John Everett Millais Collection (page 2)

Victory O Lord, 1871 (oil on canvas)
MAN62959 Victory O Lord, 1871 (oil on canvas) by Millais, John Everett (1829-96); 194.7x141.3 cm; Manchester Art Gallery, UK; (add.info)

Autumn Leaves, 1856 (oil on canvas)
MAN62958 Autumn Leaves, 1856 (oil on canvas) by Millais, John Everett (1829-96); 104.3x74 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas)
MAN62965 Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas) by Millais, John Everett (1829-96); 122x95 cm; Manchester Art Gallery

Winter Fuel, 1873 (oil on canvas)
MAN62960 Winter Fuel, 1873 (oil on canvas) by Millais, John Everett (1829-96); 194.5x149.5 cm; Manchester Art Gallery, UK; (add.info.: view of Birnham Hill, Perthshire;); © Manchester Art Gallery

The Death of Romeo and Juliet, c. 1848 (oil on millboard)
MAN62966 The Death of Romeo and Juliet, c.1848 (oil on millboard) by Millais, John Everett (1829-96); 16.1x26.9 cm; Manchester Art Gallery

A Flood, 1870 (oil on canvas)
MAN62957 A Flood, 1870 (oil on canvas) by Millais, John Everett (1829-96); 99.3x144.9 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

The blind girl, 19th century (oil on canvas)
JLJ4682635 The blind girl, 19th century (oil on canvas) by Millais, John Everett (1829-96); Birmingham Museums and Art Gallery; (add.info.: The blind girl)

7388121

Waking, 1865-67 (oil on canvas)
7333502 Waking, 1865-67 (oil on canvas) by Millais, John Everett (1829-96); 90.8x70.5 cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Millais, John Everett (b.1829)

Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas)
7333483 Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas) by Millais, John Everett (1829-96); 128x112 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Millais)

The Return of the Dove to the Ark, 1850. Creator: John Everett Millais
The Return of the Dove to the Ark, 1850. Scene from the Old Testament story of Noahs Ark: a dove, bearing an olive branch, returns to the Ark

Miss Gertrude Vanderbilt, 1888 (oil on canvas)
1199601 Miss Gertrude Vanderbilt, 1888 (oil on canvas) by Millais, John Everett (1829-96); 240x157.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Late Sir J E Millais, Baronet, PRA, DCL (engraving)
1050897 The Late Sir J E Millais, Baronet, PRA, DCL (engraving) by English School, (19th century); Private Collection; (add.info.: The Late Sir J E Millais, Baronet, PRA, DCL)

John Everett Millais (b / w photo)
816004 John Everett Millais (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: John Everett Millais (1829-1896)

Sir J Everett Millais, Baronet, RA (engraving)
1614243 Sir J Everett Millais, Baronet, RA (engraving) by English School, (19th century); Private Collection; (add.info.: Sir J Everett Millais, Baronet, RA)

Pizarro Seizing the Inca of Peru, 1846 (oil on canvas)
658327 Pizarro Seizing the Inca of Peru, 1846 (oil on canvas) by Millais, John Everett (1829-96); 42x49.5 cm; Private Collection; (add.info.: Pizarro Seizing the Inca of Peru)

John Everett Millais
LLM455511 John Everett Millais by English School, (19th century); Private Collection; (add.info.: John Everett Millais. Illustration from The Modern Portrait Gallery (Cassell)

John Everett Millais at home (engraving)
604587 John Everett Millais at home (engraving) by English School, (19th century); Private Collection; (add.info.: An artists studio - John Everett Millais at home, at No 2 Palace Gate, Kensington)

John Everett Millais (engraving)
1041455 John Everett Millais (engraving) by English School, (19th century); Private Collection; (add.info.: John Everett Millais)

Portrait of Sir J E Millais, painted by himself (engraving)
1050898 Portrait of Sir J E Millais, painted by himself (engraving) by Millais, John Everett (1826-96) (after); Private Collection; (add.info.: Portrait of Sir J E Millais, painted by himself)

Caricature of John Everett Millais, c. 1851-53 (pen & ink and wash on paper)
4065305 Caricature of John Everett Millais, c.1851-53 (pen & ink and wash on paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.9x11.1 cm; Birmingham Museums and Art Gallery; (add.info)

An Evening at the Combes House, 1850-51 (pen and brown ink on pale brown paper)
1217837 An Evening at the Combes House, 1850-51 (pen and brown ink on pale brown paper) by Collins, Charles Alston (1828-73); 9.8x17.8 cm; Ashmolean Museum, University of Oxford

Sir John Everett Millais (engraving)
1041456 Sir John Everett Millais (engraving) by English School, (19th century); Private Collection; (add.info.: Sir John Everett Millais)

John Everett Millais, RA (litho)
1058628 John Everett Millais, RA (litho) by Ward, Leslie Matthew (Spy) (1851-1922) (after); Private Collection; (add.info.: John Everett Millais, RA)

Sir John Everett Millais, English artist (b / w photo)
981704 Sir John Everett Millais, English artist (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Sir John Everett Millais)

Miss Evelyn Otway, 1880 (oil on canvas)
659806 Miss Evelyn Otway, 1880 (oil on canvas) by Millais, John Everett (1829-96); 123.2x78.7 cm; Private Collection; (add.info.: Miss Evelyn Otway. Sir John Everett Millais (1829-1896)

John Everett Millais (engraving)
3099761 John Everett Millais (engraving) by Waddy, Frederick (1848-1901); Private Collection; (add.info.: John Everett Millais)

An Artists Studio, Mr J E Millais, RA at Home (engraving)
1059626 An Artists Studio, Mr J E Millais, RA at Home (engraving) by English School, (19th century); Private Collection; (add.info.: An Artists Studio, Mr J E Millais, RA at Home)

J E Millais, ARA (engraving)
1097440 J E Millais, ARA (engraving) by English School, (19th century); Private Collection; (add.info.: J E Millais, ARA. Illustration for The Illustrated London News)

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870

The Blind Girl, 1856. Creator: John Everett Millais
The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854

My Second Sermon, c1854 Creator: John Everett Millais
My Second Sermon, c1854

Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain, 1890-91

Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais
Elgiva seized by order of Archbishop Odo, 1847

Parable of the Tares, 1865. Creator: John Everett Millais
The Parable of the Tares, 1865

Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais
Stewart Harrisons The Iceberg - The Seamstress, 1860

Three Swordhilts, 1839. Creator: John Everett Millais
Three Swordhilts, 1839

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866

The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons
The Proscribed Royalist, January 15, 1858

James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde
James Clarke Hook, RA, 1884

[John Everett Millais], 1860s. Creator: John & Charles Watkins
[John Everett Millais], 1860s

Portia, 1886. Creator: John Everett Millais
Portia, 1886. Actress Ellen Terry (1847-1928) in one of her most famous roles, Portia in Shakespeares The Merchant of Venice

Aeneas Shown the Body of Pallas from Virgils Aeneid, 1843
Aeneas Shown the Body of Pallas from Virgils " Aeneid", 1843

The Convalescent, 1875, (c1930). Creator: John Everett Millais
The Convalescent, 1875, (c1930). Young girl recovering from illness. Painting in the Aberdeen Art Gallery & Museums collection, Aberdeen, Scotland

The North-West Passage, 1874, (1901). Creator: Unknown
The North-West Passage, 1874, (1901). An old seaman looks thoughtful as he considers the danger of an expedition to find the sea route round North America via the Canadian Arctic

All Professionally Made to Order for Quick Shipping

John Everett Millais was a renowned English painter who lived from 1829 to 1896. He was one of the founding members of the Pre-Raphaelite Brotherhood, a group that aimed to revive the detailed and vibrant style of early Renaissance art. Millais' works often depicted religious themes or scenes from literature, showcasing his exceptional talent for capturing emotion and storytelling. One of his notable paintings is "My First Sermon" (1863), which portrays a young girl listening intently to her first sermon. The innocence on her face reflects the artist's ability to convey purity and curiosity in his subjects. Similarly, "My Second Sermon" (1864) continues this theme by depicting another child engrossed in their spiritual journey. In 1853-1854, Millais painted a portrait of John Ruskin, an influential art critic and patron who greatly supported the Pre-Raphaelite movement. This painting showcases Millais' skill in capturing intricate details with precision. Another remarkable artwork by Millais is "Sir Isumbras at the Ford" (1857), based on medieval legends. This piece demonstrates his mastery in creating realistic landscapes and dramatic narratives. Millais also explored different genres such as portraiture and genre painting with works like "Autumn Leaves" (1856). This painting depicts four girls gathering fallen leaves during autumn, evoking a sense of nostalgia and transience. "The Order of Release" (1746) is another significant work by Millais that captures historical events related to Scottish Jacobites seeking freedom during political unrest in Britain. Additionally, he illustrated scenes from Anthony Trollope's novel Framley Parsonage in 1860, showcasing his versatility as an artist beyond traditional canvas paintings. Amongst his other notable pieces are "The Blind Girl" (1856), which highlights empathy towards disability through its poignant portrayal; "The Martyr of Solway" (1871), a mysterious and haunting depiction of a woman's sacrifice.