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John And Josiah Boydell Collection

John and Josiah Boydell were prominent figures in the art world during the late 18th century

Background imageJohn And Josiah Boydell Collection: Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry

Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry IV, Part 1, Act 5, Scene 4), first published 1796; reissued 1852

Background imageJohn And Josiah Boydell Collection: John Milton, August 1, 1797. Creator: George Quinton

John Milton, August 1, 1797. Creator: George Quinton
John Milton, August 1, 1797

Background imageJohn And Josiah Boydell Collection: The Beggars Opera, Act III, July 1, 1790. Creator: William Blake

The Beggars Opera, Act III, July 1, 1790. Creator: William Blake
The Beggars Opera, Act III, July 1, 1790

Background imageJohn And Josiah Boydell Collection: The Beggars Opera, Act III, 1790. Creator: William Blake

The Beggars Opera, Act III, 1790. Creator: William Blake
The Beggars Opera, Act III, 1790

Background imageJohn And Josiah Boydell Collection: Wooded Landscape with Riders, August 1, 1797. Creator: Thomas Gainsborough

Wooded Landscape with Riders, August 1, 1797. Creator: Thomas Gainsborough
Wooded Landscape with Riders, August 1, 1797

Background imageJohn And Josiah Boydell Collection: Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, August 1, 1797

Background imageJohn And Josiah Boydell Collection: Wooded Landscape with Two Country Carts and Figures, August 1, 1797

Wooded Landscape with Two Country Carts and Figures, August 1, 1797

Background imageJohn And Josiah Boydell Collection: Wooded Landscape with Herdsmen Driving Cattle over a Bridge

Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, 1797

Background imageJohn And Josiah Boydell Collection: Wooded Landscape with Herdsmen and Cows, August 1, 1797. Creator: Thomas Gainsborough

Wooded Landscape with Herdsmen and Cows, August 1, 1797. Creator: Thomas Gainsborough
Wooded Landscape with Herdsmen and Cows, August 1, 1797

Background imageJohn And Josiah Boydell Collection: The Reward of Cruelty, 1790. Creator: J Bell

The Reward of Cruelty, 1790. Creator: J Bell
The Reward of Cruelty, 1790. After William Hogarth

Background imageJohn And Josiah Boydell Collection: Sigismonda (Sigismunda), June 4, 1795. Creator: Benjamin Smith

Sigismonda (Sigismunda), June 4, 1795. Creator: Benjamin Smith
Sigismonda (Sigismunda), June 4, 1795. After Tristam Bampfylde Freeman

Background imageJohn And Josiah Boydell Collection: Pisanio and Imogen (Shakespeare, Cymbeline, Act 3, Scene 4)

Pisanio and Imogen (Shakespeare, Cymbeline, Act 3, Scene 4), first published 1801; reissued 1852

Background imageJohn And Josiah Boydell Collection: Mrs. Ford and Mrs Page (Shakespeare, Merry Wives of Windsor, Act 2, Scene 1), 1793

Mrs. Ford and Mrs Page (Shakespeare, Merry Wives of Windsor, Act 2, Scene 1), 1793

Background imageJohn And Josiah Boydell Collection: Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Haml

Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), first published 1796; reissued 1852

Background imageJohn And Josiah Boydell Collection: King Lear Casting Out His Daughter Cordelia (Shakespeare, K

King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), first published 1792; reissued 1852

Background imageJohn And Josiah Boydell Collection: The Palace at Westminster: King Henry and the Prince of Wal

The Palace at Westminster: King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4), first published 1795; reissued 1852

Background imageJohn And Josiah Boydell Collection: Queen Catherine, Cardinal Wolsey and Cardinal Campeius (Sha

Queen Catherine, Cardinal Wolsey and Cardinal Campeius (Shakespeare, King Henry VIII, Act 3, Scene 1), first published 1796; reissued 1852

Background imageJohn And Josiah Boydell Collection: Infant Shakespeare Attended by Nature and the Passions, 1799. Creator: Benjamin Smith

Infant Shakespeare Attended by Nature and the Passions, 1799. Creator: Benjamin Smith
Infant Shakespeare Attended by Nature and the Passions, 1799

Background imageJohn And Josiah Boydell Collection: The Princess, Rosaline, etc. (Shakespeare, Loves Labour s

The Princess, Rosaline, etc. (Shakespeare, Loves Labour s
The Princess, Rosaline, etc. (Shakespeare, Loves Labours Lost, Act 4, Scene 1), first published 1793; reissued 1852

Background imageJohn And Josiah Boydell Collection: Cruelty in Perfection, 1790. Creator: J Bell

Cruelty in Perfection, 1790. Creator: J Bell
Cruelty in Perfection, 1790

Background imageJohn And Josiah Boydell Collection: Off, off, you lendings-Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793

Off, off, you lendings-Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793
Off, off, you lendings - Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793

Background imageJohn And Josiah Boydell Collection: Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, Kin

Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), first published 1795; reissued 1852

Background imageJohn And Josiah Boydell Collection: Portrait of Henry Hope, Charles Howard Hodges, John & Josiah Boydell, 1788

Portrait of Henry Hope, Charles Howard Hodges, John & Josiah Boydell, 1788

Background imageJohn And Josiah Boydell Collection: Portrait of Anne Goddard Williams Hope, Charles Howard Hodges, John & Josiah Boydell

Portrait of Anne Goddard Williams Hope, Charles Howard Hodges, John & Josiah Boydell, 1788


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John and Josiah Boydell were prominent figures in the art world during the late 18th century. They were known for their passion for promoting and supporting British artists, as well as their significant contributions to the arts. One of their notable endeavors was commissioning renowned artists to create illustrations for Shakespeare's plays. These included captivating depictions of Prince Henry, Hotspur, and Falstaff from King Henry. The Boydells believed in bringing these iconic characters to life through art, allowing audiences to further connect with Shakespeare's timeless works. Another remarkable collaboration was with John Milton, where they commissioned George Quinton to create a stunning portrayal of this literary genius. This artwork served as a tribute to Milton's influential writings that continue to inspire readers even today. The Boydells also recognized the importance of popular culture by collaborating with William Blake on illustrations for The Beggars Opera. Act III came alive under Blake's artistic vision, capturing the essence of this beloved theatrical production. Thomas Gainsborough contributed his talents by creating breathtaking landscapes that showcased nature's beauty intertwined with human activities. From wooded landscapes featuring riders and peasants reading tombstones or rustic lovers near ruined churches, Gainsborough captured scenes that evoked emotions and transported viewers into idyllic settings. In addition to these naturalistic scenes, Gainsborough depicted herdsmen driving cattle over bridges or tending cows amidst picturesque landscapes. His ability to capture everyday rural life added depth and authenticity to his paintings. The Boydells' commitment extended beyond visual arts; they also supported social causes through art. J Bell created "The Reward of Cruelty, " an impactful piece highlighting the consequences faced by those who inflict pain upon others – a powerful message conveyed through vivid imagery. Furthermore, Benjamin Smith beautifully portrayed Sigismonda (Sigismunda), showcasing intense emotion within this tragic tale. This painting exemplifies how art can convey complex narratives while eliciting strong emotional responses from its viewers.