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Industrial Town Collection

From the bustling train crossing Stockport viaduct to the historic New Lanark Mills in Scotland, industrial towns have shaped our world

Background imageIndustrial Town Collection: Train crossing Stockport viaduct on the London & North Western Railway, c1845

Train crossing Stockport viaduct on the London & North Western Railway, c1845. Note the pollution of the river banks, smoking chimneys and the complete domination of the scene by the viaduct

Background imageIndustrial Town Collection: New Lanark Mills, Scotland, c1815

New Lanark Mills, Scotland, c1815. Robert Owens (1771-1858) model community of cotton mills and housing. Educational facilities were provided, as well as the worlds first day nursery

Background imageIndustrial Town Collection: View of Preston from Penwortham Hill, c. 1821 (oil on canvas)

View of Preston from Penwortham Hill, c. 1821 (oil on canvas)
HMP90737 View of Preston from Penwortham Hill, c.1821 (oil on canvas) by Jenkinson, John (1790-1823); 107x151.5 cm; Harris Museum and Art Gallery, Preston, Lancashire

Background imageIndustrial Town Collection: The Preston By-Election of 1862 (oil on canvas)

The Preston By-Election of 1862 (oil on canvas)
HMP86669 The Preston By-Election of 1862 (oil on canvas) by Sherwood, Vladimir Ossipovitch (1832-97); 91.5x118 cm; Harris Museum and Art Gallery, Preston, Lancashire

Background imageIndustrial Town Collection: Harlem Rivers, 1928. Artist: Preston Dickinson

Harlem Rivers, 1928. Artist: Preston Dickinson
Harlem Rivers, 1928. Museum of Modern Art, New York, USA

Background imageIndustrial Town Collection: Steelworks, 1926. Artist: Edgar & Winifred Ward

Steelworks, 1926. Artist: Edgar & Winifred Ward
Steelworks, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageIndustrial Town Collection: The Black Country, Staffordshire, 1926. Artist: Edgar & Winifred Ward

The Black Country, Staffordshire, 1926. Artist: Edgar & Winifred Ward
The Black Country, Staffordshire, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageIndustrial Town Collection: Coal and iron production, 1926. Artist: Edgar & Winifred Ward

Coal and iron production, 1926. Artist: Edgar & Winifred Ward
Coal and iron production, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageIndustrial Town Collection: A mining centre, 1926. Artist: Edgar & Winifred Ward

A mining centre, 1926. Artist: Edgar & Winifred Ward
A mining centre, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageIndustrial Town Collection: Titus Salt, British woolstapler and industrialist, c1880

Titus Salt, British woolstapler and industrialist, c1880. Salt (1803-1876) discovered a method of blending alpaca wool with cotton and silk

Background imageIndustrial Town Collection: Birmingham viewed from the south showing smoking chimneys, c1860

Birmingham viewed from the south showing smoking chimneys, c1860. A small manufacturing town until the 18th century, Birmingham was one of the most important centres of the Industrial Revolution in

Background imageIndustrial Town Collection: Steam train crossing bridge high above rooftops of industrial town

Steam train crossing bridge high above rooftops of industrial town

Background imageIndustrial Town Collection: A Slum (engraving)

A Slum (engraving)
XND76042 A Slum (engraving) by Ferrier, C.A. (19th century); Private Collection; English, out of copyright


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From the bustling train crossing Stockport viaduct to the historic New Lanark Mills in Scotland, industrial towns have shaped our world. The view of Preston from Penwortham Hill captures the essence of a thriving community in the 19th century, while The Preston By-Election painting takes us back to a politically charged era. Harlem Rivers by Preston Dickinson showcases the urban landscape's evolution in 1928, while Edgar & Winifred Ward's Steelworks and The Black Country paintings depict the raw power of industry during that time. Coal and iron production were vital components of these towns' economies, as depicted by Ward's masterful brushstrokes. These mining centers were not just places of labor but also hubs for innovation and progress. Titus Salt, an influential woolstapler and industrialist, left an indelible mark on British history with his visionary approach to manufacturing. Birmingham viewed from the south reveals a city defined by its smoking chimneys—a testament to its industrial might in the mid-19th century. As we reflect on these images capturing different aspects of industrial towns throughout history, we are reminded of their significance in shaping societies and propelling humanity forward.