Holme Collection (page 7)

A bedroom designed by Miss P. E. Humphries, 1936
A bedroom designed by Miss P. E. Humphries for Messrs. William Whiteley, Ltd. London, England, 1936. Chinese carpet, lamps of hand-wrought iron

The Mower, 1919. Artist: Harry Becker
The Mower, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

A Portrait Study, 1919. Artist: Alfred Hartley
A Portrait Study, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Corner of a room designed by Hayes Marshall for Fortnum & Mason Ltd. London, 1936. Floor of natural polished birch squares, hand-tufted rug by Marion Dorn

The vibrant qualities of Plexiglas are used to advantage in this bedroom, 1942
The vibrant qualities of Plexiglas are used to advantage in this bedroom, designed and fabricated by Grosfeld House, 1942. Headboard of quilted Plexiglas, chest of drawers made of mirrored glass

On the Bure, Great Yarmouth, 1894, (1919). Artist: Frank Short
On the Bure, Great Yarmouth, 1894, (1919). Coastal scene at Great Yarmouth in Norfolk. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd

Poster for Thomas Hardys The Dynasts, 1919. Artist: Charless Ricketts
Poster for Thomas Hardys The Dynasts, 1919. The Dynasts by Thomas Hardy is an English-language drama in verse. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme

View in the living-dining room designed by Gilbert Rohde, 1936
View in the living-dining room designed by Gilbert Rohde for the Herman Miller Furniture Co. Grand Rapids, Michigan, U.S.A. 1936. Furniture veneered in mansonia, expandable dining table

Bedroom designed by James F. Eppenstein, Chicago, 1942
Bedroom designed by James F. Eppenstein, Chicago, USA, 1942. From Decorative Art 1942 - The Studio Year Book, edited by C. G. Holme. [The Studio Ltd. London, 1942]

The Pursuit, 1919. Artist: Charles Shannon
The Pursuit, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Notre-Dame De Paris, 1919. Artist: Alfred Latour
Notre-Dame De Paris, 1919. The Cathedral of Notre Dame and the River Seine in Paris. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd

Dining-room for a house in Highgate Village, London, 1936
Dining-room for a house in Highgate Village, London. Architect: C. H. James, F.R.I.B.A. 1936. Salubra wallpaper, linoleum floor with hand-tufted carpet designed by Marian Pepler

Dressing table in American walnut with swivel dressing chair to match, 1942. Designed by Edward Wormley and made by the Dunbar Furniture Manufacturing Co of Berne, Indiana

Honfleur - Le Vieux Bassin, 1919. Artist: Paul-Elie Gernez
Honfleur - Le Vieux Bassin, 1919. The port of Honfleur in northern France. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd

The living-room in a London flat, redesigned by Serge Chermayeff, F. R. I. B. A. 1936
The living-room in a London flat, redesigned by Serge Chermayeff, F.R.I.B.A. 1936. Partition of walnut ply, electric fire flush with the wall, painting above it is by Christopher Wood

Bowmans advertisement, 1942. Furniture in wartime: we advise customers to buy now as our stocks get less every day. In happier times we shall be able to satisfy all demands...come to Bowmans for

Ilustration, 1919. Artist: Fernand Chalandre
Ilustration, 1919. Figure carrying a bundle in a narrow alley. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Mr. J. C. Pritchards sitting-room in the Isokon Lawn Road Flats, 1936
Mr. J. C. Pritchards sitting-room in the Isokon Lawn Road Flats, London, England, designed by Wells Coates, 1936. Walls in panelled Venesta birch, carpet by Heal & Son Ltd

A modern bedroom inspired by the Chinese, 1942. Designed by Lord & Taylor, New York, USA. From Decorative Art 1942 - The Studio Year Book, edited by C. G. Holme. [The Studio Ltd. London, 1942]

L Absoute, 1919. Artist: Felix Vallotton
L Absoute, 1919. A priest gives absolution. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Marche En Auvergne - From Au Pied Des Puys, 1919. Artist: Maurice Busset
Marche En Auvergne - From Au Pied Des Puys, 1919. Market scene in the Auvergne in France. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd

Illustration for Villons Petit Testament, 1919. Artist: Emile Bernard
Illustration for Villons Petit Testament, 1919. Le Testament is a collection of poetry composed by by Francois Villon in 1461

The entrance hall to Dr. H. J. Modreys flat at Highfield Court, 1936
The entrance hall to Dr. H. J. Modreys flat at Highfield Court, Golders Green, London, designed by A.V. Pilichowski, A.R.I.B.A. 1936. Floor of compressed cork tiles, wax polished

Bedroom in the house of Mr. Anatole Litvak in Saint Monica, California, 1942
Bedroom in the house of Mr. Anatole Litvak in Saint Monica, California, USA, 1942. Architects: Douglas Honnold and George Vernon Russell

Les Soldats A La Gare, 1919. Artist: Jean-Emile Laboureur
Les Soldats A La Gare, 1919. Soldiers at the station. From Images de l Arrie re. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd

A studio living-room in one of the Isokon Lawn Road Flats, Hampstead, London, 1936
A studio living-room in one of the Isokon Lawn Road Flats, Hampstead, London, Britain, 1936. Partition in Venesta polished birch plywood, floor covering of cellulin

Breakfast room in a house in Bucharest by Rudolf Frankel, 1942. Marble floor, onyx window-frame. From Decorative Art 1942 - The Studio Year Book, edited by C. G. Holme. [The Studio Ltd. London, 1942]

Le Vesuve De Pompei, 1919. Artist: Pierre Gusman
Le Ve suve De Pompe i, 1919. Vesuvius and Pompeii. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

A Terracine, 1919. Artist: Pierre Gusman
A Terracine, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Entrance hall designed by Duncan Miller, London, England, 1936. Relief panel above black ebonized mantelpiece designed by C Kenrick for Duncan Miller, with electric fire in copper

The Dining Room - Walnut and sycamore furniture, 1942
The Dining Room - Walnut and sycamore furniture for the more usual type of small dining room - Gordon Russell Ltd. 1942. From Decorative Art 1942 - The Studio Year Book, edited by C. G. Holme

Le Paysagiste, 1919. Artist: Auguste Lepere
Le Paysagiste, 1919. Landscape painter. A Lavieille is written on his satchel, indicating the subject may be Adrien Lavieille

Chasseur Alpin Regardant La Plaine Du Rhin, 1919. Artist: Auguste Lepere
Chasseur Alpin Regardant La Plaine Du Rhin, 1919. Alpine hunter looking at the plain of the River Rhine. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme

Living-room in a London house, designed by Raymond McGrath, A. R. I. B. A. 1936
Living-room in a London house, designed by Raymond McGrath, A.R.I.B.A. 1936. Entrance door on left is faced with Venesta Australian walnut ply, walls in same material, held by copper cover strips

Dining room of the architect Oliver Hill, F. R. I. B. A. 1942
Dining room of the architect Oliver Hill, F.R.I.B.A. 1942. Floor, walls and table of polished perrycot stone, incised table decoration by Eric Gill. Leather-covered chairs

Steamer at Sea, 1919. Artist: Herbert Kerr Rooke
Steamer at Sea, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Country house in the Taunus mountains, 1933
Country house in the Taunus mountains, Germany, 1933. Designed by Peter Behrens: living-room, looking through to the dining-room, walls and ceiling faced with polished rosewood

A combination living and dining room, 1942
A combination living and dining room designed for the America At Home exhibition at the New York Worlds Fair by Harwell Hamilton Harris in collaboration with Carl Anderson, 1942

Two small rooms converted for use as bedroom and study, 1933. Designed by Angus Grant. Walls faced with Japanese wood veneers in squares and strips, furniture in satin walnut

Simple and practical lines characterise this bedroom, 1942
Simple and practical lines characterise this bedroom designed by Joseph Aronson, in which there is a modern echo of the ancient linen fold pattern, 1942

Pan Mountain, c1893, (1919). Artist: Thomas Sturge Moore
Pan Mountain, c1893, (1919). Pan as a Mountain. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Ruth Gleaning, 1919. Artist: Lucien Pissarro
Ruth Gleaning, 1919. Illustration for The Book of Ruth. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Staircase railing in monel metal designed for a New York residence, 1933
Staircase railing in monel metal designed for a New York residence, USA, 1933. Designed by Peter Mueller-Munk. Architect: Harry Allen Jacobs

Bar for a Garden Club Restaurant, 1942
Bar for a Garden Club Restaurant, designed by Kenneth Cheesman in co-operation with Thomas F. Marwick & Son, in glass manufactured by Pilkington Bros. Ltd, 1942

The Meeting of the Elders, 1919. Artist: Lucien Pissarro
The Meeting of the Elders, 1919. Illustration for The Book of Ruth. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd

Desk designed for Mrs. Adolph Stuber, 1933
Desk designed for Mrs. Adolph Stuber, New York, USA, 1933. Harewood maple desk, designed by Walter Dorwin Teague for Mrs. Adolph Stuber. Tubular metal support and drawer handles

Dining and living room, divided only by heavy curtains in an attractive modern weave, 1942. Decorated and furnished by the Rowley Gallery Ltd, London

La Belle Au Bois Dormant, 1919. Artist: Lucien Pissarro
La Belle Au Bois Dormant, 1919. Illustration to La Belle Au Bois Dormant, (The Sleeping Beauty), by Charles Perrault. From Modern Woodcuts and Lithographs by British and French Artists

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"Holme: A Journey through Art, History, and Landscapes" Step into the enchanting world as we explore a captivating collection of artworks and historical landmarks. Delve into the past with the "Map of the Rivelin Valley Estate, 1934, " unveiling secrets hidden within its intricate details. Transport yourself to the pages of Charles Dickens' masterpiece with an etching from "David Copperfield" by Hablot Knight Browne. Feel your heart race as you make yourself known to your aunt in this timeless scene captured between c1840-1880. Immerse yourself in fantasy with Walter Crane's "Faerie Queene, " a mesmerizing artwork that transports you to mythical realms where knights and fairies dance amidst vibrant hues. Discover history unfolding before your eyes with Thomas Holme's first engraved plan of Philadelphia from 1683. Marvel at how this blueprint shaped one of America's most iconic cities. Embark on a visual journey through time as we step into Crane Company's bathroom from 1940. Admire its elegant design and imagine indulging in moments of relaxation amidst vintage charm. Witness High Wycombe come alive in all its glory through an unknown creator's lens capturing Marlow Road circa 1802. Let your imagination wander along this picturesque route framed by nature's beauty. Experience Venice's romantic allure through John Singer Sargent’s brushstrokes depicting gondolas gliding gracefully near Piazzetta Square circa 1904 (1925). Lose yourself in the dreamy atmosphere evoked by Sargent’s masterful artistry. Feel London pulsating beneath CRW Nevinson’s brushstroke mastery in his powerful depiction of a wet evening on Oxford Street during 1919. Sense the energy emanating from bustling streets even amid rain-soaked pavements. Marvel at Nevinson’s ability to capture adrenaline-fueled action in "Lorry-Jumpers" (1919).