Hay Collection (page 14)

Cattle and cart Coolangatta. Australia
Vintage 19th century photograph: farm scene - cattle and cart Coolangatta. Coolangatta is an historic area in Australia, on the north shore of the Shoalhaven River on the New South Wales south coast

Grass (colour litho)
3096769 Grass (colour litho) by German School, (19th century); Private Collection; (add.info.: Grass. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard Walther (Eklingen)

Spanish woman carrying a massive bundle of hay
Spanish woman at the roadside carrying a massive bundle of Hay, Spain. Date: circa 1920s

Poem illustrated by Walter Crane. Date: 1884

Woman with a Bale of Hay
Drawing of a woman carrying a bale of hay.(H H L)

Threshing rice grains, Japan. Vintage 19th century photograph

Farm ox cart with hay, farm workers, pitchforks, European
Farm ox cart loaded with hay, farm workers with pitchforks, European. Vintage 19th century photograph

Study of Two Female Harvesters, 1882 (black chalk on pink paper with white)
493251 Study of Two Female Harvesters, 1882 (black chalk on pink paper with white) by Pissarro, Camille (1830-1903); 42.8x63.8 cm; Ashmolean Museum, University of Oxford

Old horses with a dog in a stable, c. 1791 (oil on panel)
XYC283268 Old horses with a dog in a stable, c.1791 (oil on panel) by Morland, George (1763-1804); 29.8x38.1 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Carthorse in harness eating hay. Artist: Eileen Hood. Date: circa 1920

The Kid (oil on canvas)
DRB128802 The Kid (oil on canvas) by Hutchison, Robert Gemmell (1855-1936); Private Collection; Scottish, out of copyright

Harvest Time, 1900 (oil on canvas)
XKH147944 Harvest Time, 1900 (oil on canvas) by Kalckreuth, Leopold Karl Walter von (1855-1928); 132x151 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Farm (oil on canvas)
BRN187489 The Farm (oil on canvas) by Kane, John (1860-1934); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Haycart beside a River (oil on canvas)
LEF221944 Haycart beside a River (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 40.6x61 cm; Private Collection; (add.info)

Illustrated calendar for the Parisian department store La Belle Jardiniere
CHT157392 Illustrated calendar for the Parisian department store La Belle Jardiniere, the harvest, 1901 (colour litho) by Dupre, Julien (1851-1910); Bibliotheque des Arts Decoratifs, Paris

Farmyard Scene
DM18529 Farmyard Scene by Alken, Henry Thomas (1785-1851); Messum s, London, UK; English, out of copyright

The Harvest (oil on canvas)
XOU16796 The Harvest (oil on canvas) by Dieterle, Pierre-Georges (1844-1937); Musee des Beaux-Arts, Rouen, France; French

Dawn labour, 1900 (oil on canvas)
989605 Dawn labour, 1900 (oil on canvas) by Breton, Jules (1827-1906); 58.8x81.8 cm; Private Collection; (add.info.: Dawn labour; Ardeurs du crepuscule. Jules Breton (1827-1906). Oil on canvas

A Break from the Harvest, (oil on canvas)
989453 A Break from the Harvest, (oil on canvas) by Dupre, Julien (1851-1910); 54.6x66 cm; Private Collection; (add.info.: A Break from the Harvest. Julien Dupre (1851-1910). Oil on canvas

The mowers (colour litho)
5304414 The mowers (colour litho) by Clausen, George (1852-1944); Private Collection; English, out of copyright

Haymaking (oil on canvas)
CH402146 Haymaking (oil on canvas) by Forbes, Elizabeth Adela Stanhope (1859-1912); 45.7x63.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Gathering Geese, (oil on canvas)
650550 Gathering Geese, (oil on canvas) by Vonnoh, Robert William (1858-1933); 46x54.8 cm; Private Collection; (add.info.: Gathering Geese. Robert William Vonnoh (1858-1933). Oil on canvas

Pigsty, Nursery; Schweinekoben, Wochenstube, 1887 (oil on board)
1196349 Pigsty, Nursery; Schweinekoben, Wochenstube, 1887 (oil on board) by Liebermann, Max (1847-1935); 49.8x64.4 cm; Private Collection; Photo eChristies Images; German, out of copyright

In a Barn, (watercolour heightened with white)
658918 In a Barn, (watercolour heightened with white) by Rossi, Luigi (1853-1923); 29.5x46.5 cm; Private Collection; (add.info.: In a Barn. Luigi Rossi (1853-1932). Watercolour heightened with white

A View of Paris from St. Cloud, 1830 (watercolour with touches of white heightening
651977 A View of Paris from St. Cloud, 1830 (watercolour with touches of white heightening, and gum arabic) by Boys, Thomas Shotter (1803-74); 42.8x59 cm; Private Collection; (add.info)

Haystacks (oil on canvas)
CH376815 Haystacks (oil on canvas) by Monet, Claude (1840-1926); Private Collection; Photo eChristies Images; French, out of copyright

The Harvesters Lunch, 1888 (oil on canvas)
989830 The Harvesters Lunch, 1888 (oil on canvas) by Bousquet, Charles (1856-1946); 103.5x121 cm; Private Collection; (add.info.: The Harvesters Lunch. Charles Bousquet (1856-1946). Oil on canvas

Evening Song, 1893 (oil on canvas)
989740 Evening Song, 1893 (oil on canvas) by Clausen, George (1852-1944); 91x121 cm; Private Collection; (add.info.: Young blonde girl resting in a hayfield.); Photo eChristies Images; English

Man with Wheelbarrow, 1855-56 (etching)
6198937 Man with Wheelbarrow, 1855-56 (etching) by Millet, Jean-Francois (1814-75); 16.6x13.5 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; French, out of copyright

The End of the Day
CH19694 The End of the Day by Millner, William Edward (1849-95); Private Collection; Photo eChristies Images; English, out of copyright

Harvest scene with horses pulling a haywain (colour litho)
6001204 Harvest scene with horses pulling a haywain (colour litho) by English School, (20th century); Private Collection; (add.info.: Harvest scene with horses pulling a haywain)

Advertisement for the Chieftain self dump lock lever, manufactured by the Chieftain Hay Rake Company, Canton, Ohio
6032901 Advertisement for the Chieftain self dump lock lever, manufactured by the Chieftain Hay Rake Company, Canton, Ohio, USA (litho) by American School

Woman with pitchfork stroking a horse in front of a haycart. circa 1930s

People haymaking. circa 1930s

Ludgate Hill Station and New Bridge Street
The exterior of Ludgate Hill Station and New Bridge Street. Terminus of the London, Chatham and Dover Railway (which closed in 1929). Date: circa 1900

Fox Trap (colour woodblock print)
5043687 Fox Trap (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Bristol Museum and Art Gallery, UK; (add.info.: Surimono, Fox carrying a fish)

The Haywain, c. 1889 (oil on canvas)
NUL112414 The Haywain, c.1889 (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 145x127 cm; Private Collection; English, out of copyright

Haymaking, 1858 (oil on panel)
DRE137510 Haymaking, 1858 (oil on panel) by Veyrassat, Jules (1828-93); 24x43 cm; Private Collection; eDreweatt Neate Fine Art Auctioneers, Newbury, Berks, UK; French, out of copyright

The saving of Captain Boycotts crops, illustration from Cassell
STC393207 The saving of Captain Boycotts crops, illustration from Cassells Illustrated History of England engraving (sepia photo) by Wollen

Grey and chestnut horses (oil on canvas)
OJ379555 Grey and chestnut horses (oil on canvas) by Smythe, Edward Robert (1810-99); 29.2x35.6 cm; Private Collection; eAckermann Johnson; English, out of copyright

Women on the land: some interesting scenes at Evesham, from
STC407136 Women on the land: some interesting scenes at Evesham, from The Illustrated War News, 21st June 1916 (sepia photo) by English Photographer

Siege of Metz, Mercy-Le-Haut (chromolitho)
667715 Siege of Metz, Mercy-Le-Haut (chromolitho) by French School, (19th century); Private Collection; (add.info.: Siege of Metz, Mercy-Le-Haut)

Haystacks near a River, near Harford, Warwickshire, 1872 (oil on canvas)
NUL121582 Haystacks near a River, near Harford, Warwickshire, 1872 (oil on canvas) by Turner, George II (1843-1918); 74x125 cm; Private Collection; English, out of copyright

Off to the Chevril Factory, from The Leaguer of Ladysmith, 1900 (colour litho)
BAL143075 Off to the Chevril Factory, from The Leaguer of Ladysmith, 1900 (colour litho) by Captain Clive Dixon (fl.1900); Private Collection; British, out of copyright

Members of the cast of the pantomime Mother Goose at the Theatre Royal Exeter, 1938 - Hay Plumb (4), Wilfred Watson (5), Albert T Grant (6), Joy Rihll (7), Shinks Hodges (8)

London University from Old Gower Muse, 1835 (pencil & w / c with heightening on paper)
UCL284486 London University from Old Gower Muse, 1835 (pencil & w/c with heightening on paper) by Shepherd, George Sidney (1784-1862); UCL Art Museum, University College London

Advert, Hay and Robertson, Dunfermline, Scotland
Advert for Hay and Robertson, Linen and Cotton Manufacturers, St Margarets Works, Dunfermline, Scotland. 1905

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"Hay: A Timeless Symbol of Rural Life and Hard Work in Campbeltown, Argyll, Scotland" Picture No. 11073026 captures the essence of a bustling countryside scene, where Busy Bodies and Busy Bees are hard at work. In this picturesque setting, a majestic Shire horse pulls a hay wagon through the rolling hills of Campbeltown. The sight is reminiscent of simpler times when hay was essential for sustenance. Meanwhile, in Bulwell Wood Hall, Nottinghamshire (as seen in Picture No. 11073025), another heavy Shire horse gracefully maneuvers an old hay rake across the fields. This image transports us to an era when manual labor played a vital role in harvesting nature's bounty. Hay Fever takes center stage at the Gaiety Theatre in Hastings as Noel Coward's timeless play unfolds its comedic brilliance. Amidst laughter and wit, we are reminded that even amidst hay fever season, life goes on with its own dramatic twists. Threshing Wheat (as depicted in Picture No. 11073025) showcases the arduous process involved in separating grain from chaff using traditional methods. It serves as a testament to our ancestors' dedication to providing food for their communities. In Staffordshire - England during September, we witness modern-day farming practices as tractors pause momentarily to allow a cutting-edge hay bale making machine to release perfectly formed bales into the field (Picture No. 11073026). These advancements symbolize progress while honoring age-old traditions. The Dorset Hay Wain stands proudly as an iconic representation of local character dating back to 1931—a reminder of how deeply intertwined rural communities are with their agricultural heritage. Whether it be ancient or contemporary practices surrounding "hay, " these glimpses into different moments throughout history remind us that this humble crop has always been at the heart of sustaining livelihoods and preserving tradition across generations—forever connecting us to the land and its timeless rhythms.