Josephine Bonaparte Collection

Empress Joséphine of France, late 18th-early 19th century. Creator: Jean-Baptiste Regnault
Empress Josephine of France, late 18th-early 19th century

Le cortège impérial se rendant à Notre-Dame pour la cérémonie du sacre, le 2 décembre 1804... 1805
Le cortege imperial se rendant a Notre-Dame pour la ceremonie du sacre, le 2 decembre 1804 ; la traversee du Pont-Neuf, 1805. T

Saule Pleureur Imperiale with hidden silhouettes of Napoleon and his family, 1830-50. 1830-50. Creator: Anon
Saule Pleureur Imperiale with hidden silhouettes of Napoleon and his family, 1830-50

Paris leaning on a tree stump, 1817. Creators: Giovanni Battista Balestra
Paris leaning on a tree stump, 1817. Frontal view. From " Oeuvre de Canova: Recueil de Statues...", a work on the sculptures of Antonio Canova

Josephine (colour litho)
1766139 Josephine (colour litho) by Philippoteaux, Felix (1815-84) (after); 30.3x23.5 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

View of Malmaison from the Orangery, engraved by Nicolas Chapuy, c
BMT439217 View of Malmaison from the Orangery, engraved by Nicolas Chapuy, c.1810s (coloured engraving) by Mongin, Antoine Pierre (1761-1827) (after); BibliothAque Paul-Marmottan

Madam Guerin as Josephine Bonaparte (b / w photo)
821112 Madam Guerin as Josephine Bonaparte (b/w photo) by French School, (19th century); Private Collection; (add.info.: Madame Guerin Portraying Josephine Bonaparte (1763 -1814)

Paris leaning on tree stump, back view. from "Oeuvre de Canova: Recueil de Statues
Paris leaning on tree stump, back view. from " Oeuvre de Canova: Recueil de Statues...", 1817

Imperial Botany - or a Peep at Josephines Collection of English Exoticks, vide the Champion Jany 30, 1814, March 1, 1814. Attributed to Charles Williams. Also attributed to George Cruikshank

Napoleon and Josephine Visiting the Studio of David, January 4, 1808, ca. 1820-30

An Allegory of Empress Josephine as Patroness of the Gardens at Malmaison, ca. 1805-6

Boney The Second or the Little Babboon Created to Devour French Monkies, April 9, 1811

Josephine, 1763-1814, Original Name, Marie-Josephe-Rose-Tascher De La Pagerie, Also JosA©phine Bonaparte
Josephine, 1763-1814, Original Name, Marie-Josephe-Rose-Tascher De La Pagerie, Also Josephine Bonaparte. Late Empress Queen Of France And Italy. 19Th Century Print Engraved For The LadyAśS Magazine

Letter from Empress Josephine giving her consent to the annulment of her marriage to Napoleon
XIR1272771 Letter from Empress Josephine giving her consent to the annulment of her marriage to Napoleon, 1809 (pen & ink on paper) by Beauharnais

Letter from Empress Josephine giving her consent to the annulment of her marriage to Napoleon
XIR1272770 Letter from Empress Josephine giving her consent to the annulment of her marriage to Napoleon, 1809 (pen & ink on paper) by French School

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Josephine Bonaparte, a woman of elegance and influence, left an indelible mark on history. In the Saule Pleureur Imperiale painting, silhouettes of Napoleon and his family are hidden amidst the delicate branches, symbolizing their intertwined destinies. Paris leaning on a tree stump in 1817 captures Josephine's contemplative nature and her connection to nature's beauty. A color litho portrait showcases her grace and charm that captivated all who beheld her. The view of Malmaison from the Orangery engraving by Nicolas Chapuy transports us to Josephine's beloved estate, where she cultivated her passion for botany. Her collection of English Exoticks was renowned, as depicted in Imperial Botany - a testament to her love for horticulture. Madam Guerin embodies Josephine Bonaparte through a black-and-white photograph, showcasing the striking resemblance between them. The detailed oil-on-canvas portrait further immortalizes her captivating presence. In another artwork titled "Oeuvre de Canova: Recueil de Statues, " we see Paris gazing upon Josephine from behind as she leans against a tree stump - an intimate moment frozen in time. Napoleon and Josephine Visiting David's Studio depicts their shared appreciation for artistry during their visit in 1808. Their union was not only one of power but also one rooted in mutual admiration for creativity. An Allegory of Empress Josephine portrays her as the patroness of gardens at Malmaison - a role she embraced with fervor. This painting reflects how she transformed Malmaison into an oasis filled with lush greenery under her watchful eye. Lastly, Boney The Second or the Little Babboon Created to Devour French Monkies satirically represents political tensions surrounding Napoleon's reign while referencing his affectionate nickname given by his soldiers.