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Impasto Collection (page 2)

Impasto is a technique that brings paintings to life, adding texture and depth to the canvas

Background imageImpasto Collection: Tunisian street scene (oil on canvas)

Tunisian street scene (oil on canvas)
CH466610 Tunisian street scene (oil on canvas) by Rolshoven, Julius C. (1858-1930); 71.6x91.4 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageImpasto Collection: Evening, Tangier (oil on canvasboard)

Evening, Tangier (oil on canvasboard)
CH469096 Evening, Tangier (oil on canvasboard) by Lavery, John (1856-1941); 28x37.5 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Background imageImpasto Collection: Cheese and Fruit (oil on canvas)

Cheese and Fruit (oil on canvas)
693006 Cheese and Fruit (oil on canvas) by Tobeen, Felix Elie (1880-1938); 48x39.5 cm; Private Collection; (add.info.: Fromage et fruits.); Photo eChristies Images; Spanish, out of copyright

Background imageImpasto Collection: Departure from Havre, 1905 (oil on canvas)

Departure from Havre, 1905 (oil on canvas)
692773 Departure from Havre, 1905 (oil on canvas) by Maufra, Maxime Emile Louis (1861-1918); 60.3x73.7 cm; Private Collection; (add.info)

Background imageImpasto Collection: Cader Idris (oil on canvas)

Cader Idris (oil on canvas)
3963603 Cader Idris (oil on canvas) by Williams, Christopher (1873-1934); 28.8x49 cm; Newport Museum and Art Gallery, South Wales; eNewport Museum and Art Gallery; British, out of copyright

Background imageImpasto Collection: Farmer in a Field, 1889 (oil on canvas)

Farmer in a Field, 1889 (oil on canvas)
3701717 Farmer in a Field, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); 50.3x64.9 cm; Private Collection; (add.info.: Laboureur dans un champ Painted in Saint Remy)

Background imageImpasto Collection: Davos in Winter, 1923 (oil on canvas)

Davos in Winter, 1923 (oil on canvas)
3588565 Davos in Winter, 1923 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 120.1x150 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

Background imageImpasto Collection: Iris in a Tall Vase, 1928 (oil on canvas)

Iris in a Tall Vase, 1928 (oil on canvas)
3743457 Iris in a Tall Vase, 1928 (oil on canvas) by Wood, Christopher (1901-30); 60.4x50.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageImpasto Collection: The Dining Room, 1914 (oil on canvas)

The Dining Room, 1914 (oil on canvas)
695540 The Dining Room, 1914 (oil on canvas) by Maufra, Maxime Emile Louis (1861-1918); Private Collection; French, out of copyright

Background imageImpasto Collection: Violin and Bust, c. 1934 (oil on millboard)

Violin and Bust, c. 1934 (oil on millboard)
692884 Violin and Bust, c.1934 (oil on millboard) by Gertler, Mark (1891-1939); 36.8x46.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageImpasto Collection: House in Montmartre (oil on canvas)

House in Montmartre (oil on canvas)
704159 House in Montmartre (oil on canvas) by Zandomeneghi, Federigo (1841-1917); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

Background imageImpasto Collection: Mountains of the Cross (oil on canvas)

Mountains of the Cross (oil on canvas)
704120 Mountains of the Cross (oil on canvas) by Lega, Silvestro (1826-95); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

Background imageImpasto Collection: Ship Entering the Harbor at Le Havre, 1903 (oil on canvas)

Ship Entering the Harbor at Le Havre, 1903 (oil on canvas)
1071042 Ship Entering the Harbor at Le Havre, 1903 (oil on canvas) by Pissarro, Camille (1830-1903); 17.8x28.6 cm; Dallas Museum of Art, Texas, USA; gift of the E.E

Background imageImpasto Collection: The White Cloud, c. 1833-34 (oil on canvas)

The White Cloud, c. 1833-34 (oil on canvas)
1199785 The White Cloud, c.1833-34 (oil on canvas) by Palmer, Samuel (1805-81); 22.3x27.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageImpasto Collection: Wick Rocks, c. 1824 (oil on canvas)

Wick Rocks, c. 1824 (oil on canvas)
450170 Wick Rocks, c.1824 (oil on canvas) by Barker, Thomas (1769-1847); 43.2x30.8 cm; The Holburne Museum, Bath, UK; eHolburne Museum; British, out of copyright

Background imageImpasto Collection: The Japanese Bridge, c. 1923-25 (oil on canvas)

The Japanese Bridge, c. 1923-25 (oil on canvas)
488004 The Japanese Bridge, c.1923-25 (oil on canvas) by Monet, Claude (1840-1926); 88.9x116.2 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Garden at Giverny)

Background imageImpasto Collection: Old Sarum (oil on canvas)

Old Sarum (oil on canvas)
STC468906 Old Sarum (oil on canvas) by Constable, John (1776-1837); Private Collection; (add.info.: Old Sarum in Salisbury)

Background imageImpasto Collection: Girl Reading (oil on wood)

Girl Reading (oil on wood)
780777 Girl Reading (oil on wood) by Hunter, Mary Ethel (1878-1936); 41.2x32.4 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; British, out of copyright

Background imageImpasto Collection: Salisbury Cathedral from the River Nadder, c. 1829 (oil on beige wove paper

Salisbury Cathedral from the River Nadder, c. 1829 (oil on beige wove paper
710998 Salisbury Cathedral from the River Nadder, c.1829 (oil on beige wove paper, mounted on laminate cardboard) by Constable

Background imageImpasto Collection: The Cliff at Etretat, after 1872 (oil on fabric)

The Cliff at Etretat, after 1872 (oil on fabric)
2656603 The Cliff at Etretat, after 1872 (oil on fabric) by Courbet, Gustave (1819-77); 54.5x65.5 cm; Cleveland Museum of Art, OH, USA; Gift of the Estate of Charles F. Brush; French, out of copyright

Background imageImpasto Collection: Sunset on the Seine at Vetheuil, 1880 (oil on canvas)

Sunset on the Seine at Vetheuil, 1880 (oil on canvas)
2962845 Sunset on the Seine at Vetheuil, 1880 (oil on canvas) by Monet, Claude (1840-1926); 50.2x60.3 cm; Private Collection; (add.info)

Background imageImpasto Collection: View across an orchard over a bridge and estuary (oil on panel)

View across an orchard over a bridge and estuary (oil on panel)
2651872 View across an orchard over a bridge and estuary (oil on panel) by Studd, Arthur Haythorne (1863-1919); 22.2x15.8 cm; Private Collection; (add.info)

Background imageImpasto Collection: Seaview with Dunes, flowering seagrass, c. 1900 (oil on panel)

Seaview with Dunes, flowering seagrass, c. 1900 (oil on panel)
2651870 Seaview with Dunes, flowering seagrass, c.1900 (oil on panel) by Studd, Arthur Haythorne (1863-1919); 16x22 cm; Private Collection; eLiss Fine Art; British, out of copyright

Background imageImpasto Collection: View from Carlton House Terrace (oil on panel)

View from Carlton House Terrace (oil on panel)
2651864 View from Carlton House Terrace (oil on panel) by Studd, Arthur Haythorne (1863-1919); Private Collection; eLiss Fine Art; British, out of copyright

Background imageImpasto Collection: Lakeside view, c. 1910 (oil on panel)

Lakeside view, c. 1910 (oil on panel)
2651851 Lakeside view, c.1910 (oil on panel) by Studd, Arthur Haythorne (1863-1919); Private Collection; eLiss Fine Art; British, out of copyright

Background imageImpasto Collection: Weeping Willow, 1918-19 (oil on canvas)

Weeping Willow, 1918-19 (oil on canvas)
MMT82312 Weeping Willow, 1918-19 (oil on canvas) by Monet, Claude (1840-1926); 100x120 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

Background imageImpasto Collection: Interior (oil on canvas)

Interior (oil on canvas)
AGN125661 Interior (oil on canvas) by Gilman, Harold (1876-1919); 16x18 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageImpasto Collection: Round Lake, Mud Bay, 1915 (oil on panel)

Round Lake, Mud Bay, 1915 (oil on panel)
ONT162830 Round Lake, Mud Bay, 1915 (oil on panel) by Thomson, Thomas John (1877-1917); 21.2x26.6 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario

Background imageImpasto Collection: Portrait of a Man in a Red Uniform (w / c and gouache on ivory)

Portrait of a Man in a Red Uniform (w / c and gouache on ivory)
BOO73774 Portrait of a Man in a Red Uniform (w/c and gouache on ivory) by Saint, Daniel (1778-1847); 20x14.2 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageImpasto Collection: Jeune fille dans le jardin de Giverny, 1888 (oil on canvas)

Jeune fille dans le jardin de Giverny, 1888 (oil on canvas)
5615606 Jeune fille dans le jardin de Giverny, 1888 (oil on canvas) by Monet, Claude (1840-1926); 73.4 x 92.5 cm; Private Collection; (add.info)

Background imageImpasto Collection: Breton Landscape, 1885 (oil on canvas)

Breton Landscape, 1885 (oil on canvas)
LRI884148 Breton Landscape, 1885 (oil on canvas) by Gauguin, Paul (1848-1903); 81x65 cm; Galleria Civica d Arte Moderna, Milan, Italy; Luisa Ricciarini; French, out of copyright

Background imageImpasto Collection: Reclining Nude (oil on canvas)

Reclining Nude (oil on canvas)
476648 Reclining Nude (oil on canvas) by Israels, Isaac (1865-1934); 40x60.3 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Background imageImpasto Collection: Paysage proche de Puit Noir pres d Ornans, after 1872 (oil on canvas)

Paysage proche de Puit Noir pres d Ornans, after 1872 (oil on canvas)
2635011 Paysage proche de Puit Noir pres d Ornans, after 1872 (oil on canvas) by Courbet, Gustave (1819-77); 46.3x55.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageImpasto Collection: Bowl and Lemons, c. 1930 (oil on canvas)

Bowl and Lemons, c. 1930 (oil on canvas)
693015 Bowl and Lemons, c.1930 (oil on canvas) by Tobeen, Felix Elie (1880-1938); 40.5x33 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Background imageImpasto Collection: Still Life with Flowers (oil on canvas)

Still Life with Flowers (oil on canvas)
693009 Still Life with Flowers (oil on canvas) by Tobeen, Felix Elie (1880-1938); 24.5x33 cm; Private Collection; (add.info.: Nature Morte aux Fleurs.); Photo eChristies Images; Spanish

Background imageImpasto Collection: St. Patricks Day (oil on board)

St. Patricks Day (oil on board)
CH443719 St. Patricks Day (oil on board) by Nicol, Erskine (1825-1904); 28x22.9 cm; Private Collection; (add.info.: Shamrock, Sir? ); Photo eChristies Images; Scottish, out of copyright

Background imageImpasto Collection: Against the Light, by the River (oil on board)

Against the Light, by the River (oil on board)
5889004 Against the Light, by the River (oil on board) by Steer, Philip Wilson (1860-1942); 48.3x33.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageImpasto Collection: Pont des arts, Inondation, 1930 (oil on panel)

Pont des arts, Inondation, 1930 (oil on panel)
5242096 Pont des arts, Inondation, 1930 (oil on panel) by Signac, Paul (1863-1935); 35x27 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageImpasto Collection: Effet de neige a Giverny, 1893 (oil on canvas)

Effet de neige a Giverny, 1893 (oil on canvas)
5615604 Effet de neige A Giverny, 1893 (oil on canvas) by Monet, Claude (1840-1926); 65.4 x 92.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageImpasto Collection: The Large Plane Trees, or Road Menders at Saint-Remy, 1889 (oil on fabric)

The Large Plane Trees, or Road Menders at Saint-Remy, 1889 (oil on fabric)
491325 The Large Plane Trees, or Road Menders at Saint-Remy, 1889 (oil on fabric) by Gogh, Vincent van (1853-90); 73.4x91.8 cm; Cleveland Museum of Art, OH, USA; Gift of the Hanna Fund; Dutch

Background imageImpasto Collection: The Young Golfer (oil on canvas)

The Young Golfer (oil on canvas)
491614 The Young Golfer (oil on canvas) by Mancini, Antonio (1852-1930); 2213.3 x 152.2 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; Italian

Background imageImpasto Collection: River Scene, Rouen (oil on panel)

River Scene, Rouen (oil on panel)
877114 River Scene, Rouen (oil on panel) by English School, (19th century); 9x11.7 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; English, out of copyright

Background imageImpasto Collection: An Artist, c. 1870-75 (oil on canvas, mounted on panel)

An Artist, c. 1870-75 (oil on canvas, mounted on panel)
660054 An Artist, c.1870-75 (oil on canvas, mounted on panel) by Daumier, Honore (1808-79); 35.4x27 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French

Background imageImpasto Collection: Rooftops in the sunshine (oil on canvas)

Rooftops in the sunshine (oil on canvas)
704146 Rooftops in the sunshine (oil on canvas) by Sernesi, Raffaello (1838-66); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

Background imageImpasto Collection: The Boat on the Lake, 1901 (oil on canvas)

The Boat on the Lake, 1901 (oil on canvas)
693653 The Boat on the Lake, 1901 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 24.3x33.2 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; French

Background imageImpasto Collection: Still Life with Thistles, 1890 (oil on canvas)

Still Life with Thistles, 1890 (oil on canvas)
PWI83755 Still Life with Thistles, 1890 (oil on canvas) by Gogh, Vincent van (1853-90); 40.4x35.5 cm; Private Collection; ePeter Willi; Dutch, out of copyright



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Impasto is a technique that brings paintings to life, adding texture and depth to the canvas. It allows artists to create bold and expressive brushstrokes, capturing the essence of their subject matter. In "Daylight Raid from my Studio Window, July, " impasto is used to depict the vibrant colors of a bustling cityscape. The thickly applied paint gives a sense of movement and energy, as if the scene is unfolding right before our eyes. Van Gogh's "Flowering almond branch in a glass with a book" showcases his mastery of impasto. The thick layers of paint bring out the delicate petals and branches, making them almost tangible. This technique adds an extra dimension to the painting, inviting viewers to reach out and touch its textured surface. J. M. W Turner's "Red and White Sails, Abersoch" uses impasto strokes to capture the raw power of nature. The rough waves crashing against the boats are brought alive through thick applications of paint that seem ready to jump off the canvas. In Monet's "The Turnip Field, " impasto creates a tactile representation of nature's bounty. Each stroke reveals not only lush greenery but also hints at hidden treasures beneath the soil – turnips waiting for harvesters' hands. Pont Des Arts in Paris comes alive through Vincent van Gogh's use in his eponymous artwork. The heavy brushstrokes give depth and structure to this iconic bridge while conveying Van Gogh's emotional connection with this beloved cityscape. "Wheat Field With Cypresses" by Van Gogh showcases his love for nature using impasto techniques. Each blade stands tall on its own due to thickly layered paints that evoke both visual beauty and tactile sensations associated with wheat fields swaying under sunlight or wind gusts. John Singer Sargent employs impasto in "Mrs George Batten Singing. " Her voice seems captured within each stroke as her emotions are brought to life through the textured surface of the canvas.