Hell Collection (page 17)

The Bridge, Inferno, Canto 21 (engraving)
5213964 The Bridge, Inferno, Canto 21 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Bridge, Inferno, Canto 21)

Encounter with the Centaurs, Inferno, Canto 12 (engraving)
5213952 Encounter with the Centaurs, Inferno, Canto 12 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Encounter with the Centaurs, Inferno, Canto 12)

The Lovers Surprised, Inferno, Canto 5 (engraving)
5213944 The Lovers Surprised, Inferno, Canto 5 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Lovers Surprised, Inferno, Canto 5)

The soul of Judas on its way to Hell (engraving)
5207610 The soul of Judas on its way to Hell (engraving) by German School, (19th century); Private Collection; (add.info.: The soul of Judas on its way to Hell)

Cacus, Inferno, Canto 25 (engraving)
5213966 Cacus, Inferno, Canto 25 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Cacus, Inferno, Canto 25)

Summit of Malebolge, Inferno, Canto 21 (engraving)
5213961 Summit of Malebolge, Inferno, Canto 21 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Summit of Malebolge, Inferno, Canto 21)

Tiresias, Inferno, Canto 20 (engraving)
5213960 Tiresias, Inferno, Canto 20 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Tiresias, Inferno, Canto 20)

The Region of Pluto, Inferno, Canto 7 (engraving)
5213946 The Region of Pluto, Inferno, Canto 7 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Region of Pluto, Inferno, Canto 7)

The Descent of Christ, Inferno, Canto 4 (engraving)
5213942 The Descent of Christ, Inferno, Canto 4 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Descent of Christ, Inferno, Canto 4)

Scene of an inferno (fresco)
694868 Scene of an inferno (fresco) by Thai School, (19th century); Wat Suthat Trepphawararam, Bangkok, Thailand; (add.info.: ScAne Infernale; ); Thai, out of copyright

Hell mouth (colour litho)
956030 Hell mouth (colour litho) by Shaw, John Byam Liston (1872-1919); Private Collection; (add.info.: The Pilgrims Progress published by Charles Scribners & Sons); English, out of copyright

Charon (chromolitho)
975944 Charon (chromolitho) by French School, (19th century); Private Collection; (add.info.: Charon. French educational card, late 19th/early 20th century.); © Look and Learn

Fourth: Lazarus describes what hes seen in hell - a horrible basket containing
876391 Fourth: Lazarus describes what hes seen in hell - a horrible basket containing snakes, biting and attacking bodies (litho)

Hell (oil on canvas)
884647 Hell (oil on canvas) by Mandyn, Jan (c.1500-59) (attr. to); Private Collection; ePeter Willi; Dutch, out of copyright

La Ronde du Sabbat, 19th Century (b / w engraving)
909592 La Ronde du Sabbat, 19th Century (b/w engraving) by Boulanger, Louis (1806-67); Private Collection; (add.info.: Depiction of Sir Roland and Sir Oliviers 5 day long fight)

Souls on the bank of the Styx (pencil on paper)
PNH452502 Souls on the bank of the Styx (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.1x16.5 cm; Private Collection; (add.info)

Illustration to Paradise Lost (ink & pencil on paper)
473912 Illustration to Paradise Lost (ink & pencil on paper) by Bone, Henry Pierce (1779-1855); 29.9x23.6 cm; Laing Art Gallery, Newcastle-upon-Tyne

Mystery Plays in the Netherlands (chromolitho)
735099 Mystery Plays in the Netherlands (chromolitho) by European School, (19th century); Private Collection; (add.info.: Mystery Plays in the Netherlands)

Mephistopheles arrives in Hell with Faust (chromolitho)
735814 Mephistopheles arrives in Hell with Faust (chromolitho) by European School, (19th century); Private Collection; (add.info.: Mephistopheles arrives in Hell with Faust)

Fresco on the walls of St. Johns Church, showing part of the Last Judgement
2831872 Fresco on the walls of St. Johns Church, showing part of the Last Judgement (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Bad Angels thrown into Hell (colour litho)
2799763 Bad Angels thrown into Hell (colour litho) by French School, (19th century); Private Collection; (add.info.: Bad Angels thrown into Hell. Illustration for Histoire Sainte (Guerin, c 1890)

Comic postcard, Bride and groom leaving church Date: 20th century

Tengou, demon des songes (engraving)
2793213 Tengou, demon des songes (engraving) by French School, (19th century); Private Collection; (add.info.: Tengou, demon des songes. Illustration for Le Tour Du Monde (Hachette, 1866 1H)

Bad Luck Crest designed by fighter pilot, WW2
Bad Luck Crest, a form of modern heraldry designed by a fighter pilot who escaped from Dunkirk during WW2 Date: 1941

Comc postcard, Four people playing cards Date: 20th century

Comic postcard, Man pushing pram with triplets Date: 20th century

Comic postcard, Money and a broken bottle Date: 20th century

Comic postcard, The saint and the sinner Date: early 20th century

The Moment of Reflection or a Tale for Future Times, pub. 1796 (hand coloured etching)
2490443 The Moment of Reflection or a Tale for Future Times, pub. 1796 (hand coloured etching) by Cruikshank, Isaac (1756-1811); Private Collection; (add.info)

Particular Judgement (colour litho)
3095571 Particular Judgement (colour litho) by French School, (19th century); Private Collection; (add.info.: Particular Judgement. Jugement Particulier)

Comic postcard, Supply and demand - the price of poultry Date: 20th century

Hell (colour litho)
3108122 Hell (colour litho) by French School, (19th century); Private Collection; (add.info.: Hell. L Enfer. Illustration for Grand Album d Images en Couleurs for l Explication du Catechisme by Abbe)

Purgatory (colour litho)
3108121 Purgatory (colour litho) by French School, (19th century); Private Collection; (add.info.: Purgatory. Le Purgatoire)

The Infernal Chamber (engraving)
3100757 The Infernal Chamber (engraving) by French School, (19th century); Private Collection; (add.info.: The Infernal Chamber)

Christ in the Realm of the Dead, 1891-94 (oil on canvas)
1273900 Christ in the Realm of the Dead, 1891-94 (oil on canvas) by Skovgaard, Joakim (1856-1933); 351.5x489 cm; Statens Museum for Kunst, Copenhagen

Eurydice floating among flames, 1872-75 (graphite on paper)
1216855 Eurydice floating among flames, 1872-75 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 22.8x22.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Tages and Etruscan monsters
Etruscan bronze statue of Tages as a noble boy with bracelets on his arms and legs 1, and bas-relief of the monster Volta with the muzzle of a dog emerging from a tomb 2

The Porta all Arco, Etruscan door in the walls of Volterra, Tuscany. Decorated with three heads of Jupiter, Castor and Pollux (or Tinia, Uni and Menrva in Etruscan mythology)

Saint Michael and the Devil, from the Wenhaston Doom, c. 1500-20 (painted wood)
MFI271190 Saint Michael and the Devil, from the Wenhaston Doom, c.1500-20 (painted wood) by English School, (16th century); St

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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.