Knightley Collection

AUSTEN: EMMA, 1896. He stopped to look the question. Illustration by Hugh Thomson for an 1896 edition of Jane Austens Emma, first published in 1815

Frontispiece and title page to Emma by Jane Austen
XJF466210 Frontispiece and title page to Emma by Jane Austen, engraved by William Greatbach, edition published in 1833 (engraving) by Pickering

Rainald Knightley
Date: 1881

Staffordshire ST20 0 Map
Postcode Sector Map of Staffordshire ST20 0

Cheshire East CW3 9 Map
Postcode Sector Map of Cheshire East CW3 9

AUSTEN: EMMA, 1896. Oh, Mr. Knightley, one moment more. Illustration by Hugh Thomson for an 1896 edition of Jane Austens Emma, first published in 1815

A Woman Called Lady Elizabeth Knightley Dated in yellow paint, upper right: AE
A Woman Called Lady Elizabeth Knightley Dated in yellow paint, upper right: " AE 46", Marcus Gheeraerts the Younger, 1561-1635, Flemish

AUSTEN: EMMA. He stopped to look the question. Illustration by Hugh Thomson for an 1896 edition of Jane Austens Emma, first published in 1815

AUSTEN: EMMA. Oh, Mr. Knightley, one moment more. Illustration by Hugh Thomson for an 1896 edition of Jane Austens Emma, first published in 1815

Fawsley Park Archway
The entrance arch to Fawsley Park, Fawsley, Northamptonshire, England, the former estate of the Knightley family. Date: 17th century

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"Knightley: A Tale of Romance and Intrigue" In the enchanting world of Austen's Emma, Knightley stood as a figure of mystery and charm. As readers delved into the pages, they couldn't help but be captivated by his enigmatic presence. The frontispiece and title page to Emma by Jane Austen beckoned us to explore the depths of this character. Rainald Knightley, a name that echoed through time, evoked curiosity about his origins. Staffordshire ST20 0 Map and Cheshire East CW3 9 Map whispered secrets of his past, leaving us yearning for more knowledge about this intriguing man. "Oh, Mr. Knightley, " we sighed along with Emma in our hearts as she longed for just one more moment with him. The intensity between them was palpable; their connection transcended mere words on a page. But it wasn't only within Austen's world that Knightley left an indelible mark. A Woman Called Lady Elizabeth Knightley emerged from yellow paint in an upper right corner - a testament to the enduring legacy of this illustrious surname. As we immersed ourselves further into Austen's narrative, Fawsley Park Archway became a gateway to another realm altogether – where love blossomed amidst societal constraints and expectations. Knightley stopped to look the question – what lay beyond the surface? What secrets did he hold close? With each turn of the page, we were drawn deeper into his complex persona. Intriguing yet elusive, Knightley remained an enigma throughout our journey alongside Emma. We yearned for answers while simultaneously cherishing every fleeting moment spent in his company. So let us embark on this literary adventure once again – where Rainald Knightly's story intertwines with ours; where passion ignites against all odds; where even within painted letters or archways lies a tale waiting to unfold before our very eyes.