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Hoogh Collection

"Romeyn de Hooghe: A Master of Intricate Artistry and Political Satire" Step into the world of Romeyn de Hooghe

Background imageHoogh Collection: Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest

Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs).n.d

Background imageHoogh Collection: Le Feste des Trois Rois. n. d. Creator: Romeyn de Hooghe

Le Feste des Trois Rois. n. d. Creator: Romeyn de Hooghe
Le Feste des Trois Rois.n.d. Satire of James II, Prince James, and Louis XIV in Paris

Background imageHoogh Collection: L Europe Allarmee. n. d. Creator: Romeyn de Hooghe

L Europe Allarmee. n. d. Creator: Romeyn de Hooghe
L Europe Allarmee.n.d. Satire of Louis XIV, and James II

Background imageHoogh Collection: Panurge seconde. n. d. Creator: Romeyn de Hooghe

Panurge seconde. n. d. Creator: Romeyn de Hooghe
Panurge seconde.n.d. Queen Mary parting from James II, with Louis XIV

Background imageHoogh Collection: Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe

Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe
Qualis vir Talis Oratio.n.d. King James lies in bed vomiting reptiles with crowns, the Lord Mayor of London holds his nose with Aldermen and Bishops

Background imageHoogh Collection: Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe

Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe
Anticurius van Loevesteyn.n.d. John de Witt sits on a chair as Freedom descends on a cloud bearing the arms of William III

Background imageHoogh Collection: William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice

William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II, .n.d

Background imageHoogh Collection: The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

Background imageHoogh Collection: Detail of the Park at Enghien (right half), 1685. Creator: Romeyn de Hooghe

Detail of the Park at Enghien (right half), 1685. Creator: Romeyn de Hooghe
Detail of the Park at Enghien (right half), 1685

Background imageHoogh Collection: Portrait of Mary Stuart, . n. d. n. d Creator: Romeyn de Hooghe

Portrait of Mary Stuart, . n. d. n. d Creator: Romeyn de Hooghe
Portrait of Mary Stuart, .n.d

Background imageHoogh Collection: Entrance of William III into The Hague (Inhaling van S. K. Maj

Entrance of William III into The Hague (Inhaling van S. K. Maj
Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet vans Gravenhage / Reception de sa Majeste au pont du Westende) from Bidloo

Background imageHoogh Collection: Green fountain and coliseum... Chateau D Enghien, Belgium, late 17th-early 18th century

Green fountain and coliseum... Chateau D Enghien, Belgium, late 17th-early 18th century
Green fountain and coliseum at the Chateau D Enghien, Belgium, late 17th-early 18th century, (1903). Fontaine Et Colisee De Verdure, Chateau D Enghien (Belgique)

Background imageHoogh Collection: Peace Conference at Breda, . n. d. n. d Creator: Romeyn de Hooghe

Peace Conference at Breda, . n. d. n. d Creator: Romeyn de Hooghe
Peace Conference at Breda, .n.d

Background imageHoogh Collection: Interior with Women beside a Linen Cupboard, 1663, by Pieter

Interior with Women beside a Linen Cupboard, 1663, by Pieter
Pieter de Hooch (1629-c.1683). Dutch painter. Interior with Women beside a Linen Cupboard, 1663. Rijskmuseum. Amsterdam. Holland


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"Romeyn de Hooghe: A Master of Intricate Artistry and Political Satire" Step into the world of Romeyn de Hooghe, a renowned artist whose works captivated audiences with their intricate details and hidden messages. From his famous engravings like "Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest" to "Le Feste des Trois Rois, " de Hooghe's artistry knew no bounds. In his masterpiece "L Europe Allarmee, " de Hooghe depicted the chaos that engulfed Europe during turbulent times. With every stroke of his pen, he unveiled the political tensions and conflicts that shaped the continent. Another notable work is "Panurge seconde, " where de Hooghe showcased his satirical prowess by mocking societal norms and conventions. Through clever imagery, he challenged traditional beliefs and questioned authority in a way that only art could achieve. De Hooghe's talent extended beyond satire as seen in "Qualis vir Talis Oratio. " This piece exemplifies his ability to capture human emotions through portraiture, revealing the essence of individuals with remarkable precision. One cannot overlook de Hooghe's contribution to historical narratives either. In works such as "Anticurius van Loevesteyn" or "William III as Prince of Orange, " he immortalized significant figures who shaped Dutch history. These portraits serve as windows into their lives, allowing us to connect with them on a deeper level. However, it was in pieces like "The Epiphany of the New Antichrist" that de Hooghe pushed boundaries even further. By blending religious symbolism with political commentary, he provoked thought and stirred controversy among viewers. Beyond politics and history lies another side to Romeyn de Hooghe—the beauty found within nature itself.