Josephe Collection

Josephine de Beauharnais , 1763 to 1814. First wife of Napoleon Bonaparte, and first Empress of the French
2915306 Josephine de Beauharnais , 1763 to 1814. First wife of Napoleon Bonaparte, and first Empress of the French. Illustration from the book The Connoisseur Illustrated published 1904.; Photo

Clair Josephe Hippolyte Leris, aka La Clairon, from La Tour, pub. 1920
3960924 Clair Josephe Hippolyte Leris, aka La Clairon, from La Tour, pub.1920 by Tour, Maurice Quentin de la (1704-88) (after); (add.info.: Clair Josephe Hippolyte Leris, aka La Clairon, 1723-1803)

Wandering minstrels, 1574 (1849). Artist: A Bisson
Wandering minstrels, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Samson and Delilah, 1574 (1849). Artist: A Bisson
Samson and Delilah, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Empress Josephine, born Marie Josephe Rose Tascher de La Pagerie, 1763-1814. First wife of Napoleon, and thus the first Empress of the French

Clair JosAšphe Hippolyte Leris, also known as La Clairon, 1723 - 1803. French actress. After a work by French Rococo portraitist, Maurice Quentin de La Tour, (1704 - 1788)

Mme Cabel as Toinon in Adolphe Adams Le Bijou
Mme. Cabel as Toinon in Adolphe Adams Le Bijou Perdu at the Theatre Lyrique.. Marie-Josephe Cabel (1827-1885) was a Belgian soprano opera singer who performed in Paris

Josephine has Bad News
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I He tells her he is compelled to annul their marriage so he can wed Marie-Luise. Date: 1763 - 1814

Josephine (Seated)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I informally dressed (though wearing the inevitable tiara) seated on a verandah. Date: 1763 - 1814

Josephine (Dean)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I wearing tiara, necklance, and a somewhat uncertain expression. Date: 1763 - 1814

Josephine (Bond)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I wearing tiara but, for once no necklace. Date: 1763 - 1814

Josephine (Gerard 2)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I wearing crown and necklace. Date: 1763 - 1814

Josephine (Craig)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I holding a locket to remind her of him while he is away fighting people. Date: 1763 - 1814

Josephine (Ribault)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I wearing crown and necklace. Date: 1763 - 1814

Josephine (Wallis)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I wearing her hair long, with tiara and necklaces. Date: 1763 - 1814

Josephine (Champagne)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I seated with tiara and necklace. Date: 1763 - 1814

Josephine (Delpech)
MARIE JOSEPHE ROSE TASCHER de BEAUHARNAIS empress of Napoleon I wearing coronet and shawl. Date: 1763 - 1814

Mlle Marie Cabel as Elvire in Adolphe Adam s
Mlle. Marie Cabel as Elvire in Adolphe Adams Le Muletier de Tolede at the Theatre Lyrique.. Marie-Josephe Cabel (1827-1885)

Marie In Profile
circa 1780: Queen Marie Antoinette of France (1755 - 1793), queen from 1774. Three Lions Collection (Photo by Three Lions/Getty Images)

La Clairon (1723-1803) born Clair Josephe Hippolyte Leris, French actress, for twenty-two years a leading performer at the Comedie-Franciase. Portrait by Van Loo

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"Josephine: A Tale of Art, Music, and Strength" In the world of performing arts, Josephine stands as a symbol of resilience and talent. From Mme Cabel's portrayal of Toinon in Adolphe Adams Le Bijou to Clair Josephe Hippolyte Leris' transformation into La Clairon, her influence knows no bounds. Traveling back in time to 1574, we encounter wandering minstrels captivating audiences with their melodic tunes. The artist A Bisson beautifully captures this enchanting scene that echoes Josephine's own journey through the realms of music and performance. But it is not just on stage where Josephine shines. In Samson and Delilah, another masterpiece by A Bisson, we witness the power she possesses to captivate hearts both on and offstage. Yet amidst all the triumphs lie moments when Josephine must deliver bad news. With grace and poise depicted in various artistic renditions such as "Josephine (Seated), " "Josephine (Dean), " or even "Josephine (Bond), " she embodies strength in times of adversity. Through different lenses like Gerard 2's interpretation or Craig's unique perspective, we see how artists have immortalized Josephine's essence throughout history. Ribault pays homage to her legacy while Wallis brings forth her timeless beauty. In every portrayal lies a story waiting to be told - a tale woven with passion for artistry and an unwavering spirit that defines who Josephine truly is. She remains an inspiration for generations to come – an emblematic figure whose name resonates with creativity and perseverance.