Heath Collection (page 17)

The Riot in Broad Street, June 7th, 1780, (1920). Artist: James Heath
The Riot in Broad Street, June 7th, 1780, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

View from Old Palace Yard, Westminster, London, 1825. Artist: Charles Heath
View from Old Palace Yard, Westminster, London, 1825. View showing the Church of St Margaret, Westminster, Westminster Abbey and part of the Palace of Westminster

View of the Kings Theatre, Haymarket, London, 1837

Burlington Arcade, Westminster, London, 1825. Artist: Charles Heath
Burlington Arcade, Westminster, London, 1825. View of one of the entrances to the arcade, off Piccadilly, with figures walking through it

The exile restored... 1820
The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair

The Upper Terrace Avenue, Hampstead Heath, London, c1840. Artist: Paul Gauci
The Upper Terrace Avenue, Hampstead Heath, London, c1840

Hampstead, Middlesex, 1831. Artist: David Lucas
Hampstead, Middlesex, 1831. A view on Hampstead Heath

Hampstead Heath, London, c1843

Childs Hill, Hampstead Heath, London, 1786. Artist: John Peltro
Childs Hill, Hampstead Heath, London, 1786. View with a shepherd and a woman in the foreground

View of Hampstead Heath, London, 1831. Artist: David Lucas
View of Hampstead Heath, London, 1831

A Peep at the Metropolis from Hampstead Heath, 1841. Artist: James Baker Pyne
A Peep at the Metropolis from Hampstead Heath, 1841

The contractor and the contracted, or 195 more than 186, 1810. Sir William Curtis and Spencer Perceval facing each other in front of the Speakers chair

A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill, 1829 Artist
A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill, 1829. Showing Sir Robert Peel (Jerry) putting to flight a band of elderly nightwatchmen

Hampstead Heath, London, c1830. Artist: J Powell
View over Hampstead Heath, London, c1830

Its most hinfamous to let these here steamers out on a Sunday... 1834. Artist
Its most hinfamous to let these here steamers out on a Sunday. If this is Chelsea Reach, I am afraid it will make me wery sick, 1834

The Saveall, or Economy, 1828. Artist: Thomas McLean
The Saveall, or Economy, 1828. The Duke of Wellington stands between Apsley House, (his future home - still under construction), and the Triumphal Arch on Constitution Hill

Monster soup commonly called Thames water... 1828. Artist: Thomas McLean
Monster soup commonly called Thames water, being a correct representation of that precious stuff doled out to us!!!, 1828; showing an ugly woman holding a spy glass which touches the circumference of

The great general frightened by Don-Key, 1830. Artist: Henry Heath
The great general frightened by Don-Key, 1830; shows the Duke of Wellington running in alarm, from a donkey in mayoral cloak (Sir John Key)

Almacks Assembly Rooms, London, 1827. Artist: SW Fores
Interior view of Almacks Assembly Rooms, King Street, Westminster, London, 1827; showing a crowd of visitors of both sexes and all ages engaged in gossip

Caen Wood, St Pancras, London, 1799. Artist: John Rathbone
View of Caen Wood from Hampstead Heath, London, 1799; shows Kenwood House in the distance

Hill House, Hampstead Heath, Hampstead, London, c1780; residence of Thomas Gattaker

Hampstead Heath, Hampstead, London, 1832. Artist: David Lucas
View of Hampstead Heath, Hampstead, London, 1832

Hampstead Heath, Hampstead, London, c1850. Artist: F Hodges
Hampstead Heath, Hampstead, London, c1850; view of Hampstead Pond on the heath, with buildings behind

Hampstead Heath, Hampstead, London, 1836. Artist: Edmund Marks
View of Hampstead Heath, Hampstead, London, 1836

The Spaniards Inn, Hampstead Heath, Hampstead, London, c1840

General view of Hampstead, Hampstead, London, 1752. Artist: Augustus Wall Callcott
General view of Hampstead, London, 1752; view from the foot way next to the great road, Pond Street. Also with figures and a coach and horses

View of Hampstead Heath, Hampstead, London, 1752. Artist: Francesco Bartolozzi
View of Hampstead Heath, Hampstead, London, 1752; with figures

Blackheath, Greenwich, London, c1835
View, possibly of Blackheath, Greenwich, London, c1835; showing avenue of trees leading to a classical archway

Blackheath, Greenwich, London, 1815; portrait of George Wilson, a pensioner, depicted on the the morning of September 19th 1815

A mill on Blackheath by moonlight; including figures and a windmill, Greenwich, London, 1770
A mill on Blackheath, London, by moonlight, 1770; including figures

The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by

Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre

Jack Ketch executing sentence on a culprit, 1832. Artist
Jack Ketch executing sentence on a culprit, 1832. A hangman pulls at a rope secured around the neck of a bust of the Duke of Wellington; John Key, Matthew Wood and Robert Waithman cheer him

Just looking out for somthing [sic] to stay my stomach till dinner time, 1830. Sir William Curtis scanning a bill of fare and rubbing his protruding belly with delight

Ahithophel in the dumps, 1830. Artist: Henry Heath
Ahithophel in the dumps, 1830. The Duke of Wellington on a donkey with a saddle resembling a mayoral gown approaching a gallows

John Bull & the arch-itect wot builds the arches - &c - &c - &c - &c, 1829. John Nash standing between the two wings of Buckingham Palace confronted by John Bull, holding a long scroll

The board of Red cloth, City ladies admitted if extreemly Rich... 1827. Artist
The board of Red cloth, City ladies admitted if extreemly Rich... 1827. A scene in the committee room at Almacks Assembly Rooms, King Street, London

Monument to Earl Howe, sculpted by J Flaxman, St Pauls Cathedral, City of London, 1818

Hampstead Heath, Hampstead, London, c1840. Artist: Graf & Soret
View of cottages and figures in the Vale of Health, Hampstead Heath, London, c1840

1935 MG PA taking part in the NWLMC Lawrence Cup Trial, 1937. Artist: Bill Brunell
MG PA 2 seater sports. 1935 847 cc. Vehicle Reg. No. ADF928. Event Entry No: 30 Chassis No. PA2213. Place: N.W.L.M.C. Lawrence Cup Trial. Date: 29.5.37

1934 Ford V8 open 2-seater taking part in the NWLMC Lawrence Cup Trial, 1937. Artist: Bill Brunell
Ford V8 Open 2 seater 1934 3622 cc. Vehicle Reg. No. OC9847. Event Entry No: 12. Place: N.W.L.M.C. Lawrence Cup Trial. Date: 29.5.37

1933 Wolseley Hornet 2-seater sports taking part in a motoring trial, late 1930s
Wolseley Hornet 2 seater sports 1933 1271 cc. Vehicle Reg. No. AXC10. Event Entry No: 29. Place: Unidentified Trial. Date: Post 1937

1929 Riley cut-down trials special taking part in a motoring trial, late 1930s. Artist
Riley Cut-down trials special. 1929 1089 cc. Vehicle Reg. No. MW5460. Event Entry No: 12. Place: Unidentified Trial. Date: Post 1937

1930 Morris Minor Trials Special taking part in a motoring trial, late 1930s. Artist: Bill Brunell
Morris Minor Trials Special 1930 847 cc. Vehicle Reg. No. TR9693. Place: Unidentified Trial. Date: Post 1937

1089 cc Riley taking part in a motoring trial, late 1930s. Artist: Bill Brunell
Riley 1089 cc. Vehicle Reg. No. YX7853. Event Entry No: 10? Cut-down for trials. Place: Unidentified Trial. Date: Post 1937

1938 Frazer-Nash BMW 328 taking part in a motoring trial, late 1930s. Artist: Bill Brunell
Frazer-Nash BMW 328 1938 1971 cc. Vehicle Reg. No. GHX516. Event Entry No: 25 Chassis No.85.094. Rebuilt as OBM s/seater. Place: Unidentified Trial. Date: Post 1937

MG J2 taking part in a motoring trial, late 1930s. Artist: Bill Brunell
MG J2 847 cc. Vehicle Reg. No. PO8865. Chassis No. J4136. Place: Unidentified Trial. Date: Post 1937

1938 Vauxhall Ten taking part in a motoring trial, late 1930s. Artist: Bill Brunell
Vauxhall Ten 1938 1204 cc. Vehicle Reg. No. DRK713. Event Entry No: 57. Place: Unidentified Trial. Date: Post 1937

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"Heath Robinson: Master of Whimsical Contraptions and Ingenious Solutions" Step into the imaginative world of William Heath Robinson, a renowned British artist and illustrator known for his eccentric creations. From automated dining rooms without servants to peculiar contraptions that deceive invaders, Heath Robinson's work never fails to amuse and astonish. In "Heath Robinson Automated Dining Room without Servants 1 of 4, " we are transported to a time where technology meets creativity. With intricate mechanisms and clever engineering, he envisions a future where tasks are effortlessly carried out by machines, freeing us from the mundane chores of everyday life. "The Kinecar by William Heath Robinson" takes transportation to new heights with its unconventional design. This whimsical vehicle combines elements of nature and machinery, showcasing the artist's ability to blend fantasy with practicality. As we delve into "The Sketch Ideal Home No. VI. Sports Without Broad Acres, " we witness how Heath Robinson transforms limited space into opportunities for recreation. His inventive mind brings forth ideas that allow individuals to enjoy sports within the confines of their homes, proving that one can find joy even in small spaces. With "An Ideal Home No. I by William Heath Robinson, " our imagination is sparked once again as he presents an idyllic dwelling filled with ingenious gadgets designed for convenience and comfort. Every corner holds surprises - from self-operating fireplaces to beds that make themselves - making this home truly extraordinary. But it doesn't stop there; deception becomes art in "Deceiving the Invader as to the State of the Tide. " Here, Heath Robinson showcases his ability to think outside the box when it comes to defense strategies during wartime situations. Through cleverly crafted devices, he demonstrates how one can mislead potential threats using simple yet effective means. In "Ultra-Marine by William Heath Robinson, " we dive deep into an aquatic adventure where submarines take on unexpected forms inspired by marine creatures.