Impish Collection

The Mad Merry Pranks of Robin Goodfellow (woodcut)
DGC405779 The Mad Merry Pranks of Robin Goodfellow (woodcut) by English School, (17th century) (after); Private Collection; (add.info.: Robin Goodfellow is a mischievous sprite or hobgoblin)

Portrait of Isabella Brant, c. 1620-25 (oil on wood)
491324 Portrait of Isabella Brant, c.1620-25 (oil on wood) by Rubens, Peter Paul (1577-1640); 53x46 cm; Cleveland Museum of Art, OH

Priapic demon. illustration from an early 17th century broadside ballad
DGC405781 Priapic demon. illustration from an early 17th century broadside ballad A Warning for All Lewd Livers (woodcut) by English School

CRUIKSHANK: CHOLIC
A gang of impish demons torment the Cholic Date: 1819

Young man wearing underwear kneeling on a sofa

Boy, 5, making a grimace

A Meeting of Witches
A gaggle of witches & impish demons making merry

Class Distinctions / Coal
DIGNITY ATTACKED " I say Guv ner, jest guv us a lift up with these here coals" A rather ridiculously-attired posh gentleman is shocked by a coalboys impish request

Thomas Alva Edison / Boy
Thomas Alva Edison as a Boy

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"Unleashing the Mischievous Spirit: Exploring the Impish Realm" Step into a world where mischief reigns supreme, as Robin Goodfellow, also known as Puck, takes center stage. In this woodcut depiction, he is portrayed with goat horns and an erect penis - symbols of his impish nature. Surrounded by a circle of dancing worshippers, one can almost hear their laughter echoing through the night. Moving forward in time, we encounter Isabella Brant's portrait from the early 17th century. The delicate strokes capture her beauty and innocence but leave us wondering if there lies a mischievous spark beneath that serene expression. A priapic demon emerges from an ancient broadside ballad illustration - a creature embodying both desire and devilry. Its presence reminds us of the allure and danger that lurk within our desires. Thomas Eakins' sepia photograph transports us to another era. A young man wearing only underwear kneels on a sofa, challenging societal norms with his audacious pose. His impish grin hints at rebellion against conventions that bind him. In contrast, a five-year-old boy pulls a comical grimace - innocent yet mischievous in its own right. It serves as a reminder that even in youthfulness lies untamed energy waiting to be unleashed upon unsuspecting adults. Shakespeare's "The Tempest" brings forth Prospero's servant Ariel - sometimes depicted as an impish sprite who delights in causing chaos amidst magical spells and illusions. This portrayal adds depth to Shakespeare's exploration of power dynamics and human folly. Within the realm of witchcraft lies meetings shrouded in mystery and enchantment; here too dwells imps who revel in stirring up trouble for their own amusement. Their presence adds an element of whimsy to these clandestine gatherings. Class distinctions are not immune to impish influences either; coal miners working tirelessly underground find solace in their camaraderie and playful banter.