Ladies In Waiting Collection (page 2)

Arrival of Emperor Nicolo Il of Russia in the castle of Racconigi, the hand kiss to Queen Helena (colour litho)
2815276 Arrival of Emperor Nicolo Il of Russia in the castle of Racconigi, the hand kiss to Queen Helena (colour litho) by Beltrame

Royal motherhood, Queen Elena attends childrens visits to a dispensary in Rome... (colour litho)
2815094 Royal motherhood, Queen Elena attends childrens visits to a dispensary in Rome... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Regal motherhood)

Last hours of Queen Elizabeth (litho)
475455 Last hours of Queen Elizabeth (litho) by Smirke, Robert (1752-1845) (after); Private Collection; (add.info.: Elizabeth I (1533-1603); Queen of England and Ireland 1558-1603;

Mary Queen of Scots reproved by Knox, illustration from David Humes
STC429694 Mary Queen of Scots reproved by Knox, illustration from David Humes The History of England, pub. by R. Bowyer, London, 1812 (engraving) by English School

Mary Queen of Scots in a convent garden, illustration from Hutchinson
STC373618 Mary Queen of Scots in a convent garden, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by English School

The Ladys Knight (oil on canvas)
TW426511 The Ladys Knight (oil on canvas) by Wynfield, David Wilkie (1837-87); 108.3x148.8 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; British

The Marriage of The Princess Charlotte of Wales with Prince Leopold of Saxe-Coburg
XJF283188 The Marriage of The Princess Charlotte of Wales with Prince Leopold of Saxe-Coburg, 2nd May 1816 (etching) (b/w photo) by English School

Queen Janes Entrance into the Tower, from The Tower of London, pub. 1840 (engraving)
2909755 Queen Janes Entrance into the Tower, from The Tower of London, pub. 1840 (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info)

Mary Queen of Scots When an Infant, 1842 (oil on canvas)
LMG112906 Mary Queen of Scots When an Infant, 1842 (oil on canvas) by Haydon, Benjamin Robert (1786-1846); 144.8x182.9 cm; Leeds Museums and Galleries (Leeds Art Gallery)

The Coronation of Her Majesty Queen Victoria, in Westminster Abbey, 28th June, 1838
829210 The Coronation of Her Majesty Queen Victoria, in Westminster Abbey, 28th June, 1838, engraved by Charles Edward Flagstaff (1808-50), 1853 (engraving) by Parris

Heart of a Sovereign (colour litho)
2808687 Heart of a Sovereign (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Heart Of A Sovereign)

The Coronation of Queen Victoria (1819-1901) (oil)
FC12288 The Coronation of Queen Victoria (1819-1901) (oil) by Jennens, L. (fl.1830-97) and Bettridge, H. (fl.1830-1900); The FORBES Magazine Collection

Alain Chartier, 1903 (oil on canvas)
CH390485 Alain Chartier, 1903 (oil on canvas) by Leighton, Edmund Blair (1853-1922); 161.3x111.8 cm; Private Collection; (add.info.: Alain Chartier (c.1392-1449), French poet

Queen Mary escaping from Loch Leven Castle, illustration from David Humes
STC429695 Queen Mary escaping from Loch Leven Castle, illustration from David Humes The History of England, pub. by R. Bowyer, London, 1812 (engraving) by English School

Noblewoman from the court of Isabella of Bavaria and her attendants (coloured engraving)
PER287354 Noblewoman from the court of Isabella of Bavaria and her attendants (coloured engraving) by French School; Private Collection; (add.info)

An Incident in the Life of Saint Elizabeth of Hungary - Compositional Study
BIR102306 An Incident in the Life of Saint Elizabeth of Hungary - Compositional Study, 1850 (pencil on paper) by Collinson, James (1825-81); Birmingham Museums and Art Gallery; English

Preparations for the Bride (oil on canvas)
CHT177472 Preparations for the Bride (oil on canvas) by Vien, Joseph-Marie, the Elder (1716-1809); Private Collection; (add.info.: Les preparatifs de la mariee; ); eArchives Charmet; French

Buckingham Palace, The Yellow Drawing Room, from London Interiors with their
931673 Buckingham Palace, The Yellow Drawing Room, from London Interiors with their Costumes and Ceremonies pub. Joseph Mead, London, c.1843 (steel engraving) by Shepherd

Marriage of Henry VI, with Margaret of Anjou, from The Comic History of England, pub
3075752 Marriage of Henry VI, with Margaret of Anjou, from The Comic History of England, pub. 1864 (hand coloured etching) by Leech

The Sleeping Beauty, 1921 (oil on canvas)
884766 The Sleeping Beauty, 1921 (oil on canvas) by Collier, John (1850-1934); 111.7x142.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Swineherd from Tales by Hans Christian Andersen, pub. 1911 (colour litho)
3282437 The Swineherd from Tales by Hans Christian Andersen, pub. 1911 (colour litho) by Lefler, Heinrich (1863-1919) and Urban

Sancho Panza and the Duchess (pencil & w / c on paper)
473921 Sancho Panza and the Duchess (pencil & w/c on paper) by Wright, John Massey (1777-1876); 21.6x27.6 cm; Laing Art Gallery, Newcastle-upon-Tyne

Two Attendant Ladies of the Empress Theodora (mosaic) (detail of 244980)
XIR331769 Two Attendant Ladies of the Empress Theodora (mosaic) (detail of 244980) by Byzantine School, (6th century); San Vitale, Ravenna, Italy; (add.info.: Theodora, empress from 527 -548 AD)

The Renunciation of Queen Elizabeth of Hungary, 1850 (oil on canvas) (see also 102306)
JAG76107 The Renunciation of Queen Elizabeth of Hungary, 1850 (oil on canvas) (see also 102306) by Collinson, James (1825-81); 121.7x184 cm; Johannesburg Art Gallery

Ms 1335 f. 1 Margaret of York is introduced to her future husband
XIR347304 Ms 1335 f.1 Margaret of York is introduced to her future husband, Charles the Bold on 27th June, 1468 at Damme (vellum) by French School, (15th century); Bibliotheque Municipale, Reims

The death of Queen Elizabeth, March 24th, 1603, illustration from Hutchinsons
STC358146 The death of Queen Elizabeth, March 24th, 1603, illustration from Hutchinsons Story of the British Nation, c.1920 (litho) by Delaroche

Iphigenia in Tauris, detail, from Pompeii, c. 15BC-50AD (see also 242787) (fresco) (b / w photo)
ALI242788 Iphigenia in Tauris, detail, from Pompeii, c.15BC-50AD (see also 242787) (fresco) (b/w photo) by Roman; Museo Archeologico Nazionale, Naples, Campania

Ladies Hunting, from a miniature in a manuscript copy of Ovid
STC222040 Ladies Hunting, from a miniature in a manuscript copy of Ovids Epistles (colour litho) by French School; Private Collection; The Stapleton Collection; French, out of copyright

Ms Fr 874 f. 31v A Hunt, illustration from Ovids Epistles (vellum)
XZL151160 Ms Fr 874 f.31v A Hunt, illustration from Ovids Epistles (vellum) by French School, (15th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Ms 149 t. 3 f. 119 The Birth of Louis (1187-1226) in 1187
XIR172696 Ms 149 t.3 f.119 The Birth of Louis (1187-1226) in 1187, from the Histoire des Nobles Princes de Hainaut, by Jacques de Guise (vellum) by French School

Ms 5073 f. 140v Table Service of a Lady of Quality, from the Renaud de Montauban cycle
XIR60102 Ms 5073 f.140v Table Service of a Lady of Quality, from the Renaud de Montauban cycle (vellum) by Liedet, Loyset (fl.1448-78); Bibliotheque de L Arsenal, Paris

A Lady putting on her Cap, published in 1795 (hand-coloured etching)
NCO191283 A Lady putting on her Cap, published in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Mary of Scotland (litho)
972429 Mary of Scotland (litho) by Nash, Joseph (1809-78) (after); Private Collection; (add.info.: Mary of Scotland. Illustration for British Palaces In the Olden Time (M A Nattali, c 1860)

Sir Launcelot lay asleep under the apple tree
908665 Sir Launcelot lay asleep under the apple tree by Margetson, William Henry (1861-1940); Private Collection; (add.info)

Rao Ram Chandra of Bedla on a swing, ca. 1740s. Creator: Shahji
Rao Ram Chandra of Bedla on a swing, ca. 1740s. Attributed to Shahji

Queen Catherine, Cardinal Wolsey and Cardinal Campeius (Shakespeare, King Henry VIII, Act 3, Scene 1), first published 1796; reissued 1852

Courtier and Two Ladies of the Court, with a Poem by Mibu no Tadamine, ca. 1791. ca
Courtier and Two Ladies of the Court, with a Poem by Mibu no Tadamine, ca. 1791

Prince and Ladies in a Garden, mid-18th century. Creator: Nidha Mal
Prince and Ladies in a Garden, mid-18th century

The Miracle of the Cross at the Bridge of Saint Lorenzo, detail of a group of Catherine
897144 The Miracle of the Cross at the Bridge of Saint Lorenzo, detail of a group of Catherine Cornaros ladies in waiting and a section of the crowd, 1500 (tempera on canvas) by Bellini

La Reine Anne. Creator: Unknown
La Reine Anne. Portrait of Anne of Brittany (1476-1514), queen consort of France and Duchess of Brittany. She is seated at a desk with paperwork below a canopy, with her ladies and two men

Empress Eugenie and her Ladies in Waiting, detail of the Marquise of Montebello, 1855
XIR182996 Empress Eugenie and her Ladies in Waiting, detail of the Marquise of Montebello, 1855 (oil on canvas) by Winterhalter, Franz Xaver (1805-73); Chateau de Compiegne, Oise

The Consecration of the Emperor Napoleon I and the Coronation of Empress Josephine
XIR902658 The Consecration of the Emperor Napoleon I and the Coronation of Empress Josephine in Notre-Dame Cathedral, 2nd December 1804

The Empress Eugenie Surrounded by her Ladies in Waiting (detail of the Baroness of Pierres
XIR896157 The Empress Eugenie Surrounded by her Ladies in Waiting (detail of the Baroness of Pierres, the Viscountess of Lezay-Marnesia), 1855 (oil on canvas) by Winterhalter

Tsarevnas House (oil on cardboard)
BAL368884 Tsarevnas House (oil on cardboard) by Klodt, Mikhail Petrovich (1835-1914); Belorussian National Gallery, Minsk, Belarus; Russian, out of copyright

The Coronation of the Queen (engraving)
XJF324346 The Coronation of the Queen (engraving) by Hayter, George (1792-1871) (after); Private Collection; (add.info.: Victoria (1819-1901), Queen of Great Britain

The Queen Opening Parliament in 1846 (engraving)
XJF324339 The Queen Opening Parliament in 1846 (engraving) by English School, (19th century); Private Collection; (add.info.: Victoria (1819-1901)

Queen Elizabeth I on her death bed, from The National and Domestic History of
KW322682 Queen Elizabeth I on her death bed, from The National and Domestic History of England by William Hickman Smith Aubrey (1858-1916) published London, c.1890 (litho) by English School

The Marriage of Henry VI and Margaret of Anjou, pub. by J. Carter Hamilton, 1793 (litho)
XJF311602 The Marriage of Henry VI and Margaret of Anjou, pub. by J. Carter Hamilton, 1793 (litho) by English School, (18th century); British Museum, London

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"Ladies in Waiting: A Glimpse into the Lives of Royal Women" Step back in time and witness the captivating world of "ladies in waiting, " who played significant roles beside powerful queens throughout history. In 1953, Her Majesty the Queen is seen accompanied by her Mistress of the Robes and six Maids of Honour, showcasing their loyalty and dedication. Traveling further back, we encounter Catherine of Aragon, immortalized in an oil painting from William Shakespeare's play "Henry VIII. " The artwork captures her strength amidst adversity, while John Ogborne's depiction portrays Queen Catherine's resentment during a turbulent period. "In My End is My Beginning" reveals an intriguing portrait heightened with gouache on paper. This enigmatic artwork hints at the complex emotions experienced by these ladies as they navigate through life within royal circles. Anne Boleyn bids farewell to her loyal ladies in a sepia-toned engraving from Cassells Illustrated History of England. The image evokes both sorrow and resilience as Anne faces her tragic fate. Elizabeth I learns about the Babington Plot through an illustration found in Hutchinsons Story of the British Nation. This momentous event highlights not only Elizabeth's intelligence but also showcases how vital these ladies were as confidantes and informants. The Empress Elizveta Petrovna graces us with her presence through an exquisite oil painting from 1905. Her regal stature exemplifies the importance placed upon these women within imperial courts. A glimpse into Eastern culture shows a princess descending from a palanquin surrounded by attendants circa 1801/04. These loyal companions symbolize tradition and support for royalty across different regions. Tragedy strikes when Lady Jane Grey meets her untimely end depicted vividly on canvas in 1833. This haunting portrayal reminds us that even noblewomen were not immune to political turmoil or ruthless power struggles. Mary Stuart prepares for her execution, capturing a poignant moment in history.