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Jean Louis Andre The Collection

"Jean Louis André: A Master of Capturing the Spirit of Horses and Humanity" Step into the world of Jean Louis André

Background imageJean Louis Andre The Collection: The Flemish Farrier, 1822. Creator: Theodore Gericault

The Flemish Farrier, 1822. Creator: Theodore Gericault
The Flemish Farrier, 1822

Background imageJean Louis Andre The Collection: Horsewoman, 1820 or later. Creator: Theodore Gericault

Horsewoman, 1820 or later. Creator: Theodore Gericault
Horsewoman, 1820 or later

Background imageJean Louis Andre The Collection: Boy Feeding a Cart Horse from a Nose Bag, 1822. Creator: Theodore Gericault

Boy Feeding a Cart Horse from a Nose Bag, 1822. Creator: Theodore Gericault
Boy Feeding a Cart Horse from a Nose Bag, 1822

Background imageJean Louis Andre The Collection: The Swiss Sentry at the Louvre, 1819. Creator: Theodore Gericault

The Swiss Sentry at the Louvre, 1819. Creator: Theodore Gericault
The Swiss Sentry at the Louvre, 1819

Background imageJean Louis Andre The Collection: Old Horse at an Inn Door, 1822. Creator: Theodore Gericault

Old Horse at an Inn Door, 1822. Creator: Theodore Gericault
Old Horse at an Inn Door, 1822

Background imageJean Louis Andre The Collection: Watering Trough, Title Page of 'Studies of Horses'(Etudes de Chevaux), 1822

Watering Trough, Title Page of "Studies of Horses"(Etudes de Chevaux), 1822
Watering Trough, Title Page of " Studies of Horses" (Etudes de Chevaux), 1822

Background imageJean Louis Andre The Collection: The French Blacksmith, 1822. Creator: Theodore Gericault

The French Blacksmith, 1822. Creator: Theodore Gericault
The French Blacksmith, 1822

Background imageJean Louis Andre The Collection: Mameluck Defending a Wounded Trumpeter, 1818. Creator: Theodore Gericault

Mameluck Defending a Wounded Trumpeter, 1818. Creator: Theodore Gericault
Mameluck Defending a Wounded Trumpeter, 1818

Background imageJean Louis Andre The Collection: Cart Loaded with Wounded Soldiers, 1818. Creator: Theodore Gericault

Cart Loaded with Wounded Soldiers, 1818. Creator: Theodore Gericault
Cart Loaded with Wounded Soldiers, 1818

Background imageJean Louis Andre The Collection: An Arabian Horse, 1821. Creators: Theodore Gericault, Charles Joseph Hullmandel

An Arabian Horse, 1821. Creators: Theodore Gericault, Charles Joseph Hullmandel
An Arabian Horse, 1821

Background imageJean Louis Andre The Collection: Horses going to a Fair, 1821. Creators: Theodore Gericault, Charles Joseph Hullmandel

Horses going to a Fair, 1821. Creators: Theodore Gericault, Charles Joseph Hullmandel
Horses going to a Fair, 1821

Background imageJean Louis Andre The Collection: The Coal Waggon [sic. ], 1821. Creator: Theodore Gericault

The Coal Waggon [sic. ], 1821. Creator: Theodore Gericault
The Coal Waggon [sic.], 1821

Background imageJean Louis Andre The Collection: Black Horse Tethered in a Stable, 1822. Creator: Theodore Gericault

Black Horse Tethered in a Stable, 1822. Creator: Theodore Gericault
Black Horse Tethered in a Stable, 1822

Background imageJean Louis Andre The Collection: Passage through Mt. Saint-Bernard, 1822. Creator: Theodore Gericault

Passage through Mt. Saint-Bernard, 1822. Creator: Theodore Gericault
Passage through Mt. Saint-Bernard, 1822

Background imageJean Louis Andre The Collection: Two Dappled-Grey Horses Being Exercised, 1822. Creator: Theodore Gericault

Two Dappled-Grey Horses Being Exercised, 1822. Creator: Theodore Gericault
Two Dappled-Grey Horses Being Exercised, 1822

Background imageJean Louis Andre The Collection: The English Blacksmith, 1822. Creator: Theodore Gericault

The English Blacksmith, 1822. Creator: Theodore Gericault
The English Blacksmith, 1822

Background imageJean Louis Andre The Collection: Coal Waggon [sic. ] Drawn by Horses, 1822. Creator: Theodore Gericault

Coal Waggon [sic. ] Drawn by Horses, 1822. Creator: Theodore Gericault
Coal Waggon [sic.] Drawn by Horses, 1822

Background imageJean Louis Andre The Collection: Entrance to the Adelphi Wharf, 1821. Creators: Theodore Gericault

Entrance to the Adelphi Wharf, 1821. Creators: Theodore Gericault
Entrance to the Adelphi Wharf, 1821

Background imageJean Louis Andre The Collection: Lion Devouring a Horse, 1818. Creator: Theodore Gericault

Lion Devouring a Horse, 1818. Creator: Theodore Gericault
Lion Devouring a Horse, 1818

Background imageJean Louis Andre The Collection: Two Horses Exercised by a Jockey, 1822. Creator: Theodore Gericault

Two Horses Exercised by a Jockey, 1822. Creator: Theodore Gericault
Two Horses Exercised by a Jockey, 1822

Background imageJean Louis Andre The Collection: Bouchers de Rome, 1817. Creator: Theodore Gericault

Bouchers de Rome, 1817. Creator: Theodore Gericault
Bouchers de Rome, 1817

Background imageJean Louis Andre The Collection: Roulier Montant un Cote, 1823. Creator: Theodore Gericault

Roulier Montant un Cote, 1823. Creator: Theodore Gericault
Roulier Montant un Cote, 1823

Background imageJean Louis Andre The Collection: A Horse Being Eaten by a Lion, 1823. Creator: Theodore Gericault

A Horse Being Eaten by a Lion, 1823. Creator: Theodore Gericault
A Horse Being Eaten by a Lion, 1823

Background imageJean Louis Andre The Collection: I Dream of Her in the Crashing Waves, 1818. Creator: Theodore Gericault

I Dream of Her in the Crashing Waves, 1818. Creator: Theodore Gericault
I Dream of Her in the Crashing Waves, 1818

Background imageJean Louis Andre The Collection: The Trumpet of the Hussards, 1823. Creator: Theodore Gericault

The Trumpet of the Hussards, 1823. Creator: Theodore Gericault
The Trumpet of the Hussards, 1823

Background imageJean Louis Andre The Collection: Horses of Auvergne, 1822. Creator: Theodore Gericault

Horses of Auvergne, 1822. Creator: Theodore Gericault
Horses of Auvergne, 1822

Background imageJean Louis Andre The Collection: Venus and Cupid in a Landscape, after Annibale Carracci (recto), 1816-17

Venus and Cupid in a Landscape, after Annibale Carracci (recto), 1816-17
Venus and Cupid in a Landscape, after Annibale Carracci (recto); A Warrior Holding a Shield and Sword, Seen from the Back (verso), 1816-17

Background imageJean Louis Andre The Collection: Lions in a Mountainous Landscape, ca. 1818-20. Creator: Theodore Gericault

Lions in a Mountainous Landscape, ca. 1818-20. Creator: Theodore Gericault
Lions in a Mountainous Landscape, ca. 1818-20. Possibly the Atlas Mountains of Morocco

Background imageJean Louis Andre The Collection: Alfred Dedreux (1810-1860) as a Child, ca. 1819-20. Creator: Theodore Gericault

Alfred Dedreux (1810-1860) as a Child, ca. 1819-20. Creator: Theodore Gericault
Alfred Dedreux (1810-1860) as a Child, ca. 1819-20

Background imageJean Louis Andre The Collection: Two Post Horses at the Door of a Stable, 1822. Creator: Theodore Gericault

Two Post Horses at the Door of a Stable, 1822. Creator: Theodore Gericault
Two Post Horses at the Door of a Stable, 1822


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"Jean Louis André: A Master of Capturing the Spirit of Horses and Humanity" Step into the world of Jean Louis André, a renowned artist whose works continue to captivate audiences with their raw emotion and exquisite detail. From his iconic shipwreck painting "Shipwreck of the Meduse, 1820" to his stunning portrayal of everyday life in "The Flemish Farrier, 1822, " André's talent knows no bounds. One cannot help but be moved by his masterpiece "Horsewoman, 1820 or later, " where he skillfully captures the grace and strength of both horse and rider. In "Boy Feeding a Cart Horse from a Nose Bag, 1822, " André beautifully depicts the bond between man and animal, reminding us of our shared connection with these noble creatures. But it is not just horses that inspire him; in "The Swiss Sentry at the Louvre, 1819, " André showcases his ability to convey human emotions through art. The intensity on the sentry's face speaks volumes about duty and sacrifice. In his series titled "Studies of Horses (Etudes de Chevaux), " exemplified by the evocative image on its title page called "Watering Trough, " André delves deeper into exploring equine anatomy and movement. His attention to detail is evident in every stroke. André's passion for capturing humanity extends beyond soldiers on battlefields as seen in pieces like "Mameluck Defending a Wounded Trumpeter, 1818" and "Cart Loaded with Wounded Soldiers, 1818. " These artworks serve as powerful reminders of bravery amidst chaos. His collaboration with Charles Joseph Hullmandel resulted in masterpieces such as "An Arabian Horse, 1821" and "Horses going to a Fair, 1821. " Together they brought these majestic animals to life on paper using innovative techniques that pushed artistic boundaries.