Ionic Collection (page 4)

Longitudinal cross-section of the church Saint-Philippe-du-Roule, Paris (engraving)
XIR414987 Longitudinal cross-section of the church Saint-Philippe-du-Roule, Paris (engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Seven African American men walking away from Grants tomb on Riverside Drive
MNY380909 Seven African American men walking away from Grants tomb on Riverside Drive, New York, 1903 (silver gelatin print) by Byron Company (fl.1890-1942)

Exterior view showing the detached campanile and dome, 1518-45 (photo)
BEN85587 Exterior view showing the detached campanile and dome, 1518-45 (photo) by Sangallo, Antonio da, the elder (1455-1534); Church of the Madonna di San Biagio, Montepulciano

Seal of Approval Certificate, c. 1920 (lithograph)
2622164 Seal of Approval Certificate, c.1920 (lithograph) by American School, (20th century); Private Collection; (add.info)

Roman sarcophagus (marble)
875164 Roman sarcophagus (marble) by Roman; Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Previously situated by the South Door of the Baptistery)

General descriptions of the main types of capitals, 1949 (litho)
XEE3526011 General descriptions of the main types of capitals, 1949 (litho) by Laubadere, Louis Paul de (1830-1920); Private Collection; Stefano Bianchetti; French, out of copyright

Ionic columns, 1435-43 (marble)
3508280 Ionic columns, 1435-43 (marble) by Donatello, (c.1386-1466); Old Sacristy, San Lorenzo, Florence, Italy; (add.info.: Italia, Toscana, Firenze, Basilica di San Lorenzo, Sagrestia Vecchia)

Ionic courtyard of an Ancient Greek house (engraving)
3647022 Ionic courtyard of an Ancient Greek house (engraving) by Viollet-le-Duc, Eugene Emmanuel (1814-79) (after); Private Collection; (add.info.: Ionic courtyard of an Ancient Greek house)

Central Exchange, News Room, c. 1838
2960436 Central Exchange, News Room, c.1838 by Richardson, Thomas Miles (1784-1848); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Columns from the Temple of Minerva, Athens
6340240 Columns from the Temple of Minerva, Athens by Unknown Artist, (19th century); (add.info.: Columns from the Temple of Minerva, Athens)

Byzantine capitals from columns in the nave of the church of St
STC83215 Byzantine capitals from columns in the nave of the church of St. Demetrius in Thessalonica, pub. by Day & Son (litho) by Texier

Ruins with the Apostle Paul preaching, 1744
BOO73034 Ruins with the Apostle Paul preaching, 1744 by Pannini or Panini, Giovanni Paolo (1691/2-1765); 63x82 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

The Second Temple of Diana, c. 1635 (pen & ink on paper)
CTS407574 The Second Temple of Diana, c.1635 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Carved capitals from the cloister (stone)
MES408513 Carved capitals from the cloister (stone) by French School, (12th century); Senanque Abbey, Provence, France; (add.info.: from the Abbey of Notre Dame de Senanque)

Santo Stefano Rotondo, 1833 (etching with brown wash)
STC384812 Santo Stefano Rotondo, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: S)

Temple of Athena Nike, built c. 435 BC-425 BC (photo)
JB148412 Temple of Athena Nike, built c.435 BC-425 BC (photo) by Greek, (5th century BC); Acropolis, Athens, Greece; (add.info.: final temple to be built on the Acropolis; ); eJohn Bethell; Greek

The Treasury Building, Washington, DC (b / w photo)
6018253 The Treasury Building, Washington, DC (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: The Treasury Building, Washington, DC)

Ionic entablature, ancient Greek architecture (colour litho)
5999604 Ionic entablature, ancient Greek architecture (colour litho) by German School, (19th century); Private Collection; (add.info.: Ionic entablature, ancient Greek architecture)

Ionic entablature (colour litho)
6001519 Ionic entablature (colour litho) by German School, (19th century); Private Collection; (add.info.: Ionic entablature)

The Temple of Vespasian and Saturn (w / c on paper)
621547 The Temple of Vespasian and Saturn (w/c on paper) by Prout, Samuel (1783-1852); 30.9x21.5 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Temple ruins in the Forum)

The Temple of Fortune, known as the Temple of Concord and the Temple of Jupiter Tonans
STC384826 The Temple of Fortune, known as the Temple of Concord and the Temple of Jupiter Tonans, 1833 (etching with brown wash) by Tofanelli

Shop, Macclesfield Street, c. 1883 (b / w photo)
JHL394941 Shop, Macclesfield Street, c.1883 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: Built c.1690)

Shaftesbury House, Aldersgate Street, c. 1880 (b / w photo)
JHL394917 Shaftesbury House, Aldersgate Street, c.1880 (b/w photo) by Dixon, Henry (1821-1916); Private Collection; (add.info.: Originally Thanet House)

The Month of May / Chateau of Saint-Germain-en-Laye, from the series of tapestries
XIR391187 The Month of May/ Chateau of Saint-Germain-en-Laye, from the series of tapestries The Months or Royal Residences, produced in the Gobelins Workshop for Louis XIV (tapestry) by Le Brun

The Roman Forum (oil on canvas)
478365 The Roman Forum (oil on canvas) by Abeele, Jodocus-Sebastiaen van den (1797-1855); Private Collection; (add.info.: A view of ruins in the ancient forum in Rome, looking East)

The Temple of Athena Nike, Acropolis, Athens, 1893 (w / c on paper)
NUL396537 The Temple of Athena Nike, Acropolis, Athens, 1893 (w/c on paper) by Newman, Henry Roderick (1833-1918); 43x66 cm; Private Collection; American, out of copyright

Church of Saint-Sulpice, elevation of the facade, Paris
XIR346074 Church of Saint-Sulpice, elevation of the facade, Paris, engraved by Loignel or Laignel (engraving) (b/w photo) by Servandoni, Giovanni Niccolo (1695-1766); Musee de la Ville de Paris

Ionic style shop front of Messrs Storr and Mortimer, goldsmiths and jewellers, No 156, Bond Street, London (engraving)
583716 Ionic style shop front of Messrs Storr and Mortimer, goldsmiths and jewellers, No 156, Bond Street, London (engraving) by Whittock

Examples of Ionic and Corinthian orders in Greek architecture
2603438 Examples of Ionic and Corinthian orders in Greek architecture, from The National Encyclopaedia, published c.1890 (engraving) by Unknown Artist

Temple of Neptune at Corinth, from Select Views of the Remains of Ancient Monuments In
STC255292 Temple of Neptune at Corinth, from Select Views of the Remains of Ancient Monuments In Greece, from Drawings taken on the spot by William Cole, 1833 (colour litho) by Cole

Elevation detail of the basilica in Vicenza, illustration from a facsimile copy of
AFC206110 Elevation detail of the basilica in Vicenza, illustration from a facsimile copy of I Quattro Libri dell Architettura written by Palladio, originally published 1570 by Palladio

View of the courtyard (photo)
MFI162439 View of the courtyard (photo) by Delorme, Philibert (1505-70); Ecole Nationale Superieure des Beaux-Arts, Paris

British Museum, 1850 (w / c on paper)
5890788 British Museum, 1850 (w/c on paper) by Findlay, James (fl.1820); height: 21 cm; London Metropolitan Archives, City of London; (add.info)

Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series Le Antichita Romane, 1756

Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series Le Antichita Romane, 1756

Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series Le Antichita Romane, 1756

Speculum Romanae Magnificentiae: Ionic base, ca. 1537. ca. 1537. Creator: Master GA
Speculum Romanae Magnificentiae: Ionic base, ca. 1537

Ionic Columns Date: 1550

Temple of Artemis, Sardis, 1843. Creator: Joseph Philibert Girault De Prangey
Temple of Artemis, Sardis, 1843

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Slovenia, Ljubljana, Cobblers Bridge

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Ireland, County Offaly, Birr which is a town renowned for its Georgian architecture, Johns Mall, Johns Hall and a streetlamp with the area known as The Chains in the foreground due to the sturdy

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Ireland, County Offaly, Birr which is a town renowned for its Georgian architecture, Johns Mall, statue of the 3rd Earl of Rosse with Johns Hall in the background

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Ireland, County Offaly, Birr which is a town renowned for its Georgian architecture, Johns Mall, statue of the 3rd Earl of Rosse with Johns Hall in the background

Greece, Attica, Athens, The Erechtheion, at the Acropolis

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Greece, Attica, Athens, Academy of Arts

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"Exploring the Timeless Beauty Architecture: From Boone Tavern Hotel to Trinity College of Music" Step into a world where classical orders reign supreme, as we embark on a journey through the captivating realm architecture. Our first stop takes us to the historic Boone Tavern Hotel in Berea, Kentucky, USA. Here, elegant Doric, Ionic, and Corinthian columns stand tall, showcasing the grandeur and sophistication of this timeless style. Next on our itinerary is Trinity College of Music in Mandeville Place, London. Adorned with graceful Ionic columns that exude an air of refinement and harmony, this institution stands as a testament to the enduring allure of classical design. As we venture further across continents, we find ourselves in Wilkes-Barre, Pennsylvania. A bustling bank and shops greet us with their majestic façade featuring intricate Ionic details—a true homage to architectural excellence. Transporting us back in time is a vivid scene reminiscent of Cicero's powerful speeches. The magnificence lies not only within his words but also in the backdrop adorned with stately Ionic columns that symbolize strength and wisdom. Moving forward towards Birkenhead Park Gateway reveals yet another stunning example splendor. Its regal presence commands attention while paying tribute to ancient Greek aesthetics that have stood the test of time. Delving deeper into scientific realms brings us face-to-face with Perovskite crystal structures—an embodiment of nature's own interpretation symmetry and balance. These mesmerizing formations captivate scientists worldwide with their beauty and potential applications. Across oceans once again lies Christ Church in Savannah, Georgia—its striking facade boasting magnificent Ionic elements that seamlessly blend tradition with modernity. This architectural gem serves as a reminder that even amidst evolving styles; classic elegance never loses its charm. Returning full circle to Trinity College of Music at Mandeville Place reaffirms its significance within this narrative—a beacon for aspiring musicians surrounded by the timeless allure architecture.