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Joseph Mallord William Collection

Joseph Mallord William Turner, known as JMW Turner, was a renowned British artist who left an indelible mark on the art world

Background imageJoseph Mallord William Collection: Venice: The Salute from S. Giorgio Maggiore, 1909. Artist: JMW Turner

Venice: The Salute from S. Giorgio Maggiore, 1909. Artist: JMW Turner
Venice: The Salute from S. Giorgio Maggiore, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: The Fighting Temeraire, 1839. Artist: JMW Turner

The Fighting Temeraire, 1839. Artist: JMW Turner
The Fighting Temeraire, 1839. The 98-gun ship Temeraire became known as the Fighting Temeraire after its role in Nelsons victory at the Battle of Trafalgar in 1805

Background imageJoseph Mallord William Collection: Whitby, 1824. Artist: JMW Turner

Whitby, 1824. Artist: JMW Turner
Whitby, 1824. From the Tate Gallery, London

Background imageJoseph Mallord William Collection: Self-portrait of JMW Turner, 1799. Artist: JMW Turner

Self-portrait of JMW Turner, 1799. Artist: JMW Turner
Self-portrait of JMW Turner, 1799. Turner (1775-1851), the Romantic artist who became known as the painter of light. This is his last known self portrait, painted when he was 24

Background imageJoseph Mallord William Collection: Scarborough, 1909. Artist: JMW Turner

Scarborough, 1909. Artist: JMW Turner
Scarborough, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: A First Rate Taking in Stores, 1818. Artist: JMW Turner

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Background imageJoseph Mallord William Collection: Brinkburn Priory, Northumberland, c1830. Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830. Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830. Painting held at The Tate, London. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Background imageJoseph Mallord William Collection: Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap

Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW Turner
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa

Background imageJoseph Mallord William Collection: Launceston, 1909. Artist: JMW Turner

Launceston, 1909. Artist: JMW Turner
Launceston, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Hastings, 19th century (1910). Artist: JMW Turner

Hastings, 19th century (1910). Artist: JMW Turner
Hastings, 19th century (1910). From The Connoisseur magazine (September 1910)

Background imageJoseph Mallord William Collection: Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Background imageJoseph Mallord William Collection: Crossing the Brook, c1815. Artist: JMW Turner

Crossing the Brook, c1815. Artist: JMW Turner
Crossing the Brook, c1815. From the Tate collection, London

Background imageJoseph Mallord William Collection: The Angel Standing in the Sun, 1846. Artist: JMW Turner

The Angel Standing in the Sun, 1846. Artist: JMW Turner
The Angel Standing in the Sun, 1846. The Archangel Michael with flaming sword on Judgement Day. From Tate Britain, London

Background imageJoseph Mallord William Collection: Portsmouth, c1824-5, (1905). Artist: JMW Turner

Portsmouth, c1824-5, (1905). Artist: JMW Turner
Portsmouth, c1824-5. Painting held in the Tate, London. From The Connoisseur 1905 [Otto Limited, London, 1905.]

Background imageJoseph Mallord William Collection: Boston, Lincolnshire, 1838, (1943). Creator: Unknown

Boston, Lincolnshire, 1838, (1943). Creator: Unknown
Boston, Lincolnshire, 1838, (1943). View of St Botolphs Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner

Background imageJoseph Mallord William Collection: Portrait of JMW Turner, c1841 (1904). Artist: Charles Turner

Portrait of JMW Turner, c1841 (1904). Artist: Charles Turner
Portrait of JMW Turner, c1841 (1904). Joseph Mallord William Turner (1775-1851), English landscape painter. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageJoseph Mallord William Collection: Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. Artist: JMW Turner

Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. Artist: JMW Turner
Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. From the Tate collection, London

Background imageJoseph Mallord William Collection: Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner

Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner
Lancaster, from the Aqueduct Bridge, c1825. Painting housed in the Lady Lever Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy

Background imageJoseph Mallord William Collection: Barnard Castle, 1909. Artist: JMW Turner

Barnard Castle, 1909. Artist: JMW Turner
Barnard Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Lausanne, 1909. Artist: JMW Turner

Lausanne, 1909. Artist: JMW Turner
Lausanne, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner

Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner
Edinburgh: From St. Margarets Loch, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageJoseph Mallord William Collection: Pembroke Castle, Wales, c1829. Artist: JMW Turner

Pembroke Castle, Wales, c1829. Artist: JMW Turner
Pembroke Castle, Wales, c1829. Painting held in The Holburne Museum of Art, Bath. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Background imageJoseph Mallord William Collection: Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner

Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. This view of Venice includes the figure of the Venetian artist Antonio Canaletto

Background imageJoseph Mallord William Collection: High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown

High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown
High Wycombe from the Marlow Road, c1802, (c1900). Rural scene with cows in the foreground, and the town of High Wycombe in Buckinghamshire in the distance

Background imageJoseph Mallord William Collection: The Crook of the Lune, 1909. Artist: JMW Turner

The Crook of the Lune, 1909. Artist: JMW Turner
The Crook of the Lune. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Grenoble Bridge, 1824. Artist: JMW Turner

Grenoble Bridge, 1824. Artist: JMW Turner
Grenoble Bridge, 1824. Painting held at The Baltimore Museum of Art, Baltimore. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Background imageJoseph Mallord William Collection: On the Lake at Petworth - Evening, 1909. Artist: JMW Turner

On the Lake at Petworth - Evening, 1909. Artist: JMW Turner
On the Lake at Petworth - Evening, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Tells Chapel, Fluelen, 1909. Artist: JMW Turner

Tells Chapel, Fluelen, 1909. Artist: JMW Turner
Tells Chapel, Fluelen, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Bellinzona: From the Road to Locarno, 1909. Artist: JMW Turner

Bellinzona: From the Road to Locarno, 1909. Artist: JMW Turner
Bellinzona: From the Road to Locarno, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Bellinzona: From the South, 1909. Artist: JMW Turner

Bellinzona: From the South, 1909. Artist: JMW Turner
Bellinzona: From the South, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJoseph Mallord William Collection: Ulysses deriding Polyphemus - Homers Odyssey, 1829, (1911). Artist: JMW Turner

Ulysses deriding Polyphemus - Homers Odyssey, 1829, (1911). Artist: JMW Turner
Ulysses deriding Polyphemus - Homers Odyssey, 1829. Painting held in The National Gallery London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C

Background imageJoseph Mallord William Collection: Keelmen Heaving in Coals by Moonlight, 1835. Artist: JMW Turner

Keelmen Heaving in Coals by Moonlight, 1835. Artist: JMW Turner
Keelmen Heaving in Coals by Moonlight, 1835. The painting is part of the Widener Collection, National Gallery of Art, Washington DC

Background imageJoseph Mallord William Collection: The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner

The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner
The Thames near Walton Bridges, 1805. After an original oil paint on mahogany veneer by Joseph Mallord William Turner (1775-1851). Original housed in the Tate, London

Background imageJoseph Mallord William Collection: Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke

Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke
Ilfracomb, North Devon, c1818. Engraving after Ilfracombe, North Devon: Storm and Shipwreck, painting by JMW Turner, c1813-1816

Background imageJoseph Mallord William Collection: Portrait of JMW Turner, c1827 (1904). Artist: Charles Turner

Portrait of JMW Turner, c1827 (1904). Artist: Charles Turner
Portrait of JMW Turner, c1827 (1904). A portrait of English landscape painter Joseph Mallord William Turner (1775-1851) at the age of 25

Background imageJoseph Mallord William Collection: A Marine Study, c1830, (1906-7). Artist: JMW Turner

A Marine Study, c1830, (1906-7). Artist: JMW Turner
A Marine Study, c1830. A marine study in chalk, ink wash and pen and ink. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Background imageJoseph Mallord William Collection: View of London from Greenwich, 1825. Creator: JMW Turner

View of London from Greenwich, 1825. Creator: JMW Turner
View of London from Greenwich, 1825

Background imageJoseph Mallord William Collection: Turners House in Maiden Lane, (1881). Creator: Unknown

Turners House in Maiden Lane, (1881). Creator: Unknown
Turners House in Maiden Lane, (1881). The birthplace of painter JMW Turner (1775-1851) in Maiden Lane, Covent Garden, London. Turner was born above his fathers barber shop at number 21

Background imageJoseph Mallord William Collection: View on Lake of Brienz, 19th century, (1910). Artist: JMW Turner

View on Lake of Brienz, 19th century, (1910). Artist: JMW Turner
View on Lake of Brienz, 19th century, (1910). Lake Brienz is a lake just north of the Alps, in the Canton of Berne in Switzerland

Background imageJoseph Mallord William Collection: Forum Romanum, 1818. Artist: JMW Turner

Forum Romanum, 1818. Artist: JMW Turner
Forum Romanum, 1818. Painting held at the National Gallery of Canada, Ottawa. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Background imageJoseph Mallord William Collection: La locomotive, 1873. Creator: Felix Bracquemond

La locomotive, 1873. Creator: Felix Bracquemond
La locomotive, 1873. [After Turners Rain, Steam and Speed]

Background imageJoseph Mallord William Collection: Boats Carrying Out Anchors to the Dutch Men of War, c. 1804. Creator: JMW Turner

Boats Carrying Out Anchors to the Dutch Men of War, c. 1804. Creator: JMW Turner
Boats Carrying Out Anchors to the Dutch Men of War, c. 1804

Background imageJoseph Mallord William Collection: The Evening of the Deluge, c. 1843. Creator: JMW Turner

The Evening of the Deluge, c. 1843. Creator: JMW Turner
The Evening of the Deluge, c. 1843

Background imageJoseph Mallord William Collection: Rotterdam Ferry-Boat, 1833. Creator: JMW Turner

Rotterdam Ferry-Boat, 1833. Creator: JMW Turner
Rotterdam Ferry-Boat, 1833

Background imageJoseph Mallord William Collection: Approach to Venice, 1844. Creator: JMW Turner

Approach to Venice, 1844. Creator: JMW Turner
Approach to Venice, 1844

Background imageJoseph Mallord William Collection: The Junction of the Thames and the Medway, 1807. Creator: JMW Turner

The Junction of the Thames and the Medway, 1807. Creator: JMW Turner
The Junction of the Thames and the Medway, 1807

Background imageJoseph Mallord William Collection: Mortlake Terrace, 1827. Creator: JMW Turner

Mortlake Terrace, 1827. Creator: JMW Turner
Mortlake Terrace, 1827



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Joseph Mallord William Turner, known as JMW Turner, was a renowned British artist who left an indelible mark on the art world. His works are characterized by their stunning use of light and color, capturing the essence of nature and human emotions. One of his most famous paintings is "The Fighting Temeraire, " created in 1839. This masterpiece depicts the majestic ship being towed to its final berth to be broken up. The contrast between the fading glory of the warship and the vibrant sunset symbolizes both progress and nostalgia. In "Whitby" from 1824, Turner portrays a picturesque coastal town with its iconic abbey ruins perched on cliffs overlooking the sea. The play of light on water creates a sense of tranquility that permeates this breathtaking scene. Turner's self-portrait from 1799 reveals his introspective side as he gazes directly at us with piercing eyes. It captures not only his physical appearance but also hints at his artistic genius and passion for capturing fleeting moments in time. "Launceston" from 1909 showcases Turner's ability to capture architectural beauty through delicate brushstrokes. The ancient castle stands tall against a dramatic sky, evoking a sense of history and grandeur. "A First Rate Taking in Stores, " painted in 1818, depicts a massive warship being resupplied while docked at port. Through skillful use of light and shadow, Turner brings life to this bustling maritime scene filled with sailors going about their duties. "The Angel Standing in the Sun, " completed in 1846, demonstrates Turner's fascination with biblical themes. This ethereal painting portrays an angelic figure bathed in celestial light amidst swirling clouds—a testament to his mastery over atmospheric effects. In "Ulysses Deriding Polyphemus" from 1829 (1904), we witness another mythological subject brought to life by Turner's imagination.