Hunched Collection (page 2)

Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO190139 Comfort to the Corns, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Colima figure, c. 100 BC-250 AD
1767144 A Colima figure, c. 100 BC-250 AD by Colima Culture; 25.4 high cm; Private Collection; (add.info.: A Colima figure, Protoclassic, Ca 100 B.C.-A.D. 250)

Study of a Female Nude, c. 1908-1909 (pencil on buff paper)
1769065 Study of a Female Nude, c.1908-1909 (pencil on buff paper) by Klimt, Gustav (1862-1918); 55.2x36.8 cm; Private Collection; (add.info.: Study of a Female Nude. Gustav Klimt (1862-1918)

Trotty Veck - The Chimes, c. 1920s (pen & ink with w / c on paper)
465464 Trotty Veck - The Chimes, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Black-crowned Night Heron in Snow, 1930s (colour woodblock print)
883385 Black-crowned Night Heron in Snow, 1930s (colour woodblock print) by Koson, Ohara (1877-1945); Minneapolis Institute of Arts, MN, USA; (add.info.: Published by Kawaguchi JirAc)

Costume design for The Devil in Love, a ballet after the original work by
CHT173733 Costume design for The Devil in Love, a ballet after the original work by Jacques Cazotte (1719-92) 1840 (w/c and gouache on paper) by Lormier

Study of a blind Beggar, c. 1511 (chalk on paper)
AMO277377 Study of a blind Beggar, c.1511 (chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Misery, Mexico City, 1928 (b / w photo)
472868 Misery, Mexico City, 1928 (b/w photo) by Modotti, Tina (1896-1942); eGalerie Bilderwelt; Italian, out of copyright

Self portrait (oil on paper laid down on board)
CH451429 Self portrait (oil on paper laid down on board) by Johnston, David Claypoole (1799-1865); 71.5x51.5 cm; Private Collection; Photo eChristies Images; American, out of copyright

Going into Hell, 1866 (woodcut)
3726016 Going into Hell, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.3x8.1 cm; Private Collection; (add.info)

A Porter of Goods, 1865 (colour litho)
STC468910 A Porter of Goods, 1865 (colour litho) by Preziosi, Amadeo (1816-82); Private Collection; (add.info.: From Stamboul, Souvenir de l Orient, published by Lemercier, Paris)

The Blind Pedlar (oil on canvas)
1766657 The Blind Pedlar (oil on canvas) by McGregor, Robert (1848-1922); Private Collection; (add.info.: The Blind Pedlar. Robert McGregor (1847-1922)

Seated Child, 1916 (pencil on paper)
1196045 Seated Child, 1916 (pencil on paper) by Schiele, Egon (1890-1918); 44.6x29 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

The Artists Mother Sewing by the Window (w / c)
2651222 The Artists Mother Sewing by the Window (w/c) by Gash, Walter Bonner (1869-1928); Private Collection; eLiss Fine Art; English, out of copyright

Two nudes (pencil on paper)
712296 Two nudes (pencil on paper) by Vallotton, Felix Edouard (1865-1925); 32.5x25 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Back of a nude woman with ghosts (oil on board)
NUL396502 Back of a nude woman with ghosts (oil on board) by Moser, Koloman (1868-1918); 34.5x28 cm; Private Collection; Austrian, out of copyright

From Paintings in Old Imperial Palace, 1644-1912 (hand-coloured etching)
1067965 From Paintings in Old Imperial Palace, 1644-1912 (hand-coloured etching) by Chinese School; Dallas Museum of Art, Texas, USA; gift of Mrs. B. Hopkins; Chinese, out of copyright

Death with Two Children Carried on his Scythe, 1915 (etching on paper)
AFC210536 Death with Two Children Carried on his Scythe, 1915 (etching on paper) by Fingesten, Michel (1884-1943); Private Collection; Austrian, out of copyright

Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil)
658054 Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil) by Orpen, William (1878-1931); 37.5x46.4 cm; Private Collection; (add.info.: Noreddin Ali Leaving Cairo)

Plate 558. Paraplegia; Partial; Walking, 1885 (collotype on paper)
3950534 Plate 558. Paraplegia; Partial; Walking, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.7x43 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 555. Muscular Atrophy of Legs; Adult, A, B, Walking, 1885 (collotype on paper)
3950531 Plate 555. Muscular Atrophy of Legs; Adult, A, B, Walking, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.4x45.2 cm; Addison Gallery of American Art, Phillips Academy

The Sense of Feeling (oil on wood)
3743956 The Sense of Feeling (oil on wood) by Teniers, David the Younger (1610-90); 18.8x13.8 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Nude with Pink Shirt; Nu a la Chemise Rose, 1926 (oil on canvas)
652412 Nude with Pink Shirt; Nu a la Chemise Rose, 1926 (oil on canvas) by Lebasque, Henri (1865-1937); 50x61 cm; Private Collection; (add.info.: Nude with Pink Shirt; Nu a la Chemise Rose)

Human effigy urn, 600-900 (ceramic)
DBP422888 Human effigy urn, 600-900 (ceramic) by Weeden Island culture (c.200-1200); height: 36 cm; Private Collection; Photo eDirk Bakker; American, out of copyright

Souls on the Bank of the Styx, 1873 (pencil on paper)
PNH452501 Souls on the Bank of the Styx, 1873 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.1x16.5 cm; Private Collection; (add.info)

Zindan prison, with inmates and a guard with Russian rifle, uniform, and boots
698959 Zindan prison, with inmates and a guard with Russian rifle, uniform, and boots, Central Asia, Russian Empire, between 1905 and 1915 (photo) by Prokudin-Gorsky

Profile study of an old man, c. 1880 (oil on canvas)
LIS371497 Profile study of an old man, c.1880 (oil on canvas) by Belleroche, Albert de (1864-1944); 61x50 cm; Private Collection; eLiss Fine Art; English, out of copyright

Portrait of Jean Philippe Rameau (1683-1764) (engraving)
CBF171215 Portrait of Jean Philippe Rameau (1683-1764) (engraving) by French School, (18th century); The Cobbe Collection Trust

William Elliot, c. 1770 (oil on canvas)
3744513 William Elliot, c.1770 (oil on canvas) by British School, (18th Century); 76x64 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

(Untitled), 1905. Creator: Abraham Walkowitz
(Untitled), 1905

The Departure, 1905. Creator: Alphonse Legros
The Departure, 1905

Along the Top of the Hill (Sur le haut de la colline). Creator: Alphonse Legros
Along the Top of the Hill (Sur le haut de la colline)

Little Wandering Jew (Le petit juif errant). Creator: Alphonse Legros
Little Wandering Jew (Le petit juif errant)

Vagabond Moving along a Lane (Un vagabond passant dans une ruelle)

Winter, 1st plate (L hiver). Creator: Alphonse Legros
Winter, 1st plate (L hiver)

Poor Man (Pauvre homme). Creator: Alphonse Legros
Poor Man (Pauvre homme)

A hunched Great Blue Heron by the side of deep blue water, standing in brush

Taste in High Life, May 1, 1798. Creator: Samuel Phillips
Taste in High Life, May 1, 1798. After William Hogarth

L Estropieau Capuchon (The Beggar Wearing a Hood), from Varie Figure Gobbi
L Estropie au Capuchon (The Beggar Wearing a Hood), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks)

L Homme au Gros Dos Orned Une Rangee de Boutons
L Homme au Gros Dos Orne d Une Rangee de Boutons (Man with a Large Back Ornamented with a Row of Buttons), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

Le Bossu a La Canne (The Hunchback with a Cane), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

Le Joeuer de Luth (The Lute Player), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

Le Joueur de Flageolet (The Flageolet Player), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

Le Jouer de Vielle (The Hurdy-Gurdy Player), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

L Homme Raclant un Gril en Guise de Violon (Man Scraping a Grill in the Guise of a Violin), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

Frontispiece, from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616-22

The Theatrical Atlas, May 7, 1814. May 7, 1814. Creator: George Cruikshank
The Theatrical Atlas, May 7, 1814

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"Hunched: A Glimpse into the Stories of Life" In the mesmerizing artwork "I Am Still Learning (Aun Aprendo)" by an unknown artist, charcoal on paper captures the essence of growth and continuous learning. "Comfort to the Corns, pub. 1800" reveals a hand-colored engraving that offers solace to weary feet, reminding us of the importance of self-care in our daily lives. The vibrant streets of Thessaloniki, Greece come alive through the eyes of a Street Porter, showcasing their resilience and hard work amidst bustling city life. Step into a serene Stone House Interior where time seems to stand still; here lies tranquility and peace within its ancient walls. A Resting Tiger exudes both power and grace as it finds solace in moments of repose, reminding us that even fierce creatures need rest. "The Old Jew" immortalizes wisdom and experience through intricate brushstrokes that tell tales untold but etched deeply in his weathered face. "Mangwa, " an enigmatic masterpiece by an unknown artist, transports us deep into lush jungles teeming with life—a testament to nature's boundless beauty. Journey back in time to WW1 - The Battlefield of Neuve Chapelle; this haunting image serves as a poignant reminder of sacrifice made during times of war. Through delicate strokes, "Study Of A Woman" captures her elegance while leaving room for interpretation—her story unfolds within each viewer's imagination. "The Smithy, " depicted with oil on panel, showcases skilled hands shaping metal with fire—the epitome of craftsmanship passed down through generations. "I Must Venture to the Churchyard, " created by W Heath Robinson circa 1930s invites contemplation about mortality while celebrating life's fleeting moments—an exquisite blend between whimsy and introspection.