Joseph Swain Collection (page 9)

An Arduous Quest, 1878. Artist: Joseph Swain
An Arduous Quest, 1878. Mr Punch asks Father Christmas what he is looking for. Father Christmas replies that he is looking for peace on earth, and goodwill towards men

Poor Buffer, 1878. Artist: Joseph Swain
Poor Buffer, 1878. The Ameer of Afghanistan, holding a tiny shield and raised sword, straddles the buffers of a Russian steam train

The Shadow on the Hills, 1878. Artist: Joseph Swain
The Shadow on the Hills, 1878. An armed man in a turban, possibly a native sepoy, who represents India stands looking into the distance

Hot Pies!, 1879. Artist: Joseph Swain
Hot Pies!, 1879. A group of politicians are devouring pies representing countries. Lord Lytton, the viceroy of India, dressed as a waiter, brings another pie, to which Disraeli ( Master Benjamin )

The Dogs of War, 1876. Artist: Joseph Swain
The Dogs of War, 1876. A Russian struggles to control a group of dogs, representing the Balkans, which are pulling at their leashes, eager to chase Murad V, the new Sultan of the Ottoman empire

Justice to the Rescue!, 1876. Artist: Joseph Swain
Justice to the Rescue!, 1876. Uncle Sam and John Bull, representing Britain and the United States of America, are tearing up the Extradition Treaty of 1842

The East India House Museum in the City of London, Engand. After a 19th century engraving by Joseph Swain from a work by G.F. Sargent

Majors Daughter Clara Vinraces Farewell Father
The Majors Daughter: Clara Vinraces Farewell to her Father, 1862. James McNeill Whistler (American, 1834-1903), Joseph Swain (British, 1820-1909). Wood engraving

Drawings Prints, Print, Seat, St. James Park, Artist, Engraver, George John Pinwell
Drawings and Prints, Print, A Seat in St. James Park, Artist, Engraver, After, George John Pinwell, Joseph Swain, British, High Wycombe 1842-1875 London, British, Oxford 1820-1909 London, Pinwell

Drawings Prints, Print, Old Chartist, Once Week, vol. 6, p. 183, Engraver, Artist
Drawings and Prints, Print, The Old Chartist (in Once a Week, vol. 6, p. 183), Engraver, Artist, After, Joseph Swain, Frederick Augustus Sandys, British, Oxford 1820-1909 London, British

Drawings Prints, Print, Danae Brazen Chamber, Engraver, Artist, Joseph Swain, Frederick
Drawings and Prints, Print, Danae in the Brazen Chamber, Engraver, Artist, After, Joseph Swain, Frederick Augustus Sandys, British, Oxford 1820-1909 London, British, Norwich 1829-1904 London, Swain

Drawings Prints, Print, Dream Love, Once Week, p. 393, Artist, Engraver, Sir, Edward
Drawings and Prints, Print, A Dream of Love (Once a Week, p. 393), Artist, Engraver, After, Sir Edward John Poynter, Joseph Swain, British (born France), Paris 1836-1919 London, British

Drawings Prints, Print, Old Chartist, Engraver, Artist, Joseph Swain, Frederick Augustus Sandys
Drawings and Prints, Print, The Old Chartist, Engraver, Artist, After, Joseph Swain, Frederick Augustus Sandys, British, Oxford 1820-1909 London, British, Norwich 1829-1904 London, Swain, Joseph

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Joseph Swain was a talented artist who left his mark on the political and artistic landscape of the late 19th century. His works, such as "Happy Hampstead. " and "The Conservative Programme, " showcased his skill in capturing both joyous moments and serious political undertones. In "A Railway Revolution, " Swain depicted the transformative power of technology, highlighting the impact of railways on society. Similarly, in "The Irish Frankenstein, " he delved into the complexities of Irish politics during that time. Swain's art also explored social issues, as seen in "The Divided Skirt" which addressed gender norms and women's rights. He continued to tackle political satire with pieces like "Balfours Irrepressible Donkey, " mocking prominent figures for their actions or policies. "The Wind and the Sun" portrayed nature's power over man, while "The Start" captured a moment filled with anticipation and excitement. In "A New Piece, " Swain showcased his versatility by creating a captivating artwork that stood out among his other works. His satirical illustrations extended to Ireland with pieces like "The Irish Devil-Fish" and "Intercepted. " These artworks reflected tensions between Ireland and Britain during this period. Lastly, Swain demonstrated his ability to capture military maneuvers in pieces like "Great Autumn Manoeuvre. " Through these paintings, he highlighted not only strategic planning but also the human element involved in warfare. Joseph Swain's body of work encompasses various themes from politics to social issues to nature. With each piece, he brought forth thought-provoking ideas through intricate details and skilled brushstrokes. His legacy lives on as an artist who used his talent to shed light on important topics of his time.