Ink Drawing Collection (page 7)

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks
651920 A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour) by Rowlandson

Broadstairs (pencil, pen and grey ink and watercolour)
651902 Broadstairs (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.5x37.2 cm; Private Collection; (add.info.: Broadstairs. Thomas Rowlandson (1756-1827)

A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour)
651896 A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour) by Sandby, Paul (1725-1809); 31.2x48.5 cm; Private Collection; (add.info)

Haman, After Michelangelo, (pen and grey ink)
651824 Haman, After Michelangelo, (pen and grey ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 37x24.4 cm; Private Collection; (add.info.: Haman, After Michelangelo)

A Lady Walking, (pencil, pen and brown ink and watercolour)
651818 A Lady Walking, (pencil, pen and brown ink and watercolour) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 32.8x21.1 cm; Private Collection; (add.info.: A Lady Walking)

A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)
651811 A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour) by Nixon, John (1760-1818); 18.4x9.2 cm; Private Collection; (add.info)

Ferrara, Italy, (pen and brown ink and watercolour with touches of white heighte)
651810 Ferrara, Italy, (pen and brown ink and watercolour with touches of white heighte) by Prout, Samuel (1783-1852); 35.3x24.4 cm; Private Collection; (add.info.: Ferrara, Italy)

The European Race: An Allegorical Caricature on the State of Political Europe in 1738-9
651788 The European Race: An Allegorical Caricature on the State of Political Europe in 1738-9, (pencil, pen and brown ink, brown chalk, brown wash) by Mosley

The Blind; Les Aveugles, (pen, grey ink and watercolour on paper)
651427 The Blind; Les Aveugles, (pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); 42x35.5 cm; Private Collection; (add.info.: The Blind; Les Aveugles)

At the Cemetary, (pencil, pen, grey ink and watercolour on paper)
651403 At the Cemetary, (pencil, pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); 41.5x32.5 cm; Private Collection; (add.info.: At the Cemetary)

In the Bazaar, (pencil, pen, grey ink and watercolour on paper)
651402 In the Bazaar, (pencil, pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); Private Collection; (add.info.: In the Bazaar. Georg Emanuel Opiz (1775-1841)

A Dutch Man-of-War Firing a Salute - a Penschilderij, (pen, ink and oil on panel)
990244 A Dutch Man-of-War Firing a Salute - a Penschilderij, (pen, ink and oil on panel) by Salm, Adriaen or Abraham (c.1660-1720); 36.2x47.7 cm; Private Collection; (add.info)

Study for The Turkish Bath, (black lead, pen and brown ink on paper)
989699 Study for The Turkish Bath, (black lead, pen and brown ink on paper) by Ingres, Jean Auguste Dominique (1780-1867); 15.9x10.6 cm; Private Collection; (add.info.: Study for The Turkish Bath)

Cornelia Presenting her Two Young Sons, (black chalk, pen and black ink
989639 Cornelia Presenting her Two Young Sons, (black chalk, pen and black ink, brown and gray wash heightened w) by Gauffier

Castle Howard, Yorkshire: A Schematic pencil Sketch showing the Development of
824115 Castle Howard, Yorkshire: A Schematic pencil Sketch showing the Development of the Forecourt Wings, c.1699 (pen and brown ink and grey wash) by Vanbrugh

A Coaching Scene, (pen and grey ink and watercolour)
824083 A Coaching Scene, (pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 22.9x33.6. cm; Private Collection; (add.info.: A Coaching Scene. Thomas Rowlandson (1756-1827)

Peterhof, Russia: Elevation of the English Palace and Plan of the Park
824079 Peterhof, Russia: Elevation of the English Palace and Plan of the Park, (pen and grey ink and watercolour) by Quarenghi

A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil
823463 A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil, pen and grey ink and watercoour) by Schinkel

Working the Fields at Arles; Laboureur dans les Champs a Arles
825563 Working the Fields at Arles; Laboureur dans les Champs a Arles, 1888 (reed pen and ink over pencil on paper) by Gogh

Portrait of Grace, the artists Wife, (pen, brush, brown ink and brown wash)
826709 Portrait of Grace, the artists Wife, (pen, brush, brown ink and brown wash) by Orpen, William (1878-1931); 33x21.5 cm; Private Collection; (add.info.: Portrait of Grace, the artists Wife)

Orpheus; L Orphee, (pencil, pen and brown ink with brown wash in drawn frame)
827626 Orpheus; L Orphee, (pencil, pen and brown ink with brown wash in drawn frame) by Moreau, Gustave (1826-98); 30x16.5 cm; Private Collection; (add.info.: Orpheus; L Orphee)

A View of Saint Peters Square Under Berninis Columns
827613 A View of Saint Peters Square Under Berninis Columns, the Sistine Chapel and Papal Palace Beyond; Une Vue de la Place Saint Pierre de Dessous les Colonnades du Bernin

A Birds Eye View of Valetta from the Sea, with Men-o-War entering the Harbour
827555 A Birds Eye View of Valetta from the Sea, with Men-o-War entering the Harbour, (black chalk, pen and black ink, watercolour on light brown paper) by Italian School

The Battle of the Horatii, (black chalk, pen and brown ink
827549 The Battle of the Horatii, (black chalk, pen and brown ink, brown wash heightened with white) by Romano, Giulio (1492-1546); 27.1x47.6 cm; Private Collection; (add.info)

The Virgin and Child Near a Basin; Le Vierge et l Enfant Pres d une Vasque
827612 The Virgin and Child Near a Basin; Le Vierge et l Enfant Pres d une Vasque, (black chalk, pen and brown ink) by Gaulli

Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk
827611 Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk, pen and brown ink, watercolour and bodycolour) by Romano

Study of a Horse, (pen and brown ink)
827588 Study of a Horse, (pen and brown ink) by Callot, Jacques (1592-1635); 22.8x14.1 cm; Private Collection; (add.info.: Study of a Horse. Jacques Callot (1592-1635). Pen and brown ink

The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master
827583 The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master, the Farnese Hercules beyond (black chalk, pen and brown ink with brown wash) by Zanotti

A Classical Roman Arcade, with Figures in the Foreground, 1759 (black chalk
827570 A Classical Roman Arcade, with Figures in the Foreground, 1759 (black chalk, pen and black ink, brown and grey wash) by Robert, Hubert (1733-1808); 48.5x36.2

Flowers from Shakespeares Garden: Columbines, 1906
827297 Flowers from Shakespeares Garden: Columbines, 1906 (watercolour and pen and black ink) by Crane, Walter (1845-1915); 25.2x19 cm; Private Collection; (add.info)

The Ingoldsby Legends: Frontispiece, (pen and black ink and watercolour)
827151 The Ingoldsby Legends: Frontispiece, (pen and black ink and watercolour) by Rackham, Arthur (1867-1939); 33.6x23.2 cm; Private Collection; (add.info.: The Ingoldsby Legends: Frontispiece)

Jacks Man William, A Modern Sancho Panza, (brush and ink wash
651126 Jacks Man William, A Modern Sancho Panza, (brush and ink wash, pen and ink on gouache on paper) by Remington, Frederic (1861-1909); 54.3x47.5

Aunt Ellen, 1910 (watercolour, pen and black ink and pencil on paper)
651079 Aunt Ellen, 1910 (watercolour, pen and black ink and pencil on paper) by Demuth, Charles (1883-1935); 22.2x14.2 cm; Private Collection; (add.info.: Aunt Ellen. Charles Demuth (1883-1935)

Flock of Sheep, Houghton Farm, 1878 (watercolour, brush and black ink and pencil on paper
650547 Flock of Sheep, Houghton Farm, 1878 (watercolour, brush and black ink and pencil on paper) by Homer, Winslow (1836-1910); 22.2x28.7 cm; Private Collection; (add.info.: Flock of Sheep)

Noahs Ark, c. 1500 (paint and ink on vellum)
986373 Noahs Ark, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info.: Noahs Ark)

Illuminated manuscript in Sephardic script, showing scenes of Dutch life
986185 Illuminated manuscript in Sephardic script, showing scenes of Dutch life and the Bible with floral cartouches, 17th century (ink on vellum) by Netherlandish School

Hawk, 1750-1800 (pen, ink, and watercolour)
986125 Hawk, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: Hawk)

Albino Crow (Corvus corone corone), (black chalk, brush, ink, watercolour, bodycolour
986102 Albino Crow (Corvus corone corone), (black chalk, brush, ink, watercolour, bodycolour, on vellum) by Robert, Nicolas (1614-85) (and workshop); 41.4x30.2 cm; Private Collection; (add.info)

The Infant Jesus Saying His Prayers, c. 1805 (pen and grey ink, watercolour over pencil)
985828 The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil) by Blake, William (1757-1827); 31.6x34 cm; Private Collection; (add.info)

Cabinet portrait of George Armstrong Custer, signed and inscribed to his brother
985817 Cabinet portrait of George Armstrong Custer, signed and inscribed to his brother, Tom Custer, 1872 (photograph, paper oval frame, ink) by Custer, G. A

Title-page showing the Parliament of Toulouse, 1515 (red and black inks within a woodcut)
985807 Title-page showing the Parliament of Toulouse, 1515 (red and black inks within a woodcut) by French School, (16th century); 27.1x19.6 cm; Private Collection; (add.info)

Printed menu signed by Winston Churchill and Franklin D. Roosvelt, U
985767 Printed menu signed by Winston Churchill and Franklin D. Roosvelt, U.S Flagship Augusta, Ships Harbour, Newfoundland, dated 9 August 1943

City Hall, New York, (watercolour and pen and black ink)
985077 City Hall, New York, (watercolour and pen and black ink) by Davis, Alexander Jackson (1803-92); 31.1x43.2 cm; Private Collection; (add.info.: City Hall, New York)

Saint Anthony Abbot Asking the Centaur the Way, (black chalk, pen and brown ink
990013 Saint Anthony Abbot Asking the Centaur the Way, (black chalk, pen and brown ink, brown wash) by Palma Il Giovane (Jacopo Negretti) (1548-1628); 22x26.4 cm; Private Collection; (add.info)

A View of the Tuileries from the Champs-Elysees, (black chalk, pen and brown ink
659181 A View of the Tuileries from the Champs-Elysees, (black chalk, pen and brown ink, watercolour) by Vauzelle, Jean Lubin (1776-c.1837); 25.3x35.5 cm; Private Collection; (add.info)

A Busy Boulevard, 1877 (watercolour, gouache and pen and brown ink)
658987 A Busy Boulevard, 1877 (watercolour, gouache and pen and brown ink) by Geruzez, Victor (Crafty) (1840-1906); 49.4x67.3 cm; Private Collection; (add.info.: A Busy Boulevard)

The Library, Binfield, Berkshire, with a View Over the Park, (pencil
659239 The Library, Binfield, Berkshire, with a View Over the Park, (pencil, pen and grey ink and watercolour heightened with white) by Hassell

A Great Cross-Vaulted Building, with Women and Children and a Dog by Broken Columns
659230 A Great Cross-Vaulted Building, with Women and Children and a Dog by Broken Columns, (pencil, pen and black ink and watercolour heightened with white) by Robert

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.