Isaac Collection (page 9)

Christopher Columbus exploring the West Indies
Portrait of Christopher Columbus 1, Columbuss first landing on San Salvador (Bahamas) 2, and Columbus dining with a Taino chieftain or Cacique on Hispaniola 3

Map of the Americas, circa 1821. Showing Labrador, Canada, the United States, Louisiana, Mexico, Brazil, Amazonia, Paraguay, etc. Handcoloured copperplate engraving from Rev

Title page with vignette of Native American woman and child
Title page with vignette of Native American woman in feather headdress with small child. Copperplate engraving from Rev. Isaac Taylors Scenes in America

Title page with vignette of enslaved man with chain around his neck under a palm tree. Copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement

Scenes from western Africa, 1820
Snakes hunting fowl in a west African village 25, Mumbo Jumbo ritual at night in a village 26 and view of Freetown founded in 1792 in Sierra Leone 26. Handcoloured copperplate engraving from Rev

Scenes in Egypt, 1820
The great ruins of the Colossi of Memnon in Luxor in south Egypt 73, raft of earthenware pitchers on the Nile 74, and women carrying water pitchers on their heads 74

Scenes from Abyssinia, 1820
Governor of Abyssinia in breastplate with turban and upright ornament 67, eating raw flesh cut from a live cow 68, and the bridge over the cataract of Alala on the River Nile 68

Scenes from Mozambique, 1820s
Vasco da Gama meeting Muslim natives in Mozambique 64, Francisco Barreto tricked over sliver mines by natives at Chicoa, Mozambique 65, and Portuguese cheating natives with trinkets for gold dust 65

Scenes from the East Coast of Africa, 1820
Ducks on the sacred lake on Comoro Island 61, Solomons merchants buying ivory and peacocks at Sofala, Mozambique 62, and natives with torches chasing a wild elephant in Mozambique 63

Scenes of the Eastern Cape (Kaffraria), South Africa, 1820
Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57

Scenes of the Khoikhoi in South Africa, 1820
Khoikhoi people in kross sheepskin capes and aprons outside a hut 49, kraal or village of huts 50, and ostrich hunting 51. Handcoloured copperplate engraving from Rev

Views of South Africa, 1820
View of Griquatown, Northern Cape, 52, Khoikhoi visiting their family graves 53, and a Khoikhoi preacher preaching in front of a wagon 54. Handcoloured copperplate engraving from Rev

Scenes in South Africa, 1820
View of the Cape of Good Hope 46, Khoikhoi people with oxen and wagons 47, and Griqua people crossing a river 48. Handcoloured copperplate engraving from Rev

Scenes from the islands of West Africa, 1820
Christopher Columbus in the Azores looking toward America 28, birds in the Canary Islands 29, and Napoleon Bonapartes prison Longwood House on St. Helena 30

Scenes from the Barbary coast of Africa, 1820
Barbary corsair pirates boarding a ship 1, audience with the Emperor of Morocco 2, and Christian enslaved persons harnessed to a wagon 3. Handcoloured copperplate engraving from Rev

Skeleton of death aiming a dart at a lovers on a sofa
Skeleton of death aiming a dart at a man and woman flirting on a sofa. Death and the Lovers. Handcoloured copperplate engraving by Joshua Gleadah after an illustration by Benedictus Antonio Van Assen

Abraham offering up Isaac
LLM338083 Abraham offering up Isaac by Hatherell, William (1855-1928); Private Collection; (add.info.: Abraham offering up Isaac)

The bridge and church of St. Isaac
LLM338597 The bridge and church of St. Isaac by English School, (20th century); Private Collection; (add.info.: The bridge and church of St. Isaac. Paynes Universum (1847).); © Look and Learn

View of St. Isaacs Bridge, the Admiralty and the Winter Palace, St
BMT168130 View of St. Isaacs Bridge, the Admiralty and the Winter Palace, St. Petersburg (coloured engraving) by Hammer, Christian Gottlob (1779-1864); 49.2x67.8 cm; BibliothAque Paul-Marmottan

The Story of Jacob and Esau, detail from the original panel from the East Doors of
BAT170515 The Story of Jacob and Esau, detail from the original panel from the East Doors of the Baptistery, 1425-52 (gilt bronze) (post restoration) by Ghiberti

Le depart de Jacob - Jacobs Departure, by Bourdon, Sebastien (1616-1671)
FIA5408888 Le depart de Jacob - Jacobs Departure, by Bourdon, Sebastien (1616-1671). Oil on canvas. Dimension : 99x138 cm

Abraham sacrificing his son Isaac Painting by Laurent de La Hyre (1606-1656) 1650 Reims
JLJ4668442 Abraham sacrificing his son Isaac Painting by Laurent de La Hyre (1606-1656) 1650 Reims, museum Saint Denis by La Hyre, Laurent de (1606-56); Musee Saint-Denis, Reims

Rebecca gives her son Jacob, wearing Esaus clothes
LRI4647639 Rebecca gives her son Jacob, wearing Esaus clothes, a plate of kid meat so that he can take her to his blind father Isaac and take her blessing instead of Esau Miniature from Codex 212

Abrahams Sacrifice. Engraving in "The main facts of holy history"
DUV4209955 Abrahams Sacrifice. Engraving in " The main facts of holy history". Epinal Imaging, 4th Series. Pellerin and Cie, printer-publisher, Epinal. End of the 19th century

Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim
LRI4594472 Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence by Ghiberti

Isaac digs wells in the valley of Guerar and the shepherds of the valley seek him quarrel
LRI4647668 Isaac digs wells in the valley of Guerar and the shepherds of the valley seek him quarrel Miniature taken from the codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo

Episode of the sacrifice of Isaac by Abraham. Miniature from codex 212
GIA4699232 Episode of the sacrifice of Isaac by Abraham. Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi by Italian School

Isaacs sacrifice. Bas relief realized by Filippo Brunelleschi (1377-1446), 1402
LRI4613724 Isaacs sacrifice. Bas relief realized by Filippo Brunelleschi (1377-1446), 1402. Musee du Bargello, Florence by Brunelleschi, Filippo (1377-1446); Museo Nazionale del Bargello, Florence

Eliezer and Rebecca (partial copy after Chick)
JEB4299858 Eliezer and Rebecca (partial copy after Chick) by Ingres, Jean Auguste Dominique (1780-1867); 46x37 cm; Palais de Longchamp, Marseille, France; eJean Bernard; French, out of copyright

The Sacrifice of Isaac (oil on canvas)
1562706 The Sacrifice of Isaac (oil on canvas) by Verhout or Voorhout, Constantin (fl.1663-7) (circle of); 128.8x96.3 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Portrait of Isaak Walton (colour litho)
5992114 Portrait of Isaak Walton (colour litho) by Huysmans, Jacob (c.1633-96) (after); Private Collection; (add.info.: Portrait of Isaak Walton)

The sacrifice of Isaac, from Hulberts Story of the Bible published by The John
5323240 The sacrifice of Isaac, from Hulberts Story of the Bible published by The John Winston Company, 1932 (colour litho) by Leinweber, Anton Robert (1845-1921); Private Collection; Czech

Isaac meeting Rebekah (engraving)
5218298 Isaac meeting Rebekah (engraving) by English School, (19th century); Private Collection; (add.info.: Isaac meeting Rebekah)

The Sacrifice of Isaac, 1620 (oil on canvas)
6198141 The Sacrifice of Isaac, 1620 (oil on canvas) by Caracciolo, Giovanni-Battista (1578-1635); 208.4x154 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Italian, out of copyright

The Duenna by Sheridan: Isaacs Lodging (colour litho)
6011036 The Duenna by Sheridan: Isaacs Lodging (colour litho) by Sheringham, George (1884-1937); Private Collection; (add.info.: Isaacs Lodging)

Isaak Walton, English author (engraving)
6029861 Isaak Walton, English author (engraving) by Huysmans, Jacob (c.1633-96) (after); Private Collection; (add.info.: Isaak Walton (1593-1683), English author.); Look and Learn / Elgar Collection

Faux the Conjurors booth, Bartholomew Fair, London
Isaac Fawkes, Faux the Conjurors booth, Bartholomew Fair, London. 1720s

Abraham about to sacrifice his son, Isaac, from the Visigothic-Mozarabic Bible of St
485203 Abraham about to sacrifice his son, Isaac, from the Visigothic-Mozarabic Bible of St. Isidore s, a.D. 960 (tempera on vellum) by Spanish School

Abraham and Isaac on Mount Moriah
LLM462785 Abraham and Isaac on Mount Moriah by Margetson, William Henry (1861-1940) (after); Private Collection; (add.info.: Abraham and Isaac on Mount Moriah)

Abraham about to sacrifice Isaac
LLM459747 Abraham about to sacrifice Isaac by German School, (19th century); Private Collection; (add.info.: Abraham about to sacrifice Isaac. German chromolithograph.); © Look and Learn

Sarcophagus, known as the one of The Two Brothers, depicting scenes of the Ancient and New Testament
ALI414893 Sarcophagus, known as the one of The Two Brothers, depicting scenes of the Ancient and New Testament, mid 4th century (marble) by Roman, (4th century AD); Museo Pio Cristiano

Abraham and Isaac (engraving)
819114 Abraham and Isaac (engraving) by English School, (19th century); Private Collection; (add.info.: Abraham and Isaac (Genesis XXII - 12)

Abraham sacrificing (oil on canvas)
898840 Abraham sacrificing (oil on canvas) by Coypel, Antoine (1661-1722); Musee des Beaux-Arts, Tourcoing, France; (add.info.: Abraham sacrificing.); French, out of copyright

Old Testament Figures (w / c & ink on paper)
NCO193422 Old Testament Figures (w/c & ink on paper) by Rebecca, Biagio (1735-1808); Courtesy of the Warden and Scholars of New College, Oxford; Italian, out of copyright

Plaque depicting St. Mark and the Sacrifice of Abraham (enamel)
XIR180105 Plaque depicting St. Mark and the Sacrifice of Abraham (enamel) by French School, (12th century); Louvre, Paris, France; French, out of copyright

The Verdun Altar, detail of decorative panels depicting biblical scenes
XAM93763 The Verdun Altar, detail of decorative panels depicting biblical scenes, 1181 (champleve enamelwork) by Nicholas of Verdun (fl.1181-1205); Klosterneuburg Monastery

The Gates of Paradise (East Doors) comprising 10 relief panels depicting Old Testament
BEN88900 The Gates of Paradise (East Doors) comprising 10 relief panels depicting Old Testament scenes 1425-52 (gilt bronze) by Ghiberti, Lorenzo (1378-1455); 457x251 cm; Baptistery, Florence

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"Isaac: A Multifaceted Figure in History" Sir Isaac Newton, the renowned English mathematician, is widely celebrated for his groundbreaking contributions to science. His profound discoveries in physics and astronomy revolutionized our understanding of the natural world. In a captivating portrait by Freeman, we catch a glimpse of Sir Isaac Newton's intellectual prowess and enigmatic persona from the 19th century. This depiction showcases his brilliance as an artist beautifully captures his essence. However, let us not forget another notable figure named Isaac – the SINGER SEWING MACHINE. With its intricate design and precision, it embodies innovation just like Sir Isaac Newton did centuries ago. Moving away from machines and back to history, we delve into Prestwich Asylum in Lancashire where Sir Isaac Newton's legacy lives on. The institution bears his name as a tribute to this remarkable mathematician who forever changed our perception of the universe. Speaking of tributes, one cannot ignore Johnson V Perrins' masterpiece depicting Abraham sacrificing Isaac at the Gate of Paradise door of the Baptistry of San Giovanni. This powerful artwork immortalizes their story with great intensity. Shifting gears once again, we encounter an intriguing portrait by Isaac Oliver I showcasing Arabella Stewart from the 16th century. Through this painting, we witness how art transcends time as it captures her beauty for eternity. And what better way to understand someone than through their own words? In a letter dated 20th June 1682 addressed to William Briggs, Sir Issac Newton reveals glimpses of his brilliant mind that continue to inspire generations even today. But amidst all these serious discussions about science and art lies "Dick Dock or The Lobster and Crab, " a whimsical piece from 1806 that reminds us not to take life too seriously – much like enjoying good company while sipping beer in a pub with friends.