Heightened Collection (page 23)

Phaedra Rejecting the Embraces of Theseus; Anne-Louis Girodet de Roucy-Trioson, French, 1767 - 1824; about 1800; Pencil, pen and brown ink, brown wash

Odysseus and the Daughters of Lycomedes; Baldassare Peruzzi, Italian, 1481 - 1536; about 1520; Pen and brown ink, black chalk

Faith and Justice Enthroned; Carlo Maratti, Italian, 1625 - 1713; Italy, Europe; about 1676; Pen and brown ink, brown wash, red chalk

Bust of an Angel; Hendrick Goltzius, Dutch, 1558 - 1617; Holland, Europe; 1609; Black chalk, oiled black chalk, heightened with white chalk; 55.6 x 39.7 cm (21 7/8 x 15 5/8 in.)

Reclining Male Nude; Francesco Salviati, Italian, 1510 - 1563; about 1550; Red chalk with stumping, heightened with white; 27 x 39.7 cm (10 5/8 x 15 5/8 in.)

Alexander Ceding Campaspe to Apelles; Jerome-Martin Langlois, French, 1778 - 1838; 1819; Black and white chalk, gray washes, heightened with white gouache; 39.1 x 51.4 cm (15 3/8 x 20 1/4 in.)

Nude Man Carrying a Rudder on His Shoulder; Titian (Tiziano Vecellio), Italian, about 1487 - 1576; about 1555 - 1556; Black chalk, heightened with white chalk

The Martyrdom of Saint Justina; Paolo Veronese (Paolo Caliari), Italian, 1528 - 1588; Italy, Europe; 1575; Pen and brown ink, brush with brown and gray washes, heightened with white gouache

Christ in Glory; Correggio (Antonio Allegri), Italian, about 1489 - 1534; Italy, Europe; 1520 - 1523; Red chalk and brown and gray wash

Salome with the Head of John the Baptist; Cornelis Engebrechtsz. Dutch, about 1465 - 1527; Netherlands, Europe; about 1490; Brush and black ink, gray wash

Study of Three Skulls (recto), Architectural Study (verso); Unknown maker, Southern German; Germany, Europe; about 1530; Pen and black ink, brush with gray wash, heightened with white gouache

Standing Saint (recto), Studies of Christ at the Column, a Nude from Behind, and Various Figures (verso); Filippino Lippi, Italian, about 1457 - 1504; Italy, Europe; about 1482; Metalpoint

Landscape with the Story of Venus and Adonis; Hans Bol, Flemish, 1534 - 1593; 1589; Gouache heightened with gold on vellum; 20.6 x 25.7 cm (8 1/8 x 10 1/8 in.)

Seated Young Man; Unknown maker, Florentine School; Florence, Tuscany, Italy, Europe; about 1515; Metalpoint, heightened with white gouache

Truth Illuminating Human Blindness; Volterrano (Baldassare Franceschini), Italian, 1611 - 1690; Italy, Europe; about 1650; Red chalk

Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John; Pietro da Cortona, Italian, 1596 - 1669; Italy, Europe; about 1661; Pen and brown ink and gray wash over black chalk

Studies of Christs Loincloth (recto), Studies of Bookbindings and of Christs Loincloth (verso); Master of the Coburg Roundels, German

Personification of September; Joachim von Sandrart, German, 1606 - 1688; about 1644; Black chalk and brown wash, heightened with gray chalk, incised for transfer; 28.7 x 23.8 cm (11 5/16 x 9 3/8 in.)

The Return from the Race; Carle Vernet, French, 1758 - 1836; 1800; Black chalk stumped and heightened with white; framing line in light brown ink

Bearded Man Filling a Glass and Youth Running"
" Bearded Man Filling a Glass" and " Youth Running" ; Giorgio Vasari, Italian, 1511 - 1574; about 1544 - 1545; Pen and brown ink and brown wash over black chalk

Death of Hippolytos; Carle Vernet, French, 1758 - 1836; 1800; Black chalk stumped and heightened with white; framing line in light brown ink

The Duke of Alba Receiving the Popes Blessing in the Cathedral of Sainte-Gudule, Brussels; Jean-Auguste-Dominique Ingres, French, 1780 - 1867; 1815; Pen and brown ink, and brown wash

A Draped Figure Holding a Book; Unknown maker, North or Central Italian School; about 1380; Point of the brush, heightened with white gouache

St. Jerome Hearing the Trumpet of the Last Judgment; Vicente Carducho, Spanish, born Italy, about 1576 - 1638; about 1626 - 1632; Black chalk with brown wash, heightened with white gouache

Equestrian Portrait of Don Juan Jose of Austria; Jose Ximenez Donoso, Spanish, about 1632 - 1690; about 1660 - 1680; Brown ink and brown wash over black chalk, heightened with white gouache

Portrait of Andre-Antoine Bernard, called Bernard de Saintes; Jacques-Louis David, French, 1748 - 1825; July 24, 1795; Pen and Indian ink and gray wash, heightened with white gouache

Two Studies for a Holy Family; Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; Italy, Europe; 1526; Pen and brown ink, brush with brown wash, over red chalk

The Incredulity of Thomas (recto), Study for the Figure of Thomas (verso); Pellegrino Tibaldi, Italian (Bolognese), 1527 - 1596; Italy, Europe; about 1565 - 1585; Pen and brown ink and brown wash

Cybele before the Council of the Gods; Pietro da Cortona, Italian, 1596 - 1669; Italy, Europe; 1633; Pen and brown ink with brown wash, heightened with white bodycolor, over black chalk

Portrait of Raymond de Magnoncourt; Theodore Chasseriau, French, 1819 - 1856; 1851; Pencil heightened with white chalk; 21.9 x 27.6 cm (8 5/8 x 10 7/8 in.)

Blanchisserie a Scheveningen Bleachery at Scheveningen (recto
" Blanchisserie a Scheveningen" Bleachery at Scheveningen (recto), " Femme de Scheveningen" Woman from Scheveningen (verso); Vincent van Gogh, Dutch

A Landscape with Shepherds Resting Under a Tree by a Cascade (recto), Sketch of a Landscape (verso); Francesco Zuccarelli, Italian, 1702 - 1778; mid-1700s; Black chalk, pen and brown ink

The Wolf and the Fox; Jean-Baptiste Oudry, French, 1686 - 1755; 1733; Brush and black ink and brush and gray wash, heightened with white gouache, on blue paper; 31.1 x 26 cm (12 1/4 x 10 1/4 in.)

Belphagore; Jean-Baptiste Oudry, French, 1686 - 1755; 1734; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 31.1 x 26 cm (12 1/4 x 10 1/4 in.)

The Eagle and the Magpie; Jean-Baptiste Oudry, French, 1686 - 1755; 1733; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 30.6 x 25.6 cm (12 1/16 x 10 1/16 in.)

Two Studies of a Reclining Female Nude; Domenico Tintoretto (Domenico Robusti), Italian, about 1560 - 1635; 1590 - 1610; Black chalk heightened with white chalk; 20 x 30 cm (7 7/8 x 11 13/16 in. )

Head of a bacchante; Charles-Joseph Natoire, French, 1700 - 1777; 1741; Black and red chalk, heightened with white chalk and blue and pink pastels on blue-gray paper; 32.7 x 23.5 cm

Landscape with Chateau Galliard; Jean-Jacques de Boissieu, French, 1736 - 1810; 1796; Pen with black and gray ink and brush and gray wash

Winter Landscape with Figures; Jan Berents, Dutch, about 1679 - after 1733; Netherlands, Europe; about 1723; Gouache on vellum, heightened with gold

John Vanderlyn, The Cape of Pinzon, American, 1775-1852, c. 1838, brown and black chalk heightened with white chalk and pastel on blue board

Charles Fromuth, The Storm, American, 1858-1937, 1908, charcoal heightened with white on tan wove paper mounted to board

Charles Sprague Pearce, Studies for a Panel, American, 1851-1914, 1890-1897, graphite heightened with white on tan wove paper

Charles Sprague Pearce, Study of a Figure from Behind [recto], American, 1851-1914, 1890-1897, graphite heightened with white on tan wove paper

Benjamin West, Study of a Right Arm and a Left Hand, American, 1738-1820, black chalk heightened with white on brown laid paper

Francesco Londonio (Italian, 1723-1783), Peasant Woman Seated on a Donkey and a Peasant Man, etching heightened with white gouache on blue laid paper

Friedrich Preller the Elder (German, 1804-1878), Italian Coastal Landscape with a Thunderstorm, 1828-1831, pen and red-brown ink with red-brown and gray washes, heightened with white

The Emperor of Austria Ascending the Great Pyramid 1869. Watercolour heightened with white. Franz Joseph I (1830-1916) Pyramid Kufu Cheops Giza Egypt Archaeology

Petersburg, Virginia. Fort Sedgwick. Gabions heightened by sand bags. Date 1865 Apr

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"Heightened Beauty: A Glimpse into Artistic Mastery" A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand: Immersed in nature's embrace, a lady strolls through an enchanting garden, her child's hand held tightly as they explore life's wonders together. Children Feeding Ducks Beside a Cottage in a Wooded Lane (watercolour with white heightening on board): In the tranquility of a wooded lane, children engage with nature's gentle creatures, their laughter echoing amidst the charming cottage backdrop. Teatime (pencil and watercolour heightened with white on card): A moment frozen in time; delicate teacups clink as friends gather for tea, their animated conversations filling the air with warmth and camaraderie. The Doges Palace, Venice, from the Steps of San Giorgio Maggiore: From atop San Giorgio Maggiore steps emerges an awe-inspiring sight - Venice's majestic Doges Palace stands tall against azure skies, beckoning visitors to uncover its rich history. Christ Cross Virgin Mary Mary Magdalene Saint John: An evocative portrayal of divine sacrifice unfolds as Christ hangs upon the cross while surrounded by his devoted followers - Virgin Mary, Mary Magdalene, and Saint John. Ocean Liners - six sketches of scenes on board: Voyage into opulence aboard grand ocean liners through six captivating sketches that capture life at sea - bustling decks alive with passengers' stories waiting to be told. Young Girl with Sheep by a Cottage (pencil and watercolour heightened with white): Innocence personified; a young girl tenderly tends to her sheep near a cozy cottage nestled amidst rolling hills – an idyllic scene radiating serenity. Woman in the Rice Fields (monotype printed in colours, heightened with crayon).