John Wootton Collection

The Darley Arabian, c1720, (1922). After John Wootton (c 1682?1764). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Company of Painters, c. 1719. Creator: Sir James Thornhill
Company of Painters, c. 1719. Mr Dahl...Mr Thornhill...Mr Wootton...Mr Gibbs... Mr Wanby...'. Attributed to James Thornhill

The Chestnut Arabian of Hampton Court, c. 1726 (oil on canvas)
990568 The Chestnut Arabian of Hampton Court, c.1726 (oil on canvas) by Wootton, John (c.1682-1765); 148x172.2 cm; Private Collection; (add.info.: The Chestnut Arabian of Hampton Court)

Rome from the Aventine Hill, 1710. Creator: John Wootton
Rome from the Aventine Hill, 1710

Classical Landscape with Gypsies, 1748. Creator: John Wootton
Classical Landscape with Gypsies, 1748

The Duke of Rutlands Bonny Black, John Wootton, 1682-1764, British

Releasing the Hounds, John Wootton, 1682-1764, British

Classical Landscape with Figures and Animals: Sunset Signed and dated in paint, lower left: " J. Wootton fect 1754", John Wootton, 1682-1764, British

Classical Landscape Classical Landscape with Figures and Animals: Dawn Signed and dated in black paint (on urn), lower left: " J. WOOTON | 1754", John Wootton, 1682-1764, British

The Duke of Hamiltons Grey Racehorse, Victorious, at Newmarket signed, John Wootton, 1682-1764, British

The Death of the Hare, John Wootton, 1682-1764, British

Portrait of a Man on Horseback An Unknown Man on Horseback, John Wootton, 1682-1764, British

Lord Portmore Watching Racehorses at Exercise on Newmarket Heath Signed, lower center: " J. Wootton.", John Wootton, 1682-1764, British

Preparing for the Hunt Hunting Party Signed, center right on staircase: J
Preparing for the Hunt Hunting Party Signed, center right on staircase: " J. Wooton|Pinx", John Wootton, 1682-1764, British

Classical landscape: morning, John Wootton, 1682-1764, British

Classical Landscape: Evening, John Wootton, 1682-1764, British

Lamprey, with His Owner Sir William Morgan, at Newmarket Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan, his Owner Signed in brown paint

A Grey Spotted Hound Signed, lower right: J. Wootton [pinx?], John Wootton
A Grey Spotted Hound Signed, lower right: " J. Wootton [pinx?]", John Wootton, 1682-1764, British

Rievaulx Abbey Riders Pausing by the Ruins of Rievaulx Abbey, John Wootton, 1682-1764, British

Haycart Passing a Ruined Abbey, John Wootton, 1682-1764, British

Classical Landscape, John Wootton, 1682-1764, British

George I at Newmarket, 4 or 5 October, 1717 Race Meeting on New Market Signed, lower center: " J Wooton", John Wootton, 1682-1764, British

A Fox Hunt Signed in black paint, lower center: J Wootton, John Wootton
A Fox Hunt Signed in black paint, lower center: " J Wootton", John Wootton, 1682-1764, British

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John Wootton, a renowned British artist from the 18th century, left an indelible mark on the art world with his captivating works. His talent and skill are evident in pieces such as "The Darley Arabian" (c1720), which beautifully captures the grace and power of this legendary horse. In "A Conversation of Virtuosis. . at the King's Arms" (1735), Wootton masterfully depicts a lively gathering of intellectuals engaging in animated discussions, showcasing his ability to capture human interaction with precision. "The Chestnut Arabian of Hampton Court" (c. 1726) is another testament to Wootton's expertise. The painting showcases the majestic beauty of this Arabian horse against a backdrop that highlights its regal stature. Wootton's versatility shines through in his landscape paintings like "Rome from the Aventine Hill" (1710). With meticulous attention to detail, he transports viewers to ancient Rome, capturing its grandeur and architectural marvels. In "Classical Landscape with Gypsies" (1748), Wootton combines nature and human presence harmoniously. The scene exudes tranquility as gypsies peacefully coexist within a picturesque setting. His equestrian-themed artworks also stand out prominently. "The Duke of Rutlands Bonny Black, " portrays both elegance and strength while "Releasing the Hounds" captures an exhilarating moment during a hunt. Wootton's landscapes continue to captivate audiences; whether it be at dawn or sunset, he expertly conveys atmospheric changes that add depth and emotion to each piece. "The Death of the Hare" reveals Wootton's ability to depict animal life realistically while evoking empathy for their fate. This poignant artwork speaks volumes about humanity's relationship with nature. Even in portraiture, Wootton excels; his work titled "Portrait of a Man on Horseback.