Incomplete Collection (page 3)

Page 78. No inscription, unfinished drawing (w / c)
5671117 Page 78. No inscription, unfinished drawing (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

Page 61. No inscription, unfinished drawing (w / c)
5671099 Page 61. No inscription, unfinished drawing (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

Incomplete massive Mina i pottery storage jar, Central Iran, c. 1200 (ceramic)
3610799 Incomplete massive Mina i pottery storage jar, Central Iran, c.1200 (ceramic) by Iranian school (13th century); height: 82.3 cm; Private Collection; (add.info)

Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping
2971987 Unfinished Sketch of Lady Haden, 1895 (litho in black ink, with scraping, on cream wove Japanese vellum) by Whistler

Sword, late second or very early third century (iron)
5865121 Sword, late second or very early third century (iron) by Roman; length: 46 cm; Arbeia Roman Fort & Museum, Tyne & Wear Archives & Museums; (add.info)

Sword, late second or very early third century (iron)
5865069 Sword, late second or very early third century (iron) by Roman; length: 46 cm; Arbeia Roman Fort & Museum, Tyne & Wear Archives & Museums; (add.info)

Malaga, 1833 (w / c)
6200181 Malaga, 1833 (w/c) by Roberts, David (1796-1864); 25.1x16.5 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; Scottish, out of copyright

Page 133. Floribunda unfinished drawing (w / c)
5671173 Page 133. Floribunda unfinished drawing (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

A Rustic Youth (oil on canvas)
3744250 A Rustic Youth (oil on canvas) by Mulready, William (1786-1863) (follower of); 27x19.7 cm; Nottingham City Museums and Galleries (Nottingham Castle)

The Risen Christ, three-quarter length nude looking down to the right (chalk
CH469002 The Risen Christ, three-quarter length nude looking down to the right (chalk, pen & ink on paper) (verso of 469003) by Buonarroti

La Romaine, the property of Claude Deruet (black chalk & ink on paper)
CTS449213 La Romaine, the property of Claude Deruet (black chalk & ink on paper) by Callot, Jacques (1592-1635); 7.5x14.9 cm; eThe Devonshire Collections

Sword, late second or very early third century (iron)
5865091 Sword, late second or very early third century (iron) by Roman; length: 46 cm; Arbeia Roman Fort & Museum, Tyne & Wear Archives & Museums; (add.info)

Page 126. Unfinished drawing of Viminaria denudata (w / c)
5671166 Page 126. Unfinished drawing of Viminaria denudata (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

Infinity II
Bill Peppas

An ancient wall at Ayaz Kala Fortress 1, Ayaz Kala, Khorezm, Uzbekistan
Uzbekistam, Khorezm, An ancient wall at Ayaz Kala Fortress 1, Ayaz Kala

Greece, Attica, Athens, Archaeological site of a Roman bath, beside the National Gardens and Zappeion

Turkey, Anatolia, Ephesus, One of the terrace houses

Prosperity - Stage I, c1920. Artist: Warwick Reynolds
Prosperity - Stage I, c1920. From The Art of the Illustrator - Warwick Reynolds and his work, by Percy V Bradshaw. [The Press Art School, London, c1920]

The Eiffel Tower under construction, Paris, c1888. Designed by the French civil engineer Gustave Eiffel (1832-1923), the Eiffel Tower was built for the International Exhibition staged in Paris in

The Oath of the Tennis Court (unfinished), detail, 1791-1792. Artist: Jacques-Louis David
The Oath of the Tennis Court (unfinished), detail, 1791-1792. From the Musee National du Chateau de Versailles, France

The demolition of the Church of the Feuillants, 1805. Artist: Hubert Robert
The demolition of the Church of the Feuillants, 1805. From the Musee Carnavalet, Paris

Brighton Pier, Brighton and Hove, East Sussex, England, United Kingdom, Europe

Bicycle chain
Antique illustration of a bicycle chain

Lady Liberty Pop Art (Complementary Colors), Graphic Design, Illustration, Poster, Advertising

Trevithick Locomotive of 1804
Engraving shows incomplete drawing of Cornish inventor and engineer Richard Trevithick steam locomotive with which he successfully hauled 25 tons of cargo and 36 passengers at Pen y Darren, Wales

Deserted Village At Slievemore, Achill Island

Blarney Castle, Co Cork, Ireland

St Selskars Abbey, Co Wexford, Ireland

Marches Pesaro Fossombrone S. Francesco Italy
Marches Pesaro Fossombrone S. Francesco, this is my Italy, the italian country of visual history, Post-medieval Architecture, late 18th century

Helmets. 1. Incomplete Falling Beaver Or Visor Helmet. The Visor Opens On A Hinge On The Forehead. On This Example The Beaver Is Missing. 2. Pot Helmet Of A Pikeman, C. 1620. 3

Callan Augustinian Friary, Co Kilkenny, Ireland; 15Th Century Friary

Statue Of Odyssey; Athens, Greece

Statue Of Iilad; Athens, Greece

Shipwreck At Sunset, Co Donegal, Ireland

Round Towers, Tower At Ballyfin, Co Laois

Dunamase Castle, Co Laois, Ireland

Athassel Priory, Co Tipperary, Ireland; Augustinian Medieval Priory

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"Incomplete: A Tapestry of Time and Vision" Step into a world where time stands still, where the past and present intertwine in an incomplete symphony. The magnificent La Sagrada Familia church, designed by the visionary Antoni Gaudi, illuminates the night sky with its ethereal glow. This UNESCO World Heritage Site is not just a basilica; it is a testament to human creativity that transcends generations. As we delve deeper into history, we uncover ancient maps that tell tales of exploration and discovery. A 17th-century world map reveals the vastness of our planet, while a 16th-century map showcases the intricate details of the British Isles. These fragments from centuries ago remind us of how much there is left to explore and understand. Inside La Sagrada Familia's sacred space, stained glass windows create kaleidoscopic patterns that dance with light. Gaudi's genius lies in his ability to merge architecture and art seamlessly – an unfinished masterpiece that continues to captivate hearts today. Traveling further through time, we encounter another 17th-century map depicting Europe's ever-changing borders. It serves as a reminder that history is never static; it evolves like the very landscapes it represents. Venturing beyond familiar shores, a 17th-century map unveils the mysteries of the New World – uncharted territories waiting to be discovered by intrepid explorers seeking fame and fortune. In Barcelona's vibrant streets, La Sagrada Familia Cathedral proudly stands as an emblematic symbol of Catalonia's rich heritage within Spain and Europe at large. Its towering spires reach for heights unknown – just like humanity itself – forever striving towards completion amidst perpetual change. Returning once more to Britain's shores on a 16th-century map, we witness its evolving identity throughout history - shaped by conquests, alliances, and cultural exchanges - yet always remaining enigmatic in its essence.