John Dibblee Crace Collection

Design for a room with two fireplaces, ca. 1860. Creators: John Dibblee Crace
Design for a room with two fireplaces, ca. 1860

Dining Room Elevation in a Simplified Third Pompeian Style, ca. 1870-90

Design room two fireplaces ca 1860 Ink watercolor
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Quatrefoil Ornament Yellow Flowers Green Leaves
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Design Organ Pipes Decorated Flowers Fleur-de-lys
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Design Skylight New University Club 19th century
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Design Coffered Painted Ceiling Floral Decoration
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Elevation Wall Coffee Room ca 1887 Watercolor
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Design Arched Stained Glass Windows recto Architectural Element
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Rinceau Ornament Head Zephyr ca 1889 Pen black ink
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Design Small Table Bookshelf 19th century Graphite
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"John Dibblee Crace: Master of Timeless Elegance and Artistry" Step into the enchanting world of John Dibblee Crace, a visionary designer whose creations continue to captivate even after centuries. With an impeccable eye for detail and a passion for blending aesthetics with functionality, Crace's designs have left an indelible mark on the realm of interior design. One such masterpiece is his design for a room with two fireplaces, crafted around 1860. This exquisite creation showcases Crace's ability to seamlessly merge opulence with comfort, creating a space that exudes warmth and grandeur simultaneously. The intricate ink watercolor rendering transports us back in time, allowing us to appreciate the meticulous craftsmanship that went into every aspect of this remarkable room. In another stroke of genius, Crace presents us with his Dining Room Elevation in a Simplified Third Pompeian Style from the late 19th century. This particular design exemplifies his versatility as an artist, effortlessly adapting different styles while maintaining his signature touch. The vibrant colors and ornate details bring life to the walls, transforming any dining experience into an unforgettable journey through history. Crace's talent extends beyond just rooms; he also excels in architectural elements that elevate spaces to new heights. His Design Skylight for the New University Club in the 19th century stands as testament to this fact. Through careful manipulation of light and form, he creates a celestial atmosphere within enclosed spaces – inviting inspiration and enlightenment at every turn. The beauty lies not only in large-scale projects but also in smaller details meticulously attended by Crace himself. Delicate quatrefoil ornaments adorned with yellow flowers and green leaves add whimsical charm wherever they are placed – breathing life into otherwise ordinary corners. No element is too insignificant for Crace's artistic touch; even organ pipes become works of art under his guidance.