Innocence Collection (page 16)

Springtime (oil on canvas)
700732 Springtime (oil on canvas) by Lynch, Albert (1851-1912); 135.3x50.2 cm; Private Collection; Photo eChristies Images; Peruvian, out of copyright

Bedtime (w / c & chalk on paper)
492453 Bedtime (w/c & chalk on paper) by Bernard, Emile (1868-1941); 16.5x22 cm; Private Collection; (add.info.: Le Sommeil); Photo eChristies Images; French, out of copyright

Putti frolicking in the Clouds (oil on canvas)
474805 Putti frolicking in the Clouds (oil on canvas) by Chaplin, Charles Joshua (1825-91); 46.4x113.7 cm; Private Collection; (add.info)

Wishful Thinking, (oil on canvas)
658497 Wishful Thinking, (oil on canvas) by Piot, Etienne Adolphe (1850-1910); 45.8x37.8 cm; Private Collection; (add.info.: Wishful Thinking. Etienne Adolphe Piot (1850-1910). Oil on canvas

Portrait of Mary Van Vechten Schaffer, 1930 (oil on panel)
651167 Portrait of Mary Van Vechten Schaffer, 1930 (oil on panel) by Wood, Grant (1891-1942); 35.9x30.5 cm; Private Collection; (add.info.: Portrait of Mary Van Vechten Schaffer)

Games in the Sun, VII from Les Petites Baigneuses, 1893 (woodcut)
615505 Games in the Sun, VII from Les Petites Baigneuses, 1893 (woodcut) by Vallotton, Felix Edouard (1865-1925); 11x16.8 cm; Private Collection; (add.info)

In the Barnyard (oil on canvas)
496178 In the Barnyard (oil on canvas) by Maes, Eugene Remy (1849-1931); 55.5x91.5 cm; Private Collection; (add.info.: Kippen in het Neerhof); Photo eChristies Images; Belgian, out of copyright

Girl at the window, 1906 (oil on canvas)
5974047 Girl at the window, 1906 (oil on canvas) by Dinet, Alphonse Etienne (1861-1929); 58x42 cm; Private Collection; (add.info.: Fillette A la fentre); Photo eChristies Images; French

Pippa Passes, 1854 (pen and brown ink on off-white paper)
1217845 Pippa Passes, 1854 (pen and brown ink on off-white paper) by Siddal, Elizabeth Eleanor (Lizzie) (1834-62); 23.3x29.6 cm; Ashmolean Museum, University of Oxford

Head of Laughing Child, c. 1752 (porcelain)
1217797 Head of Laughing Child, c. 1752 (porcelain) by Roubillac (Roubiliac), Louis-Francois (1702-62); 19x11.9 cm; Ashmolean Museum, University of Oxford

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217586 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.5 cm; Ashmolean Museum

Young girl sleeping (colour litho)
3620515 Young girl sleeping (colour litho) by English School, (19th century); Private Collection; (add.info.: Young girl sleeping.); © Look and Learn

The Bride (chromolitho)
3621207 The Bride (chromolitho) by Brundage, Frances (1854-1937); Private Collection; (add.info.: The Bride. Illustration for Guardian Angels edited by Edric Vredenburg (Raphael Tuck)

A lion and tiger cub wrestle on the grass, London Zoo, September 1925 (b / w photo)
3116198 A lion and tiger cub wrestle on the grass, London Zoo, September 1925 (b/w photo) by Bond, Frederick William (1887-1942); Zoological Society of London; eZoological Society of London; British

Girl blowing bubbles (colour print on silk)
730266 Girl blowing bubbles (colour print on silk) by English School, (19th century); Private Collection; (add.info.: Girl blowing bubbles.); Look and Learn / Valerie Jackson Harris Collection

A feast of cherries (engraving)
666372 A feast of cherries (engraving) by Foster, Myles Birket (1825-99) (after); Private Collection; (add.info.: A feast of cherries)

Third Red Cross Roll Call, 1918 (colour litho)
699132 Third Red Cross Roll Call, 1918 (colour litho) by Coffin, William Haskell (1878-1941); 102x76 cm; Private Collection; eGalerie Bilderwelt; American, out of copyright

Innocence (colour litho)
732258 Innocence (colour litho) by English School, (20th century); Private Collection; (add.info.: A woman holding a branch of plant, and the legend, Innocence)

Preludium to the Book of Urizen, plate 2 from The First Book of Urizen
XYC309882 Preludium to the Book of Urizen, plate 2 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art

Head study for The Nun, c. 1870 (w / c & gouache on paper)
PNH351017 Head study for The Nun, c. 1870 (w/c & gouache on paper) by Claxton, Adelaide (1835-c.1905); 34.2x28.6 cm; National Gallery of Canada, Ottawa, Ontario

Home she went, bounding from school nor dreamed of shame or harm
IL340166 Home she went, bounding from school nor dreamed of shame or harm, illustration from The Lays of Ancient Rome, by Thomas Babington Macaulay (colour litho) by Hardy

Therese Berard, 1879 (oil on canvas)
CLK339890 TherAse Berard, 1879 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 55.9x46.8 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French

Preludium to the Book of Urizen, plate 2 from The First Book of Urizen
XYC256354 Preludium to the Book of Urizen, plate 2 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Head of a Boy (pen & ink on paper)
XBP335624 Head of a Boy (pen & ink on paper) by Parmigianino (Francesco Mazzola) (1503-40); Private Collection; Photo eBoltin Picture Library; Italian, out of copyright

Head of a Girl, 1860 (pencil on paper)
Ma288050 Head of a Girl, 1860 (pencil on paper) by English School, (19th century); 49.5x33 cm; Private Collection; (add.info.: inscribed Langham Studios 1860 ; ); Photo eThe Ms Gallery

Piety
LLM455790 Piety by English School, (19th century); Private Collection; (add.info.: Piety. Illustration from Pilgrims Progress and other works by John Bunyan (James Sangster, c 1860)

Innocence
LLM455778 Innocence by English School, (19th century); Private Collection; (add.info.: Innocence. Illustration from Pilgrims Progress and other works by John Bunyan (James Sangster, c 1860)

Children playing in the playroom at the New York Association for the Blind
MNY380958 Children playing in the playroom at the New York Association for the Blind, 111 East 59th Street, New York, 1935 (silver gelatin print) by Byron Company (fl.1890-1942)

Cupids in Conspiracy, 1740s (oil on canvas)
491345 Cupids in Conspiracy, 1740s (oil on canvas) by Boucher, Francois (1703-70); 68.8x123.2 cm; Cleveland Museum of Art, OH

Cronies, 1884 (oil on canvas)
476795 Cronies, 1884 (oil on canvas) by Ousey, Buckley (1851-1889); 50.5x72 cm; Astley Cheetham Art Gallery, Stalybridge, Greater Manchester; eAstely Cheetham Art Gallery; British, out of copyright

Young Knitter Asleep, c. 1759 (oil on canvas)
HEH416431 Young Knitter Asleep, c.1759 (oil on canvas) by Greuze, Jean Baptiste (1725-1805); 68.6x55.9 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

The Intercepted Love Letter, c. 1855-60 (oil on canvas)
AKV406792 The Intercepted Love Letter, c.1855-60 (oil on canvas) by Spitzweg, Carl (1808-85); 54.2x32.3 cm; Private Collection; eAckermann Kunstverlag; German, out of copyright

Veiled vestal virgin (marble)
CTS407272 Veiled vestal virgin (marble) by Monti, Raffaello (1818-81); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright

The virtuous maiden being crowned with roses, c. 1825 (colour litho)
CHT181064 The virtuous maiden being crowned with roses, c.1825 (colour litho) by Boilly, Louis Leopold (1761-1845); Bibliotheque Nationale, Paris, France; eArchives Charmet; French, out of copyright

Young Girl in a Kimono, c. 1860-70 (hand coloured photo)
CHT170122 Young Girl in a Kimono, c.1860-70 (hand coloured photo) by Japanese School, (19th century); Private Collection; eArchives Charmet; Japanese, out of copyright

Children at the Basin, 1886 (oil on canvas)
MMT170473 Children at the Basin, 1886 (oil on canvas) by Morisot, Berthe (1841-95); 73x92 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

Decorating the Christmas Tree, advertisment for La Toilette des Enfants
CHT173564 Decorating the Christmas Tree, advertisment for La Toilette des Enfants, engraved by P. Derfermeville, 1872 (coloured engraving) by Codouze

The First Kiss (oil on canvas)
CH349487 The First Kiss (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); Private Collection; Photo eChristies Images; French, out of copyright

Portrait of Gertie Lewis, half length, 1879-80 (oil on canvas)
CH368171 Portrait of Gertie Lewis, half length, 1879-80 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 55.2x43.4 cm; Private Collection; (add.info)

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"Innocence: A Glimpse into the Purest of Hearts" The Lamb, a gentle creature embodying innocence and vulnerability, reminds us of the untainted beauty that exists in the world. Daniel in the Lions Den portrays a remarkable display of trust and innocence as this young man fearlessly faces danger with unwavering faith. In Sir Joshua Reynolds' painting, The Infant Samuel, we witness the purity and innocence of childhood as Samuel's angelic face reflects his connection to something greater than himself. Just like an orangutan baby's wide-eyed curiosity, innocence shines through their innocent gaze, reminding us to cherish our own childlike wonder. Pas Meche (Nothing Doing) captures a moment of carefree joy where children embrace their innocence by engaging in playful activities without any worries or responsibilities weighing them down. Alfred Lord Tennyson's poem Maud comes alive through an illustration that transports us to a realm where love blossoms amidst untouched hearts filled with pure intentions. Princess Elizabeth's youthful radiance symbolizes not only her personal innocence but also represents hope for a brighter future guided by compassion and grace. An angel playing harp with butterfly wings embodies ethereal purity while creating heavenly melodies that soothe even troubled souls seeking solace from life's complexities. A Miscarriage of Justice serves as a stark reminder that even within systems meant to uphold fairness and righteousness, innocent lives can be tragically affected due to human error or corruption. Mental calculation at primary school shows how children approach learning with open minds and unburdened spirits, embracing knowledge without prejudice or preconceived notions. Cape Washington presents Emperor Penguin chicks basking in soft focus high key lighting—a visual representation of their delicate existence yet resilient spirit—innocently awaiting their turn to conquer Antarctica’s icy challenges