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Henry Fielding Collection

Henry Fielding, born in 1707, was a renowned English novelist and dramatist who left an indelible mark on the literary world

Background imageHenry Fielding Collection: The Election II: Canvassing for Votes, 1754-55 (oil on canvas)

The Election II: Canvassing for Votes, 1754-55 (oil on canvas)
SJS1997 The Election II: Canvassing for Votes, 1754-55 (oil on canvas) by Hogarth, William (1697-1764); 101.5x127 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageHenry Fielding Collection: The Election, Chairing the Member, illustration from Hogarth Restored

The Election, Chairing the Member, illustration from Hogarth Restored
STC451192 The Election, Chairing the Member, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imageHenry Fielding Collection: Engraved portrait of Henry Fielding

Engraved portrait of Henry Fielding
3077861 Engraved portrait of Henry Fielding; (add.info.: Engraved portrait of Henry Fielding (1707-) an English novelist and dramatist. Dated 18th Century); Universal History Archive/UIG.

Background imageHenry Fielding Collection: Sharpham Park, Somerset, the Birthplace of Fielding the Novelist, 1850. Creator: Unknown

Sharpham Park, Somerset, the Birthplace of Fielding the Novelist, 1850. Creator: Unknown
Sharpham Park, Somerset, the Birthplace of [Henry] Fielding the Novelist, 1850. At Sharpham Park - birth-place of the father of the English novel - were, till lately

Background imageHenry Fielding Collection: Henry Fielding, 1707 - 1754. English novelist and dramatist. After the engraving by William Hogarth

Henry Fielding, 1707 - 1754. English novelist and dramatist. After the engraving by William Hogarth
2913935 Henry Fielding, 1707 - 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944

Background imageHenry Fielding Collection: 'He then broke from her with such violence that her face dashed against the floor'(colour litho)

"He then broke from her with such violence that her face dashed against the floor"(colour litho)
2792194 " He then broke from her with such violence that her face dashed against the floor" (colour litho) by Stott, W.R.S

Background imageHenry Fielding Collection: 'His Lordship conducted the ladies into the vehicle'(colour litho)

"His Lordship conducted the ladies into the vehicle"(colour litho)
2792197 " His Lordship conducted the ladies into the vehicle" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: 'Jones flung himself at his benefactors feet'(colour litho)

"Jones flung himself at his benefactors feet"(colour litho)
2792193 " Jones flung himself at his benefactors feet" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: Mr Edward Shuter in the character of Lovegold in Henry Fieldings The Miser, Covent Garden Theatre

Mr Edward Shuter in the character of Lovegold in Henry Fieldings The Miser, Covent Garden Theatre, 1753
6337650 Mr Edward Shuter in the character of Lovegold in Henry Fieldings The Miser, Covent Garden Theatre, 1753 by Roberts

Background imageHenry Fielding Collection: 'She put herself under the protection of a young nobleman'(colour litho)

"She put herself under the protection of a young nobleman"(colour litho)
2792200 " She put herself under the protection of a young nobleman" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: 'The gentleman, having searched the lad... denounced great vengeance

"The gentleman, having searched the lad... denounced great vengeance
2792188 " The gentleman, having searched the lad... denounced great vengeance, swearing he would acquaint Mr Allworthy" (colour litho) by Stott, W.R.S

Background imageHenry Fielding Collection: 'He then caught her in his arms and kissed her'(colour litho)

"He then caught her in his arms and kissed her"(colour litho)
2792203 " He then caught her in his arms and kissed her" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: 'Jones instantly caught hold of the fellows hand'(colour litho)

"Jones instantly caught hold of the fellows hand"(colour litho)
2792198 " Jones instantly caught hold of the fellows hand" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: Sophia Western, illustration from Characters of Romance, first published 1900 (colour litho)

Sophia Western, illustration from Characters of Romance, first published 1900 (colour litho)
ELB109873 Sophia Western, illustration from Characters of Romance, first published 1900 (colour litho) by Nicholson, William (1872-1949); Private Collection; (add.info)

Background imageHenry Fielding Collection: 'A lady in a domino came up to him... and whispered him'(colour litho)

"A lady in a domino came up to him... and whispered him"(colour litho)
2792199 " A lady in a domino came up to him... and whispered him" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: Arrival of Sophia and Honour at the inn (colour litho)

Arrival of Sophia and Honour at the inn (colour litho)
2792196 Arrival of Sophia and Honour at the inn (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info.: Arrival of Sophia and Honour at the inn)

Background imageHenry Fielding Collection: 'Young Jones slily drew him to the habitation of Black George'(colour litho)

"Young Jones slily drew him to the habitation of Black George"(colour litho)
2792189 " Young Jones slily drew him to the habitation of Black George" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: Blifil accused by Allworthy (colour litho)

Blifil accused by Allworthy (colour litho)
2792202 Blifil accused by Allworthy (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info.: Blifil accused by Allworthy)

Background imageHenry Fielding Collection: 'At this instant a number of fellows rushed in and seized Jones'(colour litho)

"At this instant a number of fellows rushed in and seized Jones"(colour litho)
2792201 " At this instant a number of fellows rushed in and seized Jones" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: 'The unruly beast... threw his lovely burden from his back, and Jones caught her in his arms'

"The unruly beast... threw his lovely burden from his back, and Jones caught her in his arms"(colour litho)
2792191 " The unruly beast... threw his lovely burden from his back, and Jones caught her in his arms" (colour litho) by Stott, W.R.S

Background imageHenry Fielding Collection: 'All that day the sergeant and the young soldier marched together'(colour litho)

"All that day the sergeant and the young soldier marched together"(colour litho)
2792195 " All that day the sergeant and the young soldier marched together" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: 'Nor was it, indeed, long before Jones was able to attend her to the harpsichord'(colour litho)

"Nor was it, indeed, long before Jones was able to attend her to the harpsichord"(colour litho)
2792192 " Nor was it, indeed, long before Jones was able to attend her to the harpsichord" (colour litho) by Stott, W.R.S

Background imageHenry Fielding Collection: 'The poor lad plumped over head and ears into the water'(colour litho)

"The poor lad plumped over head and ears into the water"(colour litho)
2792190 " The poor lad plumped over head and ears into the water" (colour litho) by Stott, W.R.S. (1878-1939) (after); Private Collection; (add.info)

Background imageHenry Fielding Collection: Unveiling the Bust of Fielding at the Shire Hall, Taunton (engraving)

Unveiling the Bust of Fielding at the Shire Hall, Taunton (engraving)
1044446 Unveiling the Bust of Fielding at the Shire Hall, Taunton (engraving) by English School, (19th century); Private Collection; (add.info.: Unveiling the Bust of Fielding at the Shire Hall)

Background imageHenry Fielding Collection: Sharpham Park, Somerset, the Birthplace of Fielding the Novelist (engraving)

Sharpham Park, Somerset, the Birthplace of Fielding the Novelist (engraving)
1096812 Sharpham Park, Somerset, the Birthplace of Fielding the Novelist (engraving) by English School, (19th century); Private Collection; (add.info.: Sharpham Park, Somerset)

Background imageHenry Fielding Collection: Portrait of Henry Fielding (engraving)

Portrait of Henry Fielding (engraving)
819889 Portrait of Henry Fielding (engraving) by English School, (19th century); Private Collection; (add.info.: Henry Fielding, English novelist and dramatist. Engraved by I H Baker)

Background imageHenry Fielding Collection: Henry Fielding, English novelist and playwright (engraving)

Henry Fielding, English novelist and playwright (engraving)
6014875 Henry Fielding, English novelist and playwright (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: Henry Fielding (1707-1754)

Background imageHenry Fielding Collection: Henry Fielding (engraving)

Henry Fielding (engraving)
664577 Henry Fielding (engraving) by English School, (19th century); Private Collection; (add.info.: Henry Fielding. Illustration from Cassells History of England (special edition, A W Cowan)

Background imageHenry Fielding Collection: The Election II: Canvassing for Votes, illustration from Hogarth Restored

The Election II: Canvassing for Votes, illustration from Hogarth Restored
STC451172 The Election II: Canvassing for Votes, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imageHenry Fielding Collection: Dr. Syntax sketching after nature

Dr. Syntax sketching after nature
SC14457 Dr. Syntax sketching after nature by Rowlandson, Thomas (1756-1827); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageHenry Fielding Collection: Tom Jones (b / w photo)

Tom Jones (b / w photo)
3642599 Tom Jones (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Tom Jones. Postcard, early 20th century.); © Look and Learn

Background imageHenry Fielding Collection: Tom Jones (colour litho)

Tom Jones (colour litho)
3643099 Tom Jones (colour litho) by English School, (20th century); Private Collection; (add.info.: Tom Jones. Postcard, early 20th century.); © Look and Learn

Background imageHenry Fielding Collection: Henry Fielding, novelist and magistrate (engraving)

Henry Fielding, novelist and magistrate (engraving)
3635118 Henry Fielding, novelist and magistrate (engraving) by English School, (19th century); Private Collection; (add.info.: Henry Fielding, novelist and magistrate)

Background imageHenry Fielding Collection: A Rakes Progress VII: The Rake in Prison, 1733 (oil on canvas)

A Rakes Progress VII: The Rake in Prison, 1733 (oil on canvas)
SJS2004 A Rakes Progress VII: The Rake in Prison, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageHenry Fielding Collection: Tom Jones and Sophia Western, scene from Henry Fieldings comic novel The History of Tom Jones

Tom Jones and Sophia Western, scene from Henry Fieldings comic novel The History of Tom Jones
5996461 Tom Jones and Sophia Western, scene from Henry Fieldings comic novel The History of Tom Jones, a Foundling (colour litho) by English School

Background imageHenry Fielding Collection: The History of Tom Jones (engraving)

The History of Tom Jones (engraving)
816780 The History of Tom Jones (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration depicting Ralph Allen, the original Squire Allworthy)

Background imageHenry Fielding Collection: A scene from Henry Fieldings Tom Jones (litho)

A scene from Henry Fieldings Tom Jones (litho)
5198557 A scene from Henry Fieldings Tom Jones (litho) by Pegram, Frederick (1870-1937); Private Collection; (add.info.: A scene from Henry Fieldings Tom Jones)

Background imageHenry Fielding Collection: Tom Jones and Mrs Weston, (w / c on paper)

Tom Jones and Mrs Weston, (w / c on paper)
BIR122815 Tom Jones and Mrs Weston, (w/c on paper) by Uwins, Thomas (1782-1857); Birmingham Museums and Art Gallery; (add.info.: no Mrs W. in the novel; ); English, out of copyright

Background imageHenry Fielding Collection: A View of the Grand Walk, Marylebone Gardens, 1778-86 (w / c on paper)

A View of the Grand Walk, Marylebone Gardens, 1778-86 (w / c on paper)
BIR102639 A View of the Grand Walk, Marylebone Gardens, 1778-86 (w/c on paper) by Donowell, John (fl.1753-86); Birmingham Museums and Art Gallery; English, out of copyright

Background imageHenry Fielding Collection: A scene from Henry Fieldings Tom Jones (litho)

A scene from Henry Fieldings Tom Jones (litho)
5198567 A scene from Henry Fieldings Tom Jones (litho) by Pegram, Frederick (1870-1937); Private Collection; (add.info.: A scene from Henry Fieldings Tom Jones)

Background imageHenry Fielding Collection: The History of Tom Jones (engraving)

The History of Tom Jones (engraving)
820476 The History of Tom Jones (engraving) by English School, (18th century); Private Collection; (add.info.: Tom Jones, book VIII, Ch 10 P)

Background imageHenry Fielding Collection: A Rakes Progress, Plate 7, 3rd State, 1735 (engraving)

A Rakes Progress, Plate 7, 3rd State, 1735 (engraving)
1071404 A Rakes Progress, Plate 7, 3rd State, 1735 (engraving) by Hogarth, William (1697-1764); 34.3x39.4 cm; Dallas Museum of Art, Texas

Background imageHenry Fielding Collection: The Authors Benefit: Pasquin, 1736. Creator: Unknown

The Authors Benefit: Pasquin, 1736. Creator: Unknown
The Authors Benefit: Pasquin, 1736

Background imageHenry Fielding Collection: Henry Fielding, ca. 1835. Creator: Unknown

Henry Fielding, ca. 1835. Creator: Unknown
Henry Fielding, ca. 1835

Background imageHenry Fielding Collection: Fielding, (1707-1754), 1830. Creator: Unknown

Fielding, (1707-1754), 1830. Creator: Unknown
Fielding, (1707-1754), 1830. Henry Fielding (1707-1754) English novelist and dramatist educated at Eton College known for his satire, holds a place in the history of law enforcement

Background imageHenry Fielding Collection: Henry Fielding, c1754, (1827). Creator: Unknown

Henry Fielding, c1754, (1827). Creator: Unknown
Henry Fielding, c1754, (1827). Portrait of English novelist and dramatist Henry Fielding (1707-1754), above a shelf containing a quill pen and inkwell, the masks of Comedy and Tragedy

Background imageHenry Fielding Collection: Henry Fielding, (1919)

Henry Fielding, (1919). Fielding (1707-1754) was an English novelist and dramatist. From an engraving after the pen-and-ink sketch by William Hogarth



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Henry Fielding, born in 1707, was a renowned English novelist and dramatist who left an indelible mark on the literary world. His works captured the essence of society during his time, shedding light on various aspects of human nature. One notable piece that showcases Fielding's talent is "The Election II: Canvassing for Votes, " painted in 1754-55 by an unknown artist. This oil on canvas masterpiece depicts the chaos and excitement surrounding political campaigns during that era. Another captivating artwork related to Fielding is "The Election, Chairing the Member, " an illustration from Hogarth Restored. This image perfectly captures the jubilation and celebration that followed a successful election campaign. Fielding himself was immortalized in an engraving by William Hogarth, which portrays him as a distinguished figure with intellect radiating from his eyes. Published in Impressions of English Literature in 1944, this engraving pays homage to Fielding's contribution to literature. In addition to his written works, such as "The Players Last Refuge" and "The Strollers in Distress, " both published in 1735 as engravings, Fielding also possessed a knack for creating vivid scenes through words alone. Descriptions like "He then broke from her with such violence that her face dashed against the floor" evoke strong emotions within readers' hearts. Fielding's characters were equally memorable; they leapt off the page and into our imaginations. In one scene from his play The Miser performed at Covent Garden Theatre in 1753, Mr Edward Shuter brilliantly portrayed Lovegold with all its complexities and nuances. Love stories were not foreign territory for Fielding either. He expertly crafted tales where love triumphed over adversity or faced heartbreaking obstacles head-on. One example can be found when he wrote about a young woman seeking protection under a nobleman's wing.