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Initial C Collection

"Captivating Initial C: A Journey through History and Art" Step into the world of captivating artistry and historical significance with the enigmatic "Initial C

Background imageInitial C Collection: Initial C Emperor Constantinople Enshrining Body

Initial C Emperor Constantinople Enshrining Body
Initial C: The Emperor of Constantinople Enshrining the Body of Saint Anthony; Master of the Brussels Romuleon or workshop (Flemish, active about 1465); Bruges (or)

Background imageInitial C Collection: Initial C Martyrdom Saint Thomas Becket Paris

Initial C Martyrdom Saint Thomas Becket Paris
Initial C: The Martyrdom of Saint Thomas Becket; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background imageInitial C Collection: Initial C Clerics Singing Paris France 1250 1260

Initial C Clerics Singing Paris France 1250 1260
Initial C: Clerics Singing; Paris, France; about 1250 - 1260; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.2 x 13.3 cm (7 9, 16 x 5 1, 4 in.)

Background imageInitial C Collection: Initial C Clerics Singing Choir Book Paris France

Initial C Clerics Singing Choir Book Paris France
Initial C: Clerics Singing from a Choir Book; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background imageInitial C Collection: Initial C Isaiah Sawn Two Wurzburg Germany 1240

Initial C Isaiah Sawn Two Wurzburg Germany 1240
Initial C: Isaiah Being Sawn in Two; Wurzburg, Germany; about 1240 - 1250; Tempera colors, gold leaf, and silver leaf on parchment; Leaf: 22.7 x 15.7 cm (8 15, 16 x 6 3, 16 in.)

Background imageInitial C Collection: Initial C Lions Two Male Heads Wurzburg Germany

Initial C Lions Two Male Heads Wurzburg Germany
Initial C: Lions and Two Male Heads; Wurzburg, Germany; about 1240 - 1250; Tempera colors, gold leaf, and silver leaf on parchment; Leaf: 22.7 x 15.7 cm (8 15, 16 x 6 3, 16 in.)

Background imageInitial C Collection: Initial C Resurrected Christ Fra Vincentius Fundis

Initial C Resurrected Christ Fra Vincentius Fundis
Initial C: The Resurrected Christ; Fra Vincentius a Fundis (Italian, active about 1560s); Nola, Campania, Italy; 1567; Tempera and gold leaf on parchment; Leaf: 41 x 27 cm (16 1, 8 x 10 5, 8 in.)

Background imageInitial C Collection: Initial C Flight Egypt Master Lee Hours Flemish

Initial C Flight Egypt Master Lee Hours Flemish
Initial C: The Flight into Egypt; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Background imageInitial C Collection: Initial C Entombment Bruges Belgium mid-1200s

Initial C Entombment Bruges Belgium mid-1200s
Initial C: The Entombment; Bruges (possibly), Belgium; mid-1200s; Tempera colors, gold leaf, and ink on parchment; Leaf: 23.5 x 16.5 cm (9 1, 4 x 6 1, 2 in.)

Background imageInitial C Collection: Initial C Entombment Atelier Passion Master Paris

Initial C Entombment Atelier Passion Master Paris
Initial C: The Entombment; Atelier of the Passion Master; Paris (written), France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors, gold

Background imageInitial C Collection: Initial C Noli me tangere Bute Master Franco-Flemish

Initial C Noli me tangere Bute Master Franco-Flemish
Initial C: Noli me tangere; Bute Master (Franco-Flemish, active about 1260 - 1290); Paris (written), France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors, gold

Background imageInitial C Collection: Initial C Clerics Singing Bute Master Franco-Flemish

Initial C Clerics Singing Bute Master Franco-Flemish
Initial C: Clerics Singing; Bute Master (Franco-Flemish, active about 1260 - 1290); Paris (written), France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors, gold

Background imageInitial C Collection: Initial C David Playing Bells Master Ingeborg Psalter

Initial C David Playing Bells Master Ingeborg Psalter
Initial C: David Playing Bells; Master of the Ingeborg Psalter (French, active about 1195 - about 1210); Noyon (probably)

Background imageInitial C Collection: Initial C Priest Altar Bute Master Franco-Flemish

Initial C Priest Altar Bute Master Franco-Flemish
Initial C: A Priest Before an Altar; Bute Master (Franco-Flemish, active about 1260 - 1290); Paris (written), France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors, gold

Background imageInitial C Collection: Initial C Resurrection Bute Master Franco-Flemish

Initial C Resurrection Bute Master Franco-Flemish
Initial C: The Resurrection; Bute Master (Franco-Flemish, active about 1260 - 1290); Northeastern (illuminated), France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors

Background imageInitial C Collection: Three Cuttings Missal Initial C Adoration Magi

Three Cuttings Missal Initial C Adoration Magi
Three Cuttings from a Missal: Initial C with the Adoration of the Magi, c. 1470-1500. Germany, Franconia or Saxony (?) or Silesia (?), 15th century

Background imageInitial C Collection: Manuscript Illumination Saint Lawrence Initial C

Manuscript Illumination Saint Lawrence Initial C
Artokoloro


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"Captivating Initial C: A Journey through History and Art" Step into the world of captivating artistry and historical significance with the enigmatic "Initial C. " From Emperor Constantinople to the massacre of innocents in Paris, this initial holds stories that span centuries. Intriguingly, it witnessed the enshrining of bodies and martyrdoms. One such event was Saint Thomas Becket's martyrdom in Paris, a tragic tale etched forever within its curves. It also witnessed clerics singing harmoniously in 13th-century Paris, their voices echoing through time. Traveling further back, we find ourselves amidst two chilling scenes from Wurzburg, Germany. The initial unveils Isaiah being sawn into two pieces - a haunting reminder of ancient cruelty. Yet it also reveals majestic lions alongside male heads - an intriguing juxtaposition that leaves us pondering their symbolic meaning. As our journey continues, we encounter resurrections and flights across borders. Fra Vincentius Fundis' Resurrected Christ springs to life within this letterform while Master Lee Hours Flemish takes us on a flight to Egypt with his intricate brushstrokes. The entombment becomes another focal point as we explore Bruges, Belgium in the mid-1200s. Here lies an exquisite depiction captured by skilled hands that evoke emotions even after all these years. Meanwhile, Atelier Passion Master's rendition transports us to witness Christ's entombment firsthand in medieval Paris. Finally, we come face-to-face with Noli me tangere by Bute Master Franco-Flemish - a powerful portrayal that encapsulates both vulnerability and strength within its strokes. The Initial C stands as a testament to human creativity and resilience throughout history. Each stroke tells tales of triumphs and tragedies; each curve whispers secrets waiting to be discovered anew by those who dare venture into its realm.