Herod King Of Judaea Collection

Beheading of Saint John the Baptist and Herod's Feast, between 1600 and 1650. Creator: Greek School
Beheading of Saint John the Baptist and Herod's Feast, between 1600 and 1650

The Flight into Egypt, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584

Salome with the Head of St. John the Baptist, c. 1580. Creator: Unknown
Salome with the Head of St. John the Baptist, c. 1580

Manuscript Illumination with Adoration of the Magi, ca. 1515-25. Creator: Gerard Horenbout
Manuscript Illumination with Adoration of the Magi, ca. 1515-25. The Magi are depicted en route, while Herod is in the border

Ruins of Caesarea, 1890. Creator: Unknown
Ruins of Caesarea, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier. [Cassell and Company, Limited, London, Paris and Melbourne, 1890]

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"Herod the Great: A Controversial King of Judaea" Herod, the infamous king of Judaea, is a figure shrouded in both historical significance and dark tales. Known for his ambitious reign during the first century BCE, Herod's rule was marked by grand architectural projects and ruthless acts that left an indelible mark on history. One event closely associated with Herod is "The Flight into Egypt, " depicted in various artworks such as "Landscapes with Old and New Testament Scenes. " This biblical episode portrays Joseph, Mary, and baby Jesus fleeing to Egypt to escape Herod's wrath. It symbolizes the fear that gripped many during his tumultuous reign. Another chilling incident attributed to Herod is "The Massacre of the Innocents. " Artists like Jacques Callot captured this horrifying event through their works such as "Second Plate" (1622) or Israhel van Meckenem's rendition from around 1490-1500. These depictions depict innocent children being mercilessly slaughtered under Herod's orders in a desperate attempt to eliminate any potential threat to his throne. Salome with the Head of St. John the Baptist further highlights Herod's cruelty. Created by an unknown artist around 1580, it showcases Salome presenting John the Baptist's severed head on a platter—a gruesome act ordered by her stepfather, King Herod Antipas. Jacques Callot continued exploring this theme in other works like "The Massacre of the Innocents" (1622) or "Massacre of the Innocents" (1618/1620). These graphic portrayals emphasize not only Herod’s brutality but also serve as social commentary on violence inflicted upon innocents throughout history. Other notable representations include anonymous artists' creations like "Massacre of The Innocents, " which dates back to an unspecified time period or Anon’s work from seventeenth century.