I Love You Collection (page 4)

A girl flirting with a soldier on Portsouth Point. 1831 (engraving)
7234796 A girl flirting with a soldier on Portsouth Point. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Five episodes of the story of Hermaphrodite 1781- 1782, fresco
7225016 Five episodes of the story of Hermaphrodite 1781- 1782, fresco by Bonvicini, Nicola (1735-1798); Villa Borghese, Rome

Diana and Endymion, 1752 (marble)
449813 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Early colour photography: The Poster (colour photo)
7157950 Early colour photography: The Poster (colour photo) by Wolff, Paul (1887-1951); Private Collection; (add.info.: The Poster)

Lauderdale House, Waterlow Park, London where Nell Gwynn is said to have lived (b / w photo)
7186552 Lauderdale House, Waterlow Park, London where Nell Gwynn is said to have lived (b/w photo) by McLeish, Donald (1879-1950); Private Collection; (add.info.: Lauderdale House, Waterlow Park)

A corpulent man staring angrily at a fop for looking at his daug, 1831 (engraving)
7234805 A corpulent man staring angrily at a fop for looking at his daug, 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Diana and Endymion, 1752 (marble)
449808 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Diana and Endymion, 1752 (marble)
449806 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

The Appointment (oil)
7085269 The Appointment (oil) by Tofano, Edoardo (1838-1920); Private Collection

Diana and Endymion, 1752 (marble)
449809 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Allegorical scene with man seducing a woman as she plays guitar, , 1803 (engraving)
7233096 Allegorical scene with man seducing a woman as she plays guitar, , 1803 (engraving) by Deuchar, David (1743-1808); Private Collection; (add.info)

Lovers embracing (colour litho)
7201351 Lovers embracing (colour litho) by Krenes, Heinrich (1874-1913); Private Collection; (add.info.: Lovers embracing. Illustration from Lustige Blatter, 1913.); © Look and Learn

Marble statue of Cupid and Psyche. 1810 (engraving)
7234828 Marble statue of Cupid and Psyche. 1810 (engraving) by Bouillon, Pierre (1776-1831); Private Collection; (add.info.: Cupid and Psyche, Roman marble copy of a late Hellenistic original)

An army officer kissing goodbye to a village girl at her window. 1831 (engraving)
7234809 An army officer kissing goodbye to a village girl at her window.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

A young woman reading a love letter in her room. 1831 (engraving)
7234806 A young woman reading a love letter in her room.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Oscar Wilde and Lord Alfred Bruce Douglas, 1894 (b / w photo)
1077969 Oscar Wilde and Lord Alfred Bruce Douglas, 1894 (b/w photo) by Unknown photographer, (19th century); Private Collection; (add.info)

Vauxhall Gardens, London in the 18th century
7239635 Vauxhall Gardens, London in the 18th century by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: From an 18th century print by Robert Pollard after Thomas Rowlandson)

Leda and the Swan, Oil on canvas
7224990 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: Leda and the Swan)

Leda and the Swan, Oil on canvas
7224989 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: VillaLeda and the Swan)

Illustration by Walter Crane for A Flower Wedding (colour litho)
7151282 Illustration by Walter Crane for A Flower Wedding (colour litho) by Crane, Walter (1845-1915) (after); Private Collection; (add.info)

Antiochus and Stratonice (engraving)
7150808 Antiochus and Stratonice (engraving) by English School, (19th century); Private Collection; (add.info.: Antiochus and Stratonice)

Bust of Antinous, ancient Roman marble sculpture (engraving)
7149173 Bust of Antinous, ancient Roman marble sculpture (engraving) by Corbould, Henry (1787-1844) (after); Private Collection; (add.info.: Ancient Roman marble bust of Antinous (c111-c130)

Young woman feeding the birds being surprised by her lover (colour litho)
7153515 Young woman feeding the birds being surprised by her lover (colour litho) by English School, (19th century); Private Collection; (add.info)

Kurdish hunters on Ararat (litho)
7171091 Kurdish hunters on Ararat (litho) by American School, (20th century); Private Collection; (add.info.: Kurdish hunters on Ararat)

Woman trying to evade her suitors marriage proposal (litho)
7172183 Woman trying to evade her suitors marriage proposal (litho) by Bluhm, Oscar (1867-1912); Private Collection; (add.info.: Woman trying to evade her suitors marriage proposal)

Cross d in Love (engraving)
7177919 Cross d in Love (engraving) by English School, (19th century); Private Collection; (add.info.: Cross d in Love. Illustration for The Comic Annual by Thomas Hood)

Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1
7214690 Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1, 19th century by Dubouchet

Cupid delivers a love letter. 19th century (print)
7212201 Cupid delivers a love letter. 19th century (print) by Mallet, Jean Baptiste (1759-1835) (after); (add.info.: L Amitie reste, or Friendship Remains)

Rinaldo and Armida, Lovers from Gerusalemme Liberata (oil)
7076693 Rinaldo and Armida, Lovers from Gerusalemme Liberata (oil) by Dughet, Gaspard Poussin (1615-75) (school of); Private Collection

The Broken Fan (litho)
7186058 The Broken Fan (litho) by Huet, Jean-Baptiste (1745-1811) (after); Private Collection; (add.info.: The Broken Fan)

Triton and Nereid (oil painting)
7186251 Triton and Nereid (oil painting) by Klinger, Max (1857-1920); Private Collection; (add.info.: Triton and Nereid. Illustration from Bilder-Lexicon Sexualwissenschaft)

Unequal lovers (woodcut)
7201602 Unequal lovers (woodcut) by German School, (16th century) (after); Private Collection; (add.info.: Unequal lovers: wealth compensating for appearance)

Scene from the satire, Ship of Fools by Sebastian Brant (woodcut)
7201464 Scene from the satire, Ship of Fools by Sebastian Brant (woodcut) by German School, (16th century) (after); Private Collection; (add.info.: Scene from the satire Ship of Fools)

Leda and the swan with Eros, 200 - 230 (Parian and Luni marble)
7225055 Leda and the swan with Eros, 200 - 230 (Parian and Luni marble) by Roman, (3rd century AD); Villa Borghese, Rome, Italy; (add.info.: Sculpture depicting Leda and the swan with Eros)

The Rescue (oil on canvas)
Ma161634 The Rescue (oil on canvas) by Hamilton, Vereker Monteith (1856-1931); 107x136.5 cm; Private Collection; Photo © The Ms Gallery, London

The Matadors Sweetheart (oil on canvas)
6448738 The Matadors Sweetheart (oil on canvas) by Kemm, Robert (1837-95); 90.2x69.8 cm; Private Collection

Satan Starting from the Touch of Ithuriels Lance, 1779 (oil on canvas)
259398 Satan Starting from the Touch of Ithuriels Lance, 1779 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 212.5--274.5 cm; Private Collection; (add.info.: Paradise Lost)

Couple carving their initials into the bark of a tree (colour litho)
7172181 Couple carving their initials into the bark of a tree (colour litho) by Bluhm, Oscar (1867-1912); Private Collection; (add.info.: Couple carving their initials into the bark of a tree)

Spring (colour litho)
7150559 Spring (colour litho) by Blanchard, Pharamond (1805-73); Private Collection; (add.info.: Spring. Illustration for El Desnudo en el Arte (M Uson, 1906).); © Look and Learn

The hyena of the beach (colour litho)
7148651 The hyena of the beach (colour litho) by Heilemann, Ernst (1870-1936) (after); Private Collection; (add.info.: The hyena of the beach)

Scene from Shakespeares A Midsummer Nights Dream (chromolitho)
7201728 Scene from Shakespeares A Midsummer Nights Dream (chromolitho) by English School, (20th century); Private Collection; (add.info)

Berkshire legend of a masked woman who told the man of her fancy that he must fight or marry her (colour litho)
7200525 Berkshire legend of a masked woman who told the man of her fancy that he must fight or marry her (colour litho) by English School

Satire of an old man in love (engraving)
7201582 Satire of an old man in love (engraving) by Goltzius, Hendrik (1558-1617) (after); Private Collection; (add.info.: Satire of an old man in love)

Calendar of love (copper engraving)
7201573 Calendar of love (copper engraving) by German School, (17th century) (after); Private Collection; (add.info.: Calendar of love)

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In the heart of Miami, Florida, where the sun-kissed beaches meet the azure waves, a declaration of love is etched in the sand. "I love you, " it whispers to all who pass by, carrying with it a tale as timeless as Patsy Cornwallis-West herself. Patsy Cornwallis-West, an Irish-born aristocrat and mistress of King Edward VII, captivated hearts with her beauty and charm. In a black and white photograph that has stood the test of time, her enigmatic smile hints at a forbidden love that dared to defy societal norms. As we delve deeper into history's canvas, we uncover masterpieces like "The Bluidie Tryst" and "Two Strings to her Bow. " These oil paintings tell stories of passion and desire; tales woven through brushstrokes that speak volumes without uttering a word. Picture No. 12480135 transports us back to an era when love was expressed through stolen glances and secret rendezvous. In this captured moment frozen in time, two souls find solace in each other's arms amidst societal constraints. But not all stories end happily ever after. "Two's Company, Three's None" reminds us that sometimes love can be tangled in webs of deceit and betrayal. A cautionary tale painted on canvas warns against succumbing to temptation at any cost. Yet hope lingers even in the darkest corners of our hearts. "On the Threshold" depicts a couple standing at life's crossroads - their gazes locked together as they embark on an uncertain journey filled with both joyous reunions and tearful farewells. "A Passing Cloud" captures fleeting moments when doubts cast shadows upon affectionate hearts but are quickly dispersed by unwavering devotion. Love perseveres despite passing storms; its flame burning brighter than ever before. And so we come full circle to "Two's Company, Three's None, " once again portrayed on a different canvas.