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Henry Heath Collection

"Henry Heath: A Journey Through Time and Art" Step into the world of Henry Heath, where history and art intertwine to create a captivating narrative

Background imageHenry Heath Collection: Jubilee Hymn, 1897

Jubilee Hymn, 1897
1573960 Jubilee Hymn, 1897; (add.info.: Copy of the Jubille Hymn sheet from the celebration of Queen Victoria's (1819 - 1901) Diamond Jubilee. 1897); Universal History Archive/UIG

Background imageHenry Heath Collection: History of Cycling: Pacing Triplet (colour litho)

History of Cycling: Pacing Triplet (colour litho)
8668526 History of Cycling: Pacing Triplet (colour litho) by English School, (20th century); Private Collection; (add.info.: Pacing Triplet)

Background imageHenry Heath Collection: Portrait of Maharaja Ganga Singh, Bikaner, Rajasthan, India

Portrait of Maharaja Ganga Singh, Bikaner, Rajasthan, India
3609998 Portrait of Maharaja Ganga Singh, Bikaner, Rajasthan, India by Indian School; Private Collection; Dinodia

Background imageHenry Heath Collection: C13644

C13644
4594483

Background imageHenry Heath Collection: A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting)

A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting)
7422862 A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting) by Robert-Fleury, Tony (1837-1912); (add.info.: Medicine. Psychology. A mad woman)

Background imageHenry Heath Collection: The Surrender of Lviv in September 1914, c.1914-15 (colour litho)

The Surrender of Lviv in September 1914, c.1914-15 (colour litho)
1969287 The Surrender of Lviv in September 1914, c.1914-15 (colour litho) by Mayakovsky, Vladimir (1894-1930); (add.info)

Background imageHenry Heath Collection: Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas)

Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas)
JLJ4578331 Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas) by Anonymous; 49x290 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageHenry Heath Collection: View of the city of Seville (Spain), 16th century (oil on canvas)

View of the city of Seville (Spain), 16th century (oil on canvas)
JLJ4650334 View of the city of Seville (Spain), 16th century (oil on canvas) by Sanchez Coello, Alonso (c.1531-88); Museo de America, Madrid

Background imageHenry Heath Collection: Harlaxton Manor, view of the front entrance through the forecourt screen

Harlaxton Manor, view of the front entrance through the forecourt screen, from 100 Favourite Houses (b/w photo)
CLF310446 Harlaxton Manor, view of the front entrance through the forecourt screen, from 100 Favourite Houses (b/w photo) by English Photographer

Background imageHenry Heath Collection: Narthex Asafoetida (colour engraving)

Narthex Asafoetida (colour engraving)
CHT220493 Narthex Asafoetida (colour engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageHenry Heath Collection: Mirror in repousse frame, decorated with peacocks, c. 1902 (metal)

Mirror in repousse frame, decorated with peacocks, c. 1902 (metal)
GLS314099 Mirror in repousse frame, decorated with peacocks, c.1902 (metal) by Morris, Talwin (1865-1911); 56x35.6 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageHenry Heath Collection: WW1: For France, pour your gold, gold fight for victory, 1915 (poster)

WW1: For France, pour your gold, gold fight for victory, 1915 (poster)
JLJ4668455 WW1: For France, pour your gold, gold fight for victory, 1915 (poster) by Faivre, Jules Abel (1867-1945); Bibliotheque Nationale, Paris, France; (add.info.: WW1 Poster : For France)

Background imageHenry Heath Collection: Les octopeuvres de Paris by Pierre Zaccone, 1875 (engraving)

Les octopeuvres de Paris by Pierre Zaccone, 1875 (engraving)
PCT4298202 Les octopeuvres de Paris by Pierre Zaccone, 1875 (engraving) by Stablo (19th century); (add.info.: Illustrated title of a novel soap opera published in the French press in the nineteenth)

Background imageHenry Heath Collection: Ruth embracing her mother-in-law Naomi and promising to stay with her now they are bereaved

Ruth embracing her mother-in-law Naomi and promising to stay with her now they are bereaved. Ruth 1. 14
531267 Ruth embracing her mother-in-law Naomi and promising to stay with her now they are bereaved. Ruth 1.14. From Gustave Dore's illustrated Bible 1866. Wood engraving

Background imageHenry Heath Collection: John the Baptist, wearing an animal skin, baptising Jesus. Bible: Matthew III. 15

John the Baptist, wearing an animal skin, baptising Jesus. Bible: Matthew III. 15
537611 John the Baptist, wearing an animal skin, baptising Jesus. Bible: Matthew III.15. Illustration by Gustave Dore, 1865-1856. Wood engraving

Background imageHenry Heath Collection: Sunday Morning scene, Petticoat Lane Market, London c. 1900 (b/w photo)

Sunday Morning scene, Petticoat Lane Market, London c. 1900 (b/w photo)
XJF283179 Sunday Morning scene, Petticoat Lane Market, London c.1900 (b/w photo) by English Photographer, (20th century); Private Collection

Background imageHenry Heath Collection: Albert Einstein, 1920 (photo)

Albert Einstein, 1920 (photo)
GIA4704116 Albert Einstein, 1920 (photo) by Unknown photographer, (20th century); Private Collection; © Giancarlo Costa

Background imageHenry Heath Collection: Absinthe Mugnier

Absinthe Mugnier
2904142 Absinthe Mugnier by Lefevre, Lucien (1850-c.1902); (add.info.: A striking 1895 two sheet poster showing Absinthe Mugniers famous desert legionnaire (or zouave) by Lucien Lefevre

Background imageHenry Heath Collection: Post Office Savings Bank, 1904-06 (photo)

Post Office Savings Bank, 1904-06 (photo)
XAM198145 Post Office Savings Bank, 1904-06 (photo) by Wagner, Otto (1841-1918); Vienna, Austria; Ali Meyer

Background imageHenry Heath Collection: University Beadle

University Beadle
3785780 University Beadle by French School, (19th century); (add.info.: University Beadle - Jean Lequeux, Messenger of Guise en Thierache, Diocese of Laon (Picardy, northern France)

Background imageHenry Heath Collection: Left panel of the Baptism of Christ, c. 1502-08 (oil on panel)

Left panel of the Baptism of Christ, c. 1502-08 (oil on panel)
489875 Left panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Groeningemuseum, Bruges, Belgium; (add.info.: Also known as the Triptych of Jean des Trompes)

Background imageHenry Heath Collection: Mont Saint Michel

Mont Saint Michel
1841258 Mont Saint Michel by Fer, Nicolas de (1646-1720); (add.info.: The Mont-Saint-Michel (Normandy, France) : map by Nicolas de Fer, France, 1703); Photo © CCI

Background imageHenry Heath Collection: Syntax Star-gazing, from The Tour of Dr Syntax in search of the Picturesque, by William Combe

Syntax Star-gazing, from The Tour of Dr Syntax in search of the Picturesque, by William Combe
STC213548 Syntax Star-gazing, from The Tour of Dr Syntax in search of the Picturesque, by William Combe, published 1812 (aquatint) by Rowlandson

Background imageHenry Heath Collection: Dutch Gabled house (photo)

Dutch Gabled house (photo)
KW217442 Dutch Gabled house (photo) by Dutch School; Amsterdam, The Netherlands

Background imageHenry Heath Collection: Venus and Adonis, 1630-60 (oil on canvas)

Venus and Adonis, 1630-60 (oil on canvas)
7286012 Venus and Adonis, 1630-60 (oil on canvas) by Loo, Jacob or Jacques van (c.1614-1670); 80x69 cm; Private Collection; (add.info)

Background imageHenry Heath Collection: Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)

Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)
425510 Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper) by Chikanobu, Toyohara (1838-1912); 35.9 -- 71.6 cm; Arthur M

Background imageHenry Heath Collection: Origins of Christmas - Druids cutting mistletoe, late 19th century (engraving)

Origins of Christmas - Druids cutting mistletoe, late 19th century (engraving)
3315925 Origins of Christmas - Druids cutting mistletoe, late 19th century (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures

Background imageHenry Heath Collection: Dante et Virgile a l entree de l Enfer, 1857-58 (oil on paper laid down on canvas

Dante et Virgile a l entree de l Enfer, 1857-58 (oil on paper laid down on canvas
7140139 Dante et Virgile A l entree de l Enfer, 1857-58 (oil on paper laid down on canvas) by Degas, Edgar (1834-1917); 32 x 22.3 cm; Private Collection; (add.info)

Background imageHenry Heath Collection: 6201695

6201695

Background imageHenry Heath Collection: Western portal. Batalha Monastery. Late Gothic architecture

Western portal. Batalha Monastery. Late Gothic architecture
7135949 Western portal. Batalha Monastery. Late Gothic architecture, intermingled with the Manueline style. Western portal. St Matthew the evangelist

Background imageHenry Heath Collection: View of Capo Zafferano from Solunto, Palermo

View of Capo Zafferano from Solunto, Palermo
3575874 View of Capo Zafferano from Solunto, Palermo by Incorpora, Giuseppe (1834-1914); (add.info.: Solunto, Palermo 1880-1890 Photographer: Incorpora)

Background imageHenry Heath Collection: The Royal Wedding, 23 July 1896 (engraving)

The Royal Wedding, 23 July 1896 (engraving)
582502 The Royal Wedding, 23 July 1896 (engraving) by English School, (19th century); Private Collection; (add.info.: The Royal Wedding)

Background imageHenry Heath Collection: Four generations at Buckingham Palace (b / w photo)

Four generations at Buckingham Palace (b / w photo)
6034049 Four generations at Buckingham Palace (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Four generations at Buckingham Palace)

Background imageHenry Heath Collection: John Bright, MP (engraving)

John Bright, MP (engraving)
5231099 John Bright, MP (engraving) by English School, (19th century); Private Collection; (add.info.: John Bright, MP. Illustration for The Pictorial Times)

Background imageHenry Heath Collection: Henry Heath, 'Taking him to be a shoplifter calls the watch'(litho)

Henry Heath, "Taking him to be a shoplifter calls the watch"(litho)
5211187 Henry Heath, " Taking him to be a shoplifter calls the watch" (litho) by English School, (19th century); Private Collection; (add.info.: Henry Heath)

Background imageHenry Heath Collection: Its most hinfamous to let these here steamers out on a Sunday... 1834. Artist

Its most hinfamous to let these here steamers out on a Sunday... 1834. Artist
Its most hinfamous to let these here steamers out on a Sunday. If this is Chelsea Reach, I am afraid it will make me wery sick, 1834

Background imageHenry Heath Collection: The great general frightened by Don-Key, 1830. Artist: Henry Heath

The great general frightened by Don-Key, 1830. Artist: Henry Heath
The great general frightened by Don-Key, 1830; shows the Duke of Wellington running in alarm, from a donkey in mayoral cloak (Sir John Key)

Background imageHenry Heath Collection: Almacks Assembly Rooms, London, 1827. Artist: SW Fores

Almacks Assembly Rooms, London, 1827. Artist: SW Fores
Interior view of Almacks Assembly Rooms, King Street, Westminster, London, 1827; showing a crowd of visitors of both sexes and all ages engaged in gossip

Background imageHenry Heath Collection: Jack Ketch executing sentence on a culprit, 1832. Artist

Jack Ketch executing sentence on a culprit, 1832. Artist
Jack Ketch executing sentence on a culprit, 1832. A hangman pulls at a rope secured around the neck of a bust of the Duke of Wellington; John Key, Matthew Wood and Robert Waithman cheer him

Background imageHenry Heath Collection: Ahithophel in the dumps, 1830. Artist: Henry Heath

Ahithophel in the dumps, 1830. Artist: Henry Heath
Ahithophel in the dumps, 1830. The Duke of Wellington on a donkey with a saddle resembling a mayoral gown approaching a gallows

Background imageHenry Heath Collection: The board of Red cloth, City ladies admitted if extreemly Rich... 1827. Artist

The board of Red cloth, City ladies admitted if extreemly Rich... 1827. Artist
The board of Red cloth, City ladies admitted if extreemly Rich... 1827. A scene in the committee room at Almacks Assembly Rooms, King Street, London

Background imageHenry Heath Collection: Cockney Sporting Characters. Astonishing a Native, 19th century. Artist: Henry Heath

Cockney Sporting Characters. Astonishing a Native, 19th century. Artist: Henry Heath
Cockney Sporting Characters. Astonishing a Native, 19th century. I say old un we ve, come to have a weeks regler peasant shooting. Then youl get a regler lodging in the county goal, thats sartin



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"Henry Heath: A Journey Through Time and Art" Step into the world of Henry Heath, where history and art intertwine to create a captivating narrative. At Harlaxton Manor, we catch a glimpse of the grandeur that awaits us. The view of the front entrance through the forecourt screen transports us to an era filled with elegance and charm. In Narthex Asafoetida, a vivid colour engraving, we are immersed in an exotic atmosphere. The intricate details captivate our senses as we explore this vibrant piece. A mirror in a repousse frame adorned with peacocks takes us back to 1902. Its craftsmanship is impeccable, showcasing the beauty that can be found in even the smallest details. The poster "WW1: For France, pour your gold, gold fight for victory" reminds us of the sacrifices made during times of war. It serves as a poignant reminder of bravery and resilience. Brinsop Court beckons us with its timeless allure captured in black and white photography. We imagine ourselves wandering through its halls, discovering hidden stories within its walls. Pierre Zaccone's engravings from "Les octopeuvres de Paris" transport us to another time and place entirely. These intricate artworks invite contemplation and exploration. Gustave Dore's wood engravings bring biblical tales to life before our eyes - Ruth embracing her mother-in-law Naomi promises loyalty amidst bereavement while John baptizes Jesus wearing an animal skin; both illustrations evoke emotions deep within our souls. A Sunday morning scene at Petticoat Lane Market in London circa 1900 captures bustling energy against a backdrop steeped in history. It reminds us that even everyday moments hold significance when viewed through the lens of time. Albert Einstein's iconic photograph from 1920 introduces scientific brilliance into this eclectic mix - his genius forever engraved upon history's pages.