Japheth Collection

Adam and Eves Family Tree, 1556 (engraving)
XJF476254 Adam and Eves Family Tree, 1556 (engraving) by English School, (16th century); Private Collection; English, out of copyright

Adam and Eve family tree, 18th century C013 / 7820
Adam and Eve family tree. 18th-century depiction of the family tree of Adam and Eve, the first humans according to the Judeo-Christian biblical tradition of Genesis

Three Sons of Noah, 12th century (stained glass)
PC84868 Three Sons of Noah, 12th century (stained glass) by English School, (12th century); Canterbury Cathedral, Canterbury, Kent, UK; English, out of copyright

Japheth Kimutai 800 Metres, Sydney Olympics Sydney Olympic Games Olympic Stadium, Sydney, Sydney, Australia 22 September 2000 Date: 22 September 2000

N. A. L 2334 fol. 10v Noahs Ark, from De Tours Pentateuch (vellum)
REV130934 N.A.L 2334 fol.10v Noahs Ark, from De Tours Pentateuch (vellum) by French School, (7th century); Bibliotheque Nationale, Paris, France; French, out of copyright

The Entry of the Animals into Noahs Ark (oil on panel)
3742543 The Entry of the Animals into Noahs Ark (oil on panel) by Brueghel, Jan the Younger (1601-78); 60x90 cm; Private Collection; (add.info)

The Drunkenness of Noah, c. 1483-95 (hand-coloured woodcut)
1067031 The Drunkenness of Noah, c.1483-95 (hand-coloured woodcut) by Unknown Artist, (15th century); 14.3x22.4 cm; Dallas Museum of Art, Texas, USA; (add.info.: Noah and his three sons, Shem)

Drunkenness of Noah: Shem and Japheth cover the naked body of Noah, who lies in a tent, a male figure at far right points to Noah

The Entry of the Animals into Noahs Ark, 1613 (oil on panel)
3077085 The Entry of the Animals into Noahs Ark, 1613 (oil on panel) by Brueghel, Jan the Elder (1568-1625); 54.6x83.8 cm; J

Illustration of Noah and his three sons Shem, Ham, and Japheth constructing the Ark as his wife calls chosen animals using shofar

Noahs Family (oil on canvas)
XIR26276 Noahs Family (oil on canvas) by Cornelisz. van Haarlem, Cornelis (1562-1638); Musee des Beaux-Arts, Quimper, France; Dutch, out of copyright

The Drunkenness of Noah, 1356-67 (fresco)
XAL249245 The Drunkenness of Noah, 1356-67 (fresco) by Bartolo di Fredi, also Manfredi de Battilori (1330-1410); Collegiata, San Gimignano, Italy; Italian, out of copyright

Leaving the Ark, 1356-67 (fresco)
XAL249244 Leaving the Ark, 1356-67 (fresco) by Bartolo di Fredi, also Manfredi de Battilori (1330-1410); Collegiata, San Gimignano, Italy; (add.info.: sortie de l arche de Noe; ); Italian

PTOLEMAIC WORLD MAP, 1493. Ptolemaic world map, including depictions of Noahs sons, Japhet, Shem and Ham, progenitors of the human race in Judeo-Christian tradition

OLD TESTAMENT: NOAH. Covered by his sons Shem and Japheth, Noah curses the family of his younger son Ham who had seen Noahs nakedness (Genesis 9: 22-25). Wood engraving after Gustave Dor

PTOLEMAIC WORLD MAP, 1493. Ptolemaic world map, including depictions of Noahs sons, Japhet, Shem and Ham, progenitors of the human race in Judeo-Christian tradition

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Japheth, a name that resonates through the ages, holds a significant place in history and mythology. From biblical tales to artistic representations, Japheth's presence is felt across various mediums. In Adam and Eve's family tree engraving from 1556, Japheth stands as one of their descendants. This intricate artwork showcases the lineage of humanity, tracing back to its very origins. The stained glass masterpiece "Three Sons of Noah" depicts Japheth alongside his brothers Shem and Ham. Crafted in the 12th century, this vibrant creation immortalizes their role in the story of Noah's Ark. While ancient depictions capture Japheth's mythical existence, there are also real-life individuals who bear this name. One such person is Japheth Kimutai—a talented athlete whose achievements inspire many. Noah's Ark has been a subject of fascination throughout history. In N. A. L 2334 fol. 10v from De Tours Pentateuch, an exquisite vellum manuscript illustrates the iconic scene where animals enter the ark under divine guidance. "The Entry of Animals into Noah's Ark, " portrayed in oil on panel masterpieces like those from 1613 or earlier centuries, captures the awe-inspiring moment when creatures great and small found refuge within its sturdy walls. However, not all stories surrounding Noah are filled with hope and salvation. The hand-colored woodcut titled "Drunkenness of Noah" portrays a vulnerable side to this biblical figure. Here we see Shem and Japheth covering their father after he succumbs to intoxication—an act born out of love and respect for family bonds. Moving away from religious narratives but still connected by name association is an intriguing artifact—an illustration depicting Noah constructing his ark while his wife calls chosen animals using a shofar horn. This image offers insight into how different cultures interpret these ancient tales differently yet share common themes. Artistic interpretations of Noah's family often feature Japheth prominently.