Huffam Collection (page 4)

Fagin In The Condemned Cell. "He Sat Down On A Stone Bench Opposite The Door
Fagin In The Condemned Cell. " He Sat Down On A Stone Bench Opposite The Door, Which Served For A Seat And Bedstead, And Casting His Bloodshot Eyes Upon The Grond, Tried To Collect His Thoughts

Bill Sikes. Illustration By Harry Furniss For The Charles Dickens Novel Oliver Twist, From The Testimonial Edition, Published 1910

Mr. Squeers. Illustration By Harry Furniss For The Charles Dickens Novel Nicholas Nickleby, From The Testimonial Edition, Published 1910

The Pageant Of English History. Frontispiece By Harry Furniss For The Charles Dickens Book A Childs History Of England, From The Testimonial Edition, Published 1910

Mr. Micawber Achieves The Downfall Of Heep. "the Triumphant Flourish With Which Mr
Mr. Micawber Achieves The Downfall Of Heep. " the Triumphant Flourish With Which Mr. Micawber Delivered Himslef Of The Words, Had A Powerful Effect In Alarming The Mother

Starvation In The Workhouse. "please Sir, I Want Some More. "the Master Gazed In Stupefied Astonishment On
Starvation In The Workhouse. " please Sir, I Want Some More." " the Master Gazed In Stupefied Astonishment On The Small Rebel For Some Seconds, And Clung For Support To The Copper

David Meets Dora And Miss Murdstone. "mr. Copperfield, My Daughter Dora
David Meets Dora And Miss Murdstone. " mr. Copperfield, My Daughter Dora, And My Daughter Doras Confidential Friend, Miss Murdstone!"

Miss Mowcher. Illustration By Harry Furniss For The Charles Dickens Novel David Copperfield, From The Testimonial Edition, Published 1910

Mr. Micawber Takes David Home. "We Walked To Our House Together, Mr. Micawber Impressing The Names Of Streets
Mr. Micawber Takes David Home. " We Walked To Our House Together, Mr. Micawber Impressing The Names Of Streets, And The Shapes Of Corner Houses Upon Me

David Copperfield. Illustration By Harry Furniss For The Charles Dickens Novel David Copperfield, From The Testimonial Edition, Published 1910

The Smallweed Family. "what Work Are You About Now?"Says Judy Smallweed, Like A Very Sharp Old Beldame
The Smallweed Family. " what Work Are You About Now?" Says Judy Smallweed, Like A Very Sharp Old Beldame. " i m A Cleaning The Upstairs Back Room, Miss, " Replies Charley

Lady Dedlock And Jo. "he Was Put There, "Says Jo, Holding To The Bars And Looking In
Lady Dedlock And Jo. " he Was Put There, " Says Jo, Holding To The Bars And Looking In, While Lady Dedlock Shrinks Into A Corner

The Turveydrops, Senior And Junior. Illustration By Harry Furniss For The Charles Dickens Novel Bleak House, From The Testimonial Edition, Published 1910

Bleak House. Illustration By Harry Furniss For The Charles Dickens Novel Bleak House, From The Testimonial Edition, Published 1910

Mrs. Gamp. Illustration By Harry Furniss For The Charles Dickens Novel Martin Chuzzlewit, From The Testimonial Edition, Published 1910

Old Chuffey. Illustration By Harry Furniss For The Charles Dickens Novel Martin Chuzzlewit, From The Testimonial Edition, Published 1910

Mark Tapley. Illustration By Harry Furniss For The Charles Dickens Novel Martin Chuzzlewit, From The Testimonial Edition, Published 1910

Joe Willet. Illustration By Harry Furniss For The Charles Dickens Novel Barnaby Rudge, From The Testimonial Edition, Published 1910

After The Raid On The Maypole Bar. "john Willet, Left Alone In His Dismantled Bar
After The Raid On The Maypole Bar. " john Willet, Left Alone In His Dismantled Bar, Continued To Sit Staring About Him; Awake As To His Eyes, Certainly

Miss Haredale. Illustration By Harry Furniss For The Charles Dickens Novel Barnaby Rudge, From The Testimonial Edition, Published 1910

Dolly Varden. Illustration By Harry Furniss For The Charles Dickens Novel Barnaby Rudge, From The Testimonial Edition, Published 1910

Barnaby Finds Edward. "The Figure Of A Man Extended In An Apparently Lifeless State Upon The Pathway
Barnaby Finds Edward. " The Figure Of A Man Extended In An Apparently Lifeless State Upon The Pathway, And Hovering Round Him Another Person With A Torch In His Hand

The Marquis. Illustration By Harry Furniss For The Charles Dickens Novel A Tale Of Two Cities From The Testimonial Edition, Published 1910

The Last Of Quilp. Illustration By Harry Furniss For The Charles Dickens Novel The Old Curiosity Shop, From The Testimonial Edition, Published 1910

The Likeness In Court. My Lord Being Prayed To Bid My Learned Friend Lay Aside His Wig, And Giving No Very Gracious Consent, The Likeness Became Much More Remarkable

Ernest Defarge. Illustration By Harry Furniss For The Charles Dickens Novel A Tale Of Two Cities From The Testimonial Edition, Published 1910

Barnaby Rudge. Illustration By Harry Furniss For The Charles Dickens Novel Barnaby Rudge, From The Testimonial Edition, Published 1910

The Solitary Prisoner. Illustration By Harry Furniss For The Charles Dickens Travelogue American Notes For General Circulation, From The Testimonial Edition, Published 1910

Struggle Between Miss Pross And Madame Defarge. It Was In Vain For Madame Defarge To Struggle And To Strike; Miss Pross, With The Vigorous Tenacity Of Love, Always So Much Stronger Than Hate

Farewell! The Innocent Charles Darnay Says Farewell To His Wife, Lucie Manette. " farewell, Dear Darling Of My Soul. My Parting Blessing On My Love

Grindstone. What With The Stream Of Sparks Out Of The Stone, All Their Wicked Atmosphere Seemed Gore And Fire. No Creature In The Group Was Free From The Smear Of Blood

Sydney Carton. Illustration By Harry Furniss For The Charles Dickens Novel A Tale Of Two Cities From The Testimonial Edition, Published 1910

The Marchioness. Illustration By Harry Furniss For The Charles Dickens Novel The Old Curiosity Shop, From The Testimonial Edition, Published 1910

The Death Of Little Nell. Illustration By Harry Furniss For The Charles Dickens Novel The Old Curiosity Shop, From The Testimonial Edition, Published 1910

The Schoolmaster. "He Was A Pale, Simple Looking Man, Of A Spare And Meagre Habit
The Schoolmaster. " He Was A Pale, Simple Looking Man, Of A Spare And Meagre Habit, And Sat Smoking His Pipe In The Little Porch Before His Door." Illustration By Harry Furniss For The

Quilp Vents His Spite On The Figure Head. "Sampson Brass Had Never Seen Anything In The Smallest Degree Resembling
Quilp Vents His Spite On The Figure Head. " Sampson Brass Had Never Seen Anything In The Smallest Degree Resembling This Substantial Phantom

Kit. "a Shock Headed, Shambling, Awkward Lad With Uncommonly Wide Mouth, Very Red Cheeks, A Turned Up Nose
Kit. " a Shock Headed, Shambling, Awkward Lad With Uncommonly Wide Mouth, Very Red Cheeks, A Turned Up Nose, And The Most Comical Expression Of Face." Illustration By Harry Furniss For The

Nell And Her Grandfather. "i Would Have Found My Way Back To You, Grandfather, "Said The Child
Nell And Her Grandfather. " i Would Have Found My Way Back To You, Grandfather, " Said The Child, " never Fear"

Mr. Boffin Among The Mounds. "he Measured A Shovels Length From The Pole Before Digging
Mr. Boffin Among The Mounds. " he Measured A Shovels Length From The Pole Before Digging. Then From The Cavity He Made He Took Out What Appeared To Be An Ordinary Case-Bottle; One Of Those

Mr. Riah And Miss Wren At The Six Jolly Fellowship Porters. "stop A Bit, "Interposed Miss Wren
Mr. Riah And Miss Wren At The Six Jolly Fellowship Porters. " stop A Bit, " Interposed Miss Wren. " i ll Give The Lady My Card." She Produced It From Her Pocket After Struggling

Marleys Ghost. "the Same Face: The Very Same. Marley In His Pigtail, Usual Waistcoat
Marleys Ghost. " the Same Face: The Very Same. Marley In His Pigtail, Usual Waistcoat, Tights And Boots; The Tassels On The Latter Bristling, Like His Pigtail, And His Coat Skirts

The Death Struggle In The Lock. "Aint I Told You. "i ll Hold You Living, And I ll Hold You Dead
The Death Struggle In The Lock. " Aint I Told You." " i ll Hold You Living, And I ll Hold You Dead." Cried Bradley, As Riderhood Went Over The Smooth Pit Backward

Fledgeby And Mr. Riah In The Counting House. "perched On The Stool With His Hat Cocked On His Head And One Of His
Fledgeby And Mr. Riah In The Counting House. " perched On The Stool With His Hat Cocked On His Head And One Of His Legs Dangling

The Last Of The Spirits. "good Spirit. I Will Honour Christmas In My Heart, And Try To Keep It All The Year
The Last Of The Spirits. " good Spirit. I Will Honour Christmas In My Heart, And Try To Keep It All The Year. Oh, Tell Me I May Sponge Away The Writing On This Stone!"

The Ghostly Knocker. "it Was Not Angry Or Ferocious, But Looked At Scrooge As Marley Used To Look
The Ghostly Knocker. " it Was Not Angry Or Ferocious, But Looked At Scrooge As Marley Used To Look: With Ghostly Spectacles Turned Up On Its Ghostly Forehead

Scrooge Objects To Christmas. "out Upon Merrry Christmas! If I Could Work My Will, "Said Scrooge
Scrooge Objects To Christmas. " out Upon Merrry Christmas! If I Could Work My Will, " Said Scrooge, " every Idiot Who Goes About With Merry Christmas On His Lips

Memories Of Grimaldi. Illustration By Harry Furniss For The Charles Dickens Novel Memoirs Of Joseph Grimaldi, From The Testimonial Edition Published 1910

Clemency And Britain. "You ll Never Be Married, You Know, "Said Mr. Britain
Clemency And Britain. " You ll Never Be Married, You Know, " Said Mr. Britain. " don t You Think I Ever Shall Though?" Said Clemency

All Professionally Made to Order for Quick Shipping

In this captivating illustration by Harry Furniss for Charles Dickens' novel Oliver Twist, we see the moment when Oliver falls in with the Artful Dodger. The strange young gentleman approaches Oliver and asks, "Hullo, my covey, what's the row?" It is evident that Oliver is exhausted and hungry as tears well up in his eyes while he replies, "I am very hungry and tired. I have walked a long way. I have been walking these seven days. " Another fascinating artwork from Furniss depicts Sergeant Buzfuz from Dickens' The Pickwick Papers. This comical character comes to life as we witness him in action through this illustration. The Dancing Academy also takes center stage in one of Furniss' illustrations where Mr. Cooper introduces his daughter Miss Billsmethi to a potential dance partner. They hope she will have the pleasure of dancing various styles like quadrilles, minuets, gavottes, country dances, fandangos, double hornpipes, and farinagholkajingos with him. Captain Cuttle and Mr. Carker engage in an intriguing conversation captured by Furniss' artistry. As they discuss matters at hand while settling themselves comfortably. Mr. Pickwick appears busy arranging memoranda during his leisure hours in another delightful illustration from The Pickwick Papers. Furniss also contributes a frontispiece for A Child's History of England by Charles Dickens titled "The Pageant of English History. " This captivating image sets the tone for young readers embarking on their historical journey. Oliver's fiery spirit is awakened when faced with cruelty towards his deceased mother as depicted vividly by Furniss' artwork titled "Oliver Aroused. " Noah cowers before him as he blubbers about fearing for his life. The Beadle makes an appearance through yet another remarkable illustration by Furniss for Sketches by Boz capturing the essence of this character.