1913, etching
Albert Besnard, Leda Bathing (La© da au bain), French, 1849 - 1934, 1913, etching in black on laid paper

Auguste Boulard (French, 1852 - after 1912), Chateau on a Rise, probably 1877, etching in black on laid paper

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"Laid in History: From HMAS Melbourne to St. Moritz, Unveiling the Stories Behind Iconic Moments" The mighty HMAS Melbourne head-on, showcasing its power and strength on the open seas. The crew of HMAS Melbourne line up on the flight deck, ready for their next mission with unwavering determination. Her Majesty's Australian Ship (HMAS) Melbourne (21), a symbol of national pride and maritime excellence. Witnessing the start of the Cresta Run in St. Moritz, 1912 - an exhilarating moment frozen in time. The intended building of the Royal College of Music in Kensington begins with its first stone laid on July 8th - a testament to artistic aspirations. Coloured shoulder patches proudly worn by members of the Australian Corps, representing unity and camaraderie. Experiencing pure adrenaline rush at The Cresta Run in St. 1912 - where thrill-seekers defy gravity with every twist and turn. Southampton Civic Centre stands tall as a beacon of civic pride and architectural marvels that have stood the test of time. Paris Masons leave their mark through intricate engravings dating back to 1740 - preserving ancient craftsmanship for generations to come. Cornerstone laid at St Patrick's Church in Philadelphia, USA - a sacred place where faith finds solace amidst towering walls. Volley firing by Scott Method captured by G. H Davis; an awe-inspiring display blending precision and firepower into one breathtaking spectacle.