High Renaissance Collection (page 18)

The Holy Family with a Lamb (oil on wood)
XIR895428 The Holy Family with a Lamb (oil on wood) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 29x21 cm; Musees d Angers, Angers, France; (add.info.: La Sainte Famille el agneau)

Niccolini-Cowper Madonna, 1508 (oil on panel)
XOS872782 Niccolini-Cowper Madonna, 1508 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 80.7x57.5 cm; National Gallery of Art, Washington DC, USA; Italian, out of copyright

Emperor Augustus and the Sibyl, 1535
BAL75817 Emperor Augustus and the Sibyl, 1535 by Bordone, Paris (1500-71); 165x230 cm; Pushkin Museum, Moscow, Russia; Italian, out of copyright

Sistine Chapel Ceiling: Noah After the Flood (pre restoration)
BAL57568 Sistine Chapel Ceiling: Noah After the Flood (pre restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Study for a double tomb for the Medici Tombs in the New Sacristy, 1521 (pen & ink
BAL57547 Study for a double tomb for the Medici Tombs in the New Sacristy, 1521 (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Sistine Chapel Ceiling: The Prophet Jeremiah (pre resoration)
BAL52782 Sistine Chapel Ceiling: The Prophet Jeremiah (pre resoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Study for River God (pen & ink on paper)
BAL50606 Study for River God (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Studies of Legs and Arms (red chalk on paper)
BAL49898 Studies of Legs and Arms (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Christ on the Cross (red chalk on paper)
BAL49897 Christ on the Cross (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper)
BAL49893 Figures Study for the Lamentation Over the Dead Christ, 1530 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); 282x262mm cm; British Museum, London, UK; Italian

Portrait of Andrea Quaratesi, c. 1532 (black chalk on paper)
BAL49891 Portrait of Andrea Quaratesi, c.1532 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); 41x29 cm; British Museum, London

Ideal head of a warrior (black chalk on paper)
BAL49892 Ideal head of a warrior (black chalk on paper) by Buonarroti, Michelangelo (1475-1564) (after); 41x26.3 cm; British Museum, London, UK; Italian, out of copyright

Study of Head (pencil on paper)
BAL49890 Study of Head (pencil on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Architectural Drawing (pencil on paper)
BAL49889 Architectural Drawing (pencil on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Figure Studies (red chalk on paper)
BAL49888 Figure Studies (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

The Virgin Annunciate, c. 1546 (black chalk on paper)
BAL49887 The Virgin Annunciate, c.1546 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Figure Study (pencil on paper)
BAL49886 Figure Study (pencil on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Torso Study (red & black chalk on paper)
BAL49884 Torso Study (red & black chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: (W.45 verso)); Italian, out of copyright

The Fall of Phaethon, 1533 (pencil on paper)
BAL49882 The Fall of Phaethon, 1533 (pencil on paper) by Buonarroti, Michelangelo (1475-1564); 31.2x21.5 cm; British Museum, London

Scheme for the Sistine Chapel Ceiling, c. 1508 (pen & ink and chalk on paper)
BAL49881 Scheme for the Sistine Chapel Ceiling, c.1508 (pen & ink and chalk on paper) by Buonarroti, Michelangelo (1475-1564); 27.5x38.6 cm; British Museum, London, UK; Italian, out of copyright

A seated male nude twisting around, c. 1505 (pen & ink with wash on paper)
BAL49880 A seated male nude twisting around, c.1505 (pen & ink with wash on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London

The Education of Cupid, c. 1565 (oil on canvas)
BAL47960 The Education of Cupid, c.1565 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Galleria Borghese, Rome

Madonna and Child (black chalk on paper)
BAL45990 Madonna and Child (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Pope Paul III (1468-1549) and his Nephews, 1545 (oil on canvas)
XIR455 Pope Paul III (1468-1549) and his Nephews, 1545 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Museo e Gallerie Nazionali di Capodimonte, Naples, Italy; Italian, out of copyright

Portrait of a Lady (La Schiavona), c. 1510-12 (oil on canvas)
BAL4504 Portrait of a Lady (La Schiavona), c.1510-12 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 119.9x100.4 cm; National Gallery, London, UK; Italian, out of copyright

Study of Head and Shoulders (ink on paper)
BAL42702 Study of Head and Shoulders (ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.1895/1/15/495/ Recto (W.2); ); Italian, out of copyright

Study of the Holy Family (red chalk on paper)
BAL42713 Study of the Holy Family (red chalk on paper) by Buonarroti, Michelangelo (1475-1564) (after); British Museum, London, UK; (add.info.: Inv.9/15/539 Recto (W.94); ); Italian, out of copyright

Virgin and Child with angel musicians (oil on canvas) (detail of 33414)
BAL33413 Virgin and Child with angel musicians (oil on canvas) (detail of 33414) by Veronese, (Paolo Caliari) (1528-88); San Sebastiano, Venice, Italy; Italian, out of copyright

Virgin and Child with angel musicians and Saints (oil on canvas)
BAL33414 Virgin and Child with angel musicians and Saints (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); San Sebastiano, Venice, Italy; Italian, out of copyright

Figure Study (charcoal on paper)
BAL31726 Figure Study (charcoal on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: inv.1857-6-25-568. Recto W8; ); Italian, out of copyright

Study of a Man (ink on paper)
BAL42712 Study of a Man (ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.9/15/498 (W.1); ); Italian, out of copyright

Study of a Nude (red chalk on paper)
BAL42705 Study of a Nude (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.1896/7/10/1 Verso (W.64); ); Italian, out of copyright

Study of a Female Nude (ink on paper)
BAL42711 Study of a Female Nude (ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Studies of Male Nudes (red chalk on paper)
BAL42710 Studies of Male Nudes (red chalk on paper) by Buonarroti, Michelangelo (1475-1564) (after); British Museum, London, UK; Italian, out of copyright

Study of an Arm (ink) Inv. 1859 / 5 / 14 / 819 (W. 49)
BAL42707 Study of an Arm (ink) Inv.1859/5/14/819 (W.49) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Studies of Madonna and Child (ink on paper)
BAL42704 Studies of Madonna and Child (ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.1859/5014/818 Recto (W.31); ); Italian, out of copyright

Study of a Head (charcoal on paper)
BAL42703 Study of a Head (charcoal on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.1895/9/15/498 (W.1); ); Italian, out of copyright

Study of Three Crosses (red chalk on paper)
BAL42701 Study of Three Crosses (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.1860/6/16/3 Recto (W.32); ); Italian, out of copyright

Study for the Virgin and Child, c. 1478-1480 (ink and pencil on paper)
XCF282031 Study for the Virgin and Child, c.1478-1480 (ink and pencil on paper) by Vinci, Leonardo da (1452-1519); British Museum, London, UK; Italian, out of copyright

An Allegory with Venus and Time, c. 1754-58 (fresco)
XCF280538 An Allegory with Venus and Time, c.1754-58 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); National Gallery, London, UK; Italian, out of copyright

Detail of the Head of the Virgin, from The Virgin of the Rocks (The Virgin with the
XCF259761 Detail of the Head of the Virgin, from The Virgin of the Rocks (The Virgin with the Infant Saint John adoring the Infant Christ accompanied by an Angel) detail

Portrait of Pope Julius II (1443-1513) c. 1512 (oil on panel)
XAL162106 Portrait of Pope Julius II (1443-1513) c.1512 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 108.5x80 cm; Galleria degli Uffizi, Florence, Italy; Italian

Drawing of an Urn and Figure with Notes (brown ink & pencil on paper) (verso)
BAL191791 Drawing of an Urn and Figure with Notes (brown ink & pencil on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Sketch of Marble Blocks for Statues with Notes (brown ink on paper) (verso)
BAL191790 Sketch of Marble Blocks for Statues with Notes (brown ink on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Study of Mourning Women (charcoal on paper) (recto)
BAL191789 Study of Mourning Women (charcoal on paper) (recto) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Study of a Figure with Pouncing Marks (black chalk on paper) (verso)
BAL191788 Study of a Figure with Pouncing Marks (black chalk on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London

Preparatory Study for the Punishment of Haman (red chalk & charcoal on paper) (verso)
BAL191786 Preparatory Study for the Punishment of Haman (red chalk & charcoal on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Preparatory Study for the Arm of Christ in the Last Judgement, 1535-41 (black chalk on paper)
BAL191785 Preparatory Study for the Arm of Christ in the Last Judgement, 1535-41 (black chalk on paper) (recto) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian

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The High Renaissance, a period of artistic brilliance in the 16th century, showcased the mastery and innovation of renowned artists. From Leonardo da Vinci's captivating "Mona Lisa" to Michelangelo's awe-inspiring frescoes on the Sistine Ceiling, this era left an indelible mark on art history. In his "Study of the Virgin for La Belle Jardinière, " Raphael skillfully captures the tender bond between mother and child. The delicate brushstrokes bring forth a sense of serenity and grace that epitomize this period. Speaking of Leonardo da Vinci, his enigmatic masterpiece "Mona Lisa" continues to captivate audiences with her enigmatic smile. Painted with oil on canvas, this portrait showcases Leonardo's unparalleled ability to infuse life into his subjects. Moving beyond paintings, we delve into cartography as we explore the breathtaking Gallery of Maps in Vatican City. Published in 1878, these intricately detailed maps offer a glimpse into geographical knowledge during that time. Delving deeper into sketches and studies, we encounter a pen & ink sketch titled "Sketch of a Nude Man. " This piece reveals an artist's exploration of human anatomy and serves as a testament to their dedication towards perfecting their craft. Shifting our focus from drawings to sculptures, Michelangelo's "Madonna and Child" carved from marble exudes divine beauty. The intricate details showcase Michelangelo's ability to breathe life into stone while conveying profound emotions through his work. Another remarkable red chalk study is found in "Figure Study. " With each stroke capturing movement and form effortlessly, it exemplifies how artists sought perfection through meticulous observation. Hands play an essential role in artistry; thus, one cannot overlook the iconic detail from The Creation of Adam - Hands of God and Adam. This powerful image symbolizes humanity's connection with divinity while showcasing Michelangelo's genius on the Sistine Ceiling.