Lady Of Shalott Collection

I am half sick of shadows, c1911. Artist: John William Waterhouse
I am half sick of shadows, c1911. Illustration of Tennysons poem of the Arthurian legend, showing the Lady of Shalott bored with her weaving

The Lady of Shalott Looking at Lancelot, 1894, (c1930). Creator: John William Waterhouse
The Lady of Shalott Looking at Lancelot, 1894, (c1930). Illustration to Tennysons poem, " The Lady of Shalott" : the Lady sees bold Sir Launcelot in her mirror: she goes to the window

Saint Class, No. 2910, Lady of Shalott
Buitl May 1906

Elaine, 1897. Creator: Henry Wolf
Elaine, 1897

The Lady of Shalott, 1888 (1923). Artist: John William Waterhouse
The Lady of Shalott, 1888 (1923). From The Outline of Literature, by John Drinkwater, London, 1923

Elaine ties her sleeve around Sir Lancelot's helmet, illustration from The Book of Romance published by Longmans
3551770 Elaine ties her sleeve around Sir Lancelot's helmet, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

The Death of Elaine, 1877 (oil on canvas)
ONT95930 The Death of Elaine, 1877 (oil on canvas) by Watson, Homer (1855-1936); 78.1x106.7 cm; Art Gallery of Ontario, Toronto

Eugenie Sellers, Study for The Lady of Shalott, c
5889053 Eugenie Sellers, Study for The Lady of Shalott, c.1895 (coloured chalk on paper) by Hunt, William Holman (1827-1910); 45.7x34.3 cm; Private Collection; (add.info)

The Lady of Shalott (w / c on card)
Ma447024 The Lady of Shalott (w/c on card) by Rossetti, Dante Gabriel (1828-82) (circle of); 9.75 x 7 inches cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

The Barge of the Dead, illustration from The Story of Sir Launcelot
STC335783 The Barge of the Dead, illustration from The Story of Sir Launcelot and his Companions, 1907 (litho) by Pyle, Howard (1853-1911); Private Collection; The Stapleton Collection; American

The Lady Elaine the Fair knoweth Sir Launcelot, illustration from
STC335772 The Lady Elaine the Fair knoweth Sir Launcelot, illustration from The Story of Sir Launcelot and his Companions, 1907 (litho) by Pyle

Sir Launcelot confideth his Shield to Elaine the Fair, illustration from
STC335767 Sir Launcelot confideth his Shield to Elaine the Fair, illustration from The Story of Sir Launcelot and his Companions, 1907 (litho) by Pyle

The Death Journey of the Lily Maid of Astolat, from
STC323733 The Death Journey of the Lily Maid of Astolat, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

The Lady Elaine the Fair, illustration from The Story of Sir Launcelot
STC335755 The Lady Elaine the Fair, illustration from The Story of Sir Launcelot and his Companions, 1907 (litho) by Pyle, Howard (1853-1911); Private Collection; The Stapleton Collection; American

The Barge floated down the River, illustration from
STC323629 The Barge floated down the River, illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905 (litho) by Curtis

Elaine, 1874. Creator: Julia Margaret Cameron
Elaine, 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

Elaine the Lily - Maid of Astolat, 1874. Creator: Julia Margaret Cameron
Elaine the Lily - Maid of Astolat, 1874. A seated woman (May Prinsep) in profile with long unbound hair. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of

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"Captivating and Enigmatic: The Lady of Shalott" Immerse yourself in the enchanting world of "The Lady of Shalott, " a timeless masterpiece that has captivated audiences for generations. This iconic painting, created by John William Waterhouse in 1911, transports us to the realm of Camelot where shadows play tricks on our senses. Waterhouse's portrayal of "The Lady of Shalott Looking at Lancelot" in 1894 showcases his exceptional talent for capturing emotion and storytelling. With every brushstroke, he brings to life the inner turmoil felt by this mysterious lady as she gazes upon Sir Lancelot from her secluded tower. In another rendition titled "Saint Class, No. 2910, Lady of Shalott, " Waterhouse delves deeper into the legend surrounding this enigmatic figure. Through his artistry, he invites us to explore her half-sick existence within the confines of her shadowy abode. "The Death Journey of the Lily Maid of Astolat" depicts a tragic moment in this tale as Elaine ties her sleeve around Sir Lancelot's helmet. This poignant illustration from "The Book of Romance" published in 1919 evokes a sense of sacrifice and unrequited love. Waterhouse's fascination with Arthurian legends is evident throughout his body of work. From "Sir Launcelot confideth his Shield to Elaine the Fair" to "The Barge of the Dead, " he skillfully captures pivotal moments that shape these characters' destinies. "The Death Of Elaine, " painted in 1877, portrays an emotional climax as we witness Elaine's demise amidst unrequited love and heartbreak. Waterhouse masterfully conveys raw emotions through color and composition, leaving viewers spellbound. "Eugenie Sellers Study for The Lady Of Shalott" offers a glimpse into Waterhouse's creative process as he explores different interpretations of this iconic character.