Knight Collection (page 94)

The morning of the Battle of Agincourt, 1415 (litho)
STC358138 The morning of the Battle of Agincourt, 1415 (litho) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: October 25th)

Saint Denis gives the oriflamme to Clement, Marechal de Metz (stained glass)
XIR365048 Saint Denis gives the oriflamme to Clement, Marechal de Metz (stained glass) by French School, (13th century); Chartres Cathedral, Chartres, France; (add.info.: St)

The Meeting of Dorothea and Don Quixote, illustration from
STC405554 The Meeting of Dorothea and Don Quixote, illustration from Don Quixote of the Mancha retold by Judge Parry, pub

Don Quixote meeting Cardenio, illustration from Don Quixote of the Mancha
STC405552 Don Quixote meeting Cardenio, illustration from Don Quixote of the Mancha retold by Judge Parry, pub. Blackie & Son Ltd, London, 1900 (colour litho) by Crane

The Rich Winning of the Helmet of Mambrino, illustration from
STC405551 The Rich Winning of the Helmet of Mambrino, illustration from Don Quixote of the Mancha retold by Judge Parry, pub

Don Quixote and the Windmills, illustration from Don Quixote of the Mancha
STC405548 Don Quixote and the Windmills, illustration from Don Quixote of the Mancha retold by Judge Parry, pub. Blackie & Son Ltd, London, 1900 (colour litho) by Crane

The Knighting of Don Quixote, illustration from Don Quixote of the Mancha
STC405547 The Knighting of Don Quixote, illustration from Don Quixote of the Mancha retold by Judge Parry, pub. Blackie & Son Ltd, London, 1900 (colour litho) by Crane

Coat of arms of Sir Edward Hungerford (engraving)
584996 Coat of arms of Sir Edward Hungerford (engraving) by English School, (19th century); Private Collection; (add.info.: Coat of arms of Sir Edward Hungerford)

Effigy of Sir Richard Vernon, 1450
LLM457975 Effigy of Sir Richard Vernon, 1450 by English School, (19th century); Private Collection; (add.info.: Effigy of Sir Richard Vernon, 1450)

Portrait of Philippe de Villiers de l Isle Adam (1464-1534)
XEE556130 Portrait of Philippe de Villiers de l Isle Adam (1464-1534), member of the Knights Hospitaller. by French School

Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight
XEE556121 Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight. by French School, (19th century); Private Collection; (add.info)

Portrait of Robert IV the Strong (Rutpert) (c. 815-866), Count of Orleans
XEE556717 Portrait of Robert IV the Strong (Rutpert) (c. 815-866), Count of Orleans. by French School, (19th century); Private Collection; (add.info)

Portrait of Rollo (Robert I) (860-c. 927-933), Viking leader and Duke of Normandy
XEE556816 Portrait of Rollo (Robert I) (860-c.927-933), Viking leader and Duke of Normandy. by French School, (19th century); Private Collection; (add.info)

Fr 6465 f. 140 Lothair I (795-855) Emperor of the West in combat with his brothers Louis
EDI38993 Fr 6465 f.140 Lothair I (795-855) Emperor of the West in combat with his brothers Louis the German (c.804-76) and Charles the Bald (823-77) at Fontenoy en Puisaye in 841 (vellum)

Pardon of Absalom, c. 1800-1803 (pen & w / c over black lead on paper)
CEC44181 Pardon of Absalom, c.1800-1803 (pen & w/c over black lead on paper) by Blake, William (1757-1827); 41.3x42.2 cm; The Higgins Art Gallery & Museum, Bedford

The Death of the Child and the King is promised victory, Tapestry of David and Bathsheba
PWI110174 The Death of the Child and the King is promised victory, Tapestry of David and Bathsheba, c.1510-15 (tapestry) by Flemish School, (16th century); Musee National de la Renaissance, Ecouen

Effigy of Geoffrey Plantagenet (1113-1150) from his tomb at Le Mans (engraving
XJF116890 Effigy of Geoffrey Plantagenet (1113-1150) from his tomb at Le Mans (engraving) (b&w photo) by English School, (19th century); Private Collection; (add.info)

Study for the tapestry The Attainment of the Holy Grail, c
BIR111596 Study for the tapestry The Attainment of the Holy Grail, c.1894 (w/c, gouache, gum and gold paint over pencil on paper) by Burne-Jones

The Investiture of the Order of the Bath, plate from The Seat of War in the East
STC122426 The Investiture of the Order of the Bath, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co

St George and the Dragon (oil on panel)
CRS225636 St George and the Dragon (oil on panel) by Scorel, Jan van (1495-1562); Corsham Court, Wiltshire; Netherlandish, out of copyright

Taking his sword, he said "Please God, Sir, that in war you may never take
STC292423 Taking his sword, he said " Please God, Sir, that in war you may never take flight", illustration from The Story of France Told to Boys and Girls by Mary Macgregor

Geoffroi de Villehardouin, illustration from Le Plutarque Francais by E
CHT277032 Geoffroi de Villehardouin, illustration from Le Plutarque Francais by E. Mennechet, engraved by Delaistre, 1835 (coloured engraving) by Jacquand

Ms 329, f. 9r: Table of Pedigree of the Anlaby Family, from The Anlaby Cartulary
FIT276930 Ms 329, f.9r: Table of Pedigree of the Anlaby Family, from The Anlaby Cartulary, c.1450 (vellum) by Anlaby, Thomas (fl.1450); 28.5x19 cm; Fitzwilliam Museum, University of Cambridge

Queen and Princess and Duchess of Beauty, illustration from
IL288842 Queen and Princess and Duchess of Beauty, illustration from The Adventures of Don Quixote, published by G. Bell & Sons, Ltd

The dying King Arthur is carried away to Avalon on a magical ship with three queens
DGC288181 The dying King Arthur is carried away to Avalon on a magical ship with three queens, 1901 (litho) by Dalziel Brothers (1815-1905) (after); Private Collection; (add.info)

MS 1-2005, fol. 174r: David and Goliath, marginal decoration from the Macclesfield
FIT309725 MS 1-2005, fol. 174r: David and Goliath, marginal decoration from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum) by English School

Crusaders Storming the City of the Tyre, illustration from Hutchinson
IL281036 Crusaders Storming the City of the Tyre, illustration from Hutchinsons History of the Nations (litho) by Wood, Stanley L

Seal of Robert VIII Bruce, 1326 (stone)
ARN285641 Seal of Robert VIII Bruce, 1326 (stone) by Scottish School, (14th century); Centre Historique des Archives Nationales, Paris, France; (add.info.: Bruce (1274-1329), Robert I

Study for St. George (pencil & grey wash heightened with white)
Ma283705 Study for St. George (pencil & grey wash heightened with white) by Solomon, Solomon Joseph (1860-1927); 33x15.9 cm; Private Collection; Photo eThe Ms Gallery, London; English

Sir Francis Drake (c. 1540-96) on board the Revenge
IL251881 Sir Francis Drake (c.1540-96) on board the Revenge, illustration from Lives of Great Men Told by Great Men, edited by Richard Wilson, c.1920s (colour litho) by Lucas

Portrait of a Gentlema, traditionally identified as Sir Robert Sidney (1563-1626
CH249881 Portrait of a Gentlema, traditionally identified as Sir Robert Sidney (1563-1626) later 1st Earl of Leicester (oil on panel) by English School

Ms Lat. Q. v. I. 126 Scene from the Hours of Louis d Orleans, 1469 (vellum)
XJL213687 Ms Lat. Q.v.I.126 Scene from the Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); total:225x155 cm; National Library, St. Petersburg, Russia; French, out of copyright

Two knights at a tournament, plate from A History of the Development
STC147636 Two knights at a tournament, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Two knights fighting, plate from A History of the Development
STC147652 Two knights fighting, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Two knights at a tournament, plate from A History of the Development
STC147645 Two knights at a tournament, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Two knights at a tournament, plate from A History of the Development
STC147641 Two knights at a tournament, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Two knights at a tournament, plate from A History of the Development
STC147633 Two knights at a tournament, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Armour, plate from A History of the Development and Customs of Chivalry, by Dr
STC147617 Armour, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Helmets, plate from A History of the Development and Customs of Chivalry, by Dr
STC147616 Helmets, plate from A History of the Development and Customs of Chivalry, by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho) by Reibisch

Fr. 16830 f. 16v Chronicle of Jacques de Lalain (vellum)
REV128476 Fr.16830 f.16v Chronicle of Jacques de Lalain (vellum) by French School, (15th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Fol. 2 Snail and Hungarian soldier (facsimile copy) (pen & ink on paper) (b / w photo)
XIR164814 Fol.2 Snail and Hungarian soldier (facsimile copy) (pen & ink on paper) (b/w photo) by Villard de Honnecourt (fl.1190-1235); Bibliotheque de l Ecole des Beaux-Arts, Paris

The End of the Quest, 1921 (oil on canvas)
LGH162589 The End of the Quest, 1921 (oil on canvas) by Dicksee, Frank (1853-1928); 144.7x106.7 cm; Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English, out of copyright

Ms Fr 82 Fol. 59 The Burgundian and English Armies, from Anciennes Chroniques d
BNP159951 Ms Fr 82 Fol.59 The Burgundian and English Armies, from Anciennes Chroniques d Angleterre, by Jean Batard de Wavrin, c.1470-80 (vellum) by French School

The Dream of Sir Lancelot at the Chapel of the Holy Grail, 1896 (oil on canvas)
SOU80773 The Dream of Sir Lancelot at the Chapel of the Holy Grail, 1896 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 138.5x169 cm; Southampton City Art Gallery, Hampshire

Don Quixote falls from his horse in front of the Dukes (pair of 82436)
CAY82435 Don Quixote falls from his horse in front of the Dukes (pair of 82436) by Velazquez, Zacarias Gonzalez (1763-1834); 15x23.5 cm; Caylus Anticuario, Madrid, Spain; Spanish, out of copyright

The Defeat of Athens by Minos, King of Crete, from the Story of Theseus (oil on panel)
PWI84010 The Defeat of Athens by Minos, King of Crete, from the Story of Theseus (oil on panel) by Master of the Campana Cassoni, (fl.c.1510); 69x183 cm; Musee du Petit Palais, Avignon

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"Unveiling the Chivalrous Legacy: A Journey Through the Knight's Tales" Step into a realm of valor and honor as we embark on a captivating exploration of knights, their legends, and their enduring impact. From ancient manuscripts to iconic statues, let us delve into the rich tapestry that defines these noble warriors. In Sir Gawain and the Green Knight by William McLaren, we witness an enthralling encounter between chivalry and supernatural forces. The tale unfolds with breathtaking intensity, leaving us pondering over themes of bravery and loyalty. The Ghost Story by Alfred Bestall sends shivers down our spines as we are transported to eerie medieval nights filled with spectral apparitions. This chilling narrative reminds us that even knights were not immune to encounters beyond mortal comprehension. The Lindisfarne Gospels, created between 715-721, showcase intricate illuminations depicting scenes from biblical stories intertwined with motifs inspired by knightly culture. These masterpieces serve as testaments to both religious devotion and the influence of knighthood in medieval society. The Bayeux Tapestry immortalizes one of history's most pivotal moments - the Battle of Hastings in 1066. Woven meticulously through vibrant threads is a visual chronicle capturing every triumph and tragedy faced by knights on this fateful day. Medieval English shield designs offer glimpses into individual heraldic identities borne proudly upon shields during battles. Each emblem tells a unique story reflecting family lineage or personal achievements – symbols etched onto armor representing courage amidst chaos. Standing tall at the Bruce Monument at Bannockburn is a statue honoring Robert the Bruce – Scotland's legendary knight who fought valiantly for independence against English oppression. His unwavering determination continues to inspire generations even today. As dawn breaks on Agincourt in 1415, we witness an imminent clash between two mighty armies; it is here that King Henry V leads his outnumbered troops against all odds.