John Seymour Lucas Collection

The Armada in sight, Plymouth hoe, 1880, (1911). Artist: John Seymour Lucas
The Armada in sight, Plymouth hoe, 1880, (1911). A depiction of the apocryphal story that Sir Francis Drake (c1540-1596) played a game of bowls in Plymouth Hoe in 1588 while waiting for the tide to

Down to the Dregs, 1880 (c1902)
Down to the Dregs, 1880, (c1902). Artist, John Seymour Lucas. A man in 17th century dress drains a tankard of beer. From The Nations Pictures

Though Lost to Sight to Memory Dear, 1879. Artist: John Seymour Lucas
Though Lost to Sight to Memory Dear, 1879. A print from The Graphic, 1879

The First Attack; After Seymour Lucas, A. R. A, R. I. 1888. Creator: Unknown
The First Attack; After Seymour Lucas, A.R.A, R.I. 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

An Unexpected Question, 1922 (oil on canvas)
659921 An Unexpected Question, 1922 (oil on canvas) by Lucas, John Seymour (1849-1923); 48.5x66.3 cm; Private Collection; (add.info.: An Unexpected Question. John Seymour Lucas (1849-1923)

Mr J Seymour Lucas, ARA (engraving)
1623313 Mr J Seymour Lucas, ARA (engraving) by English School, (19th century); Private Collection; (add.info.: Mr J Seymour Lucas, ARA. Illustration for The Illustrated London News, 8 May 1886)

Mr J Seymour Lucas, RA (b / w photo)
1615241 Mr J Seymour Lucas, RA (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Mr J Seymour Lucas, RA)

A Whip for Van Tromp, the Admiralty, 1883, (c1902). Creator: Unknown
A Whip for Van Tromp, the Admiralty, 1883, (c1902). Painting in the New Walk Museum & Art Gallery, Leicester. Another version of the picture is entitled A New Whip for the Dutch

William I granting the charter to the citizens of London, 1899. William I was the king of England in the 11th century

Royal Exchange (3rd) interior, London, 1899
Depiction of a mural painting in the Royal Exchange, London, 1899 by J. Seymour Lucas, of William I granting the charter to the citizens of London

The Standard Bearer, 1903. Artist: John Seymour Lucas
The Standard Bearer, 1903. Genre scene showing a royalist standard bearer from the Civil War period (1642-1648). The man sits, arm on drum, reading a letter

A Spy in the Camp, c1890, (c1915). Artist: John Seymour Lucas
A Spy in the Camp, c1890, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Artist: John Seymour Lucas
King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Charles II visiting Sir Christopher Wren during the building of St Pauls Cathedral, London

The Gordon Riots, London, 1780 (1905). The most destructive riots in Londons history, the Gordon Riots began as an anti-Catholic protest against the Papists Act of 1778 led by Lord George Gordon

After Culloden: Rebel Hunting, 1905. From Cassells History of England, Vol. IV, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]

George Frederick Ernest Albert (King George V), 1910. Artist: John Seymour Lucas
George Frederick Ernest Albert (King George V), 1910. George succeeded his father, Edward VII, as king on 6th May 1910. A print from The Graphic, 14th May 1910

A Study for The Gordon Riots, 1879 (1899). A print from The Magazine of Art, Cassell and Company, Limited, 1899

William I granting a charter to the City of London, 1075, (c1920). Artist: John Seymour Lucas
William I granting a charter to the City of London, 1075, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

The Favourite, 1882. A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

Charles II visiting Sir Christopher Wren during the building of St Pauls Cathedral, London, 1909. Illustration taken from the Harmsworth History of the World. (London, 1909)

Flirtation, 1885, (1912). Artist: John Seymour Lucas
Flirtation, 1885, (1912). A colour print from Famous Paintings with an introduction by Gilbert Chesterton, (Cassell and Company, London, New York, Toronto, 1912)

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John Seymour Lucas was a renowned artist who left an indelible mark on the art world with his captivating works. One of his notable pieces, "Down to the Dregs, " painted in 1880 and later exhibited in 1902, showcases Lucas's exceptional talent for capturing raw emotions and intricate details. In another masterpiece titled "The Armada in sight, Plymouth hoe, " created in 1880 and displayed in 1911, Lucas transports viewers back to a historic moment. His meticulous brushstrokes bring life to this iconic scene, allowing us to witness the awe-inspiring sight firsthand. Lucas's painting "Though Lost to Sight to Memory Dear" from 1879 is a poignant portrayal of love and loss. With every stroke of his brush, he evokes deep emotions that resonate within our hearts. In a self-portrait completed in 1905, John Seymour Lucas reveals himself as not only an accomplished painter but also as someone deeply connected with his craft. The intensity captured on canvas reflects his passion for artistry and dedication to perfection. "The First Attack; After Seymour Lucas" is another remarkable piece inspired by Lucas's work. Although its creator remains unknown, it pays homage to the artistic genius that defined him. An unexpected gem among his collection is "An Unexpected Question. " Painted in 1922, this oil-on-canvas artwork demonstrates how Lucas continued pushing boundaries throughout his career by experimenting with different styles while maintaining his signature attention to detail. Portraits of Mr J Seymour Lucas showcase him both as an Associate Royal Academician (ARA) through an engraving and later as a full-fledged Royal Academician (RA) captured beautifully in black-and-white photography. These images immortalize him as an esteemed member of the artistic community during those times. "A Whip for Van Tromp at the Admiralty" takes us back even further into history – specifically 1883 – where we witness one man's triumph over adversity.